La Specola, Padua

The San Michele Oratory or Oratory of San Michele (Italian - Oratorio di San Michele) is an oratory chapel in Padova, Italy. The interior is painted with a cycle of frescoes on the life of the Virgin Mary by Jacopo da Verona.

The Madonna Addolorata al Torresino, also called the Santa Maria del Pianto or Santa Maria del Torresino is a Roman Catholic parish church located in the city of Padua, region of Veneto, Italy.

Santa Maria in Vanzo is a Renaissance-style, Roman Catholic church in Padua, region of Veneto, Italy.

Padua Cathedral, or Basilica Cathedral of Saint Mary of the Assumption (Italian: Duomo di Padova; Basilica Cattedrale di Santa Maria Assunta), is a Catholic church and minor basilica located on the east end of Piazza Duomo, adjacent to the bishop's palace in Padua, Veneto, Italy. The cathedral, dedicated to the Assumption of the Virgin Mary, is the seat of the Bishop of Padua. The church building, first erected as a cathedral in the 4th century, has undergone major reconstructions over the centuries.

Palazzo Papafava dei Carraresi is a palace in Padua, located in the historic center of the city.

The Padua Baptistery, dedicated to St. John the Baptist, is a baptistery on the Piazza del Duomo next to the cathedral in Padua, Italy. Preserved inside is one of the most important fresco cycles of the 14th century, a masterpiece by Giusto de' Menabuoi.

Piazza Duomo is a city square in Padua, Italy.

The Triumphal Arch of Vallaresso, or locally referred to as the Arco Vallaresso is a 17th-century monumental arch in the town center of Padua, region of Veneto, Italy. In 1632, the arch, designed by Giambattista della Scala, was meant to honor Alvise Vallaresso, Venetian captain of the town, for his diligence in attempting to stem the Bubonic plague in Padua.The arch is a marble facade with an open portal facing the Piazza of the Padua Cathedral, to the left of the church when exiting. It is adjacent to the former Monte de Pieta building. The counter facade is a plain wall with the central opening. The decorative facade is in a sober classical style: four doric columns on plinths. Each couple frame an empty sculpture niche. The columns has a slender architrave, but support an elegant frieze with shields separated by triglyphs. The attic has a central inscription describing the reasons for erecting the arch, flanked by two coat of arms. Historians recall that Vallaresso did not flinch at imposing measures to stop the spread of the disease, such as quarantine of the sick, burials outside of the wall, and utilizing the local lazzaretto to isolate some of the ill. While the mortality was high, the 1631 plague season in Padua was over in a few months.

The Accademia Galileiana ('Galilean academy') is a learned society in the city of Padua in Italy. The full name of the society is Accademia galileiana di scienze, lettere ed arti in Padova ('Galilean academy of science, letters and the arts in Padova'). It was founded as the Accademia dei Ricovrati in Padua in 1599, on the initiative of a Venetian nobleman, Federico Cornaro. The original members were professors in the University of Padua such as professor Georgios Kalafatis; one of its original members was Galileo Galilei. In 1779 the academy merged with the Accademia di Arte Agraria (founded in 1769) and became the Accademia di Scienze Lettere e Arti; in 1949 it became the Accademia Patavina di Scienze, Lettere ed Arti; its name was changed to Accademia Galileiana di Scienze, Lettere ed Arti in Padova in 1997, in honor of Galileo. The academy is lodged in the Carraresi Palace in Padua.

The Diocesan museum of Padua displays arts and artifacts belonging to the Roman Catholic Diocese of Padua; it is housed in the 15th-century former bishop's residence or Palazzo Vescovile. The building, adjacent to the Cathedral of Padua, faces the Piazza del Duomo, can in the historic center of Padua, region of Veneto, Italy. Many of the works in the museum derive from the cathedral or from other diocesan churches, some suppressed and no longer extant. The collections date from the 9th to the 19th centuries. They are displayed on two separate floors and are ordered chronologically and by type.

Torre dell'Orologio is a clock tower located in the Piazza (Plaza) Dei Signori and positioned between the Palazzo (Palace) del Capitanio and the Palazzo dei Camerlenghi in Padua, or Padova, Italy. It is also referred to as the astronomical clock of Padua. The tower's construction began in 1426 and finished around 1430. The tower was a commission from Prince Ubertino de Carrara, who was part of the Carraresi clan of Padua, Italy, he was the Lord of Padua from 1338 to 1345. It would later be enlarged to accommodate the new clock that was created in 1427. The clock itself was completed in 1434. Later in 1436, ornamentation was added to the dial of the clock, and a year later the clock tower was inaugurated. At the base of the tower, the great triumphal arch, designed by Giovanni Maria Falconetto, was added in 1531.The design and construction of the clock was overseen by Giovanni Dondi dell'Orologio, also known as Giovanni de' Dondi, who was an Italian physician, astronomer and mechanical engineer from Italy. Dondi was assisted by Gian Petro Dalle Caldiere. The clock has references to the zodiac throughout its design. However, on the original clock, the Libra sign was not present, as with the pre-Roman system Scorpio and Libra were one Zodiac sign. Today, the clock is open to the public. A group of volunteers called the Salvalarte ensures that sites like this one are open to the public. This group is a branch of the nation-wide environmental association.

Piazza dei Signori is a city square in Padua, region of Veneto, Italy. This piazza for centuries hosted official civic and government celebrations, while the larger squares of Piazza delle Erbe (herbs) and Piazza della Frutta (fruits) hosted commerce and public festive celebrations. The square is dominated by the famous Clock Tower.