Elandsgracht

The Looiersgracht (Tanners' Canal) is a short canal in Amsterdam, between Prinsengracht (at no. 334) and Lijnbaansgracht (no. 206) in the Jordaan neighborhood of the Amsterdam-Centrum district. The Looiersgracht borders the Grachtengordel (canal belt). The Oude Looiersstraat runs parallel to the canal, and the Eerste, Tweede and Derde Looiersdwarsstraat are side streets entering the north side.

The Lauriergracht (literally "Laurel Canal") is one of the canals of Amsterdam, located in the Jordaan, west of the Grachtengordel.

The Johnny Jordaanplein also known as a Johnny Jordaan Square is a public square in the center of the Dutch city of Amsterdam which features outdoor sculptures. The square was named for musician Johnny Jordaan and it was dedicated in 1991.

The Prinsengracht is a 3.2-kilometer (2.0 mi)-long canal that runs parallel to the Keizersgracht in the center of Amsterdam. The canal, named after the Prince of Orange, is the fourth of the four main canals belonging to the canal belt.

The Passeerdersgracht is a short canal in Amsterdam, the Netherlands, that connects the Prinsengracht with the Lijnbaansgracht. The canal is the southernmost in the Jordaan neighbourhood and borders the west part of the Grachtengordel (Canal District).

The Rozengracht is a street in the Jordaan neighbourhood of Amsterdam. It runs between the Prinsengracht at the Westermarkt and the Singel canal at De Clercqstraat. The name means "Rose canal". The Rozengracht is one of the six former canals in the Jordaan. The reasons for filling in the 17th-century canal in 1890 were poor hygiene from polluted water, and the need for a broad exit road to the new neighborhoods west of the Singel canal. De Clercqstraat was built in 1895 as a westward extension of the Rozengracht. To the east, in the direction of the Dam, the street continues into Raadhuisstraat. Rozenstraat runs parallel to the Rozengracht.

Felix Meritis ("Happy through Merit") is the name of an intellectual society in Amsterdam, but subsequently used for the building they built for themselves on the Keizersgracht.

The Theatre of Van Campen (Dutch: Schouwburg van Van Campen, Dutch pronunciation: [ˈsxʌuˌbʏr(ə)x fɑɱ vɑŋ ˈkɑmpə(n)]) was a theatre located at Keizersgracht 384 in Amsterdam. It was the first city theatre, based on the Teatro Olimpico in Italy. The site is now occupied by a "The Dylon" hotel. The theatre was built in 1637, by Jacob van Campen, who coined the word Schouwburg for it. It replaced the Duytsche Academy of Samuel Coster previously on the site, originally set up to broaden access to science by putting on lectures in the national vernacular rather than Latin (although other activities also took place, such as painting competitions). Coster, together with playwright Bredero, had had this Academy built as a simple wooden building, to the Italian model, in 1617. Both Coster and Bredero came from the tradition of Rederijkers, and both were members been of the Rederijker "In Liefde Bloeyende". These societies developed in the early 17th century and, through their study of poetic texts, marked the beginnings of modern theatre in the Netherlands. Amsterdam was in the midst of her Golden Age, and gradually the possibility a permanent theater building began to be debated. Van Campen, known as an architect and the designer of the Royal Palace, designed a simple permanent theatre, again according to the contemporary Italian example from that time, to replace the Academy. This theatre was due to be opened on 26 December 1637 with Gijsbrecht van Aemstel, a play specially written for the occasion by Vondel. Vondel had also written the text in the architrave of the theatre's entrance: De weereld is een speeltoneel Elck speelt zijn rol en krijght zijn deel (The world is a theatre, Everyone plays his role and gets his part)This entrance still survives from the original building. The Calvinist kerkeraad (church council) of the municipality, however, attempted to stop the theatre opening, but were only temporarily successful, for the theatre was in the end still opened on 3 January 1638, with Vondel's play. The theater of Van Campen served until 1664, when it became clear it was too small and ill-keeping with the Baroque architecture of the 1660s. The theatre temporarily closed at the outbreak of the Second Anglo-Dutch War and the new building, Schouwburg van Vingboons - twice as large as the old one and adapted to the requirements of that time - finally opened May 26, 1665. This theatre burned in 1772 after a rope caught fire after a performance.

Vinkeles is a restaurant located in Hotel The Dylan in Amsterdam, Netherlands. It is a fine dining restaurant that was awarded one Michelin star in 2010 and retained that rating until present.in 2013, GaultMillau awarded the restaurant 17 out of 20 points.Head chef of Vinkeles is Dennis Kuipers.Vinkeles is a member of Alliance Gastronomique Neerlandaise.

The Government of Amsterdam consists of several territorial and functional forms of local and regional government. The principal form of government is the municipality of Amsterdam, Netherlands. The municipality's territory covers the city of Amsterdam as well as a number of small towns. The city of Amsterdam is also part of several functional forms of regional government. These include the Waterschap (water board) of Amstel, Gooi en Vecht, which is responsible for water management, and the Stadsregio (City Region) of Amsterdam, which has responsibilities in the areas of spatial planning and public transport. The municipality of Amsterdam borders the municipalities of Diemen, Abcoude, Ouder-Amstel and Amstelveen in the south, Haarlemmermeer and Haarlemmerliede en Spaarnwoude in the west, and Zaanstad, Oostzaan, Landsmeer and Waterland in the north.

The Leidsegracht is a canal in Amsterdam, the Netherlands. It is a cross-canal in Amsterdam-Center that connects Herengracht, Keizersgracht, Prinsengracht and Lijnbaansgracht and flows into the Singelgracht at Marnixstraat.

Morsink Icon Gallery (previously called Jan Morsink Ikonen) is an international gallery in Amsterdam specializing in Russian and Greek icons dating from the fifteenth to the nineteenth century. The collection presents the masterpieces of iconographic schools of Moscow, Novgorod, Pskov, Palech and the isle of Crete