Tower Fifth

Prime Burger was a restaurant in New York City. The business was named one of "America's Classics" by the James Beard Foundation Awards in 2004.

Olympic Tower is a 51-story, 620 ft-tall (190 m) building at 641 and 645 Fifth Avenue, between 51st and 52nd Streets, in the Midtown Manhattan neighborhood of New York City. Designed by Skidmore, Owings & Merrill (SOM), the mixed-use development contains condominium apartments, office space, and retail shops. The tower is named after Olympic Airlines, whose president Aristotle Onassis jointly developed the tower with the Arlen Realty and Development Corporation between 1971 and 1974. It was the first skyscraper to be constructed within a special zoning district to encourage retail and mixed-use development along Fifth Avenue. The building's glass facade is designed to reflect St. Patrick's Cathedral immediately to the south. The superstructure is made of steel on the lower stories and cast concrete on the upper stories. The first two stories contain a public atrium, Olympic Place, which connects the 51st and 52nd Street facades. The next 19 stories contain office space while the top 30 stories contain 230 condominium apartments. Upon Olympic Tower's completion, architectural writers such as Ada Louise Huxtable and Christopher Gray criticized its design. Construction of Olympic Tower dates to the late 1960s, when Best & Co. sought to build an office tower above their store at Fifth Avenue and 51st Street. Morris Lapidus was initially hired for the project, but the plans were changed after the zoning district was created. When the building was completed, wealthy non-American buyers purchased most of its residential units. Crown Acquisitions bought Olympic Tower from its original owners in the 2010s.

The Cartier Building, also 653 Fifth Avenue, is a commercial building on the southeast corner of 52nd Street and Fifth Avenue in the Midtown Manhattan neighborhood of New York City. The building serves as the flagship store of Cartier in New York City. It consists of two conjoined residences completed in 1905: the Morton F. Plant residence at 651–653 Fifth Avenue, designed by Robert W. Gibson, and the Edward Holbrook residence at 4 East 52nd Street, designed by C. P. H. Gilbert. The Plant House was designed in the Neo-Renaissance style and has facades on both 52nd Street and Fifth Avenue. The 52nd Street facade of the house contains an ornate pavilion, and both facades have an attic hidden inside a frieze. The Edward Holbrook House was also designed in a neoclassical style but has a mansard roof. Both houses are five stories tall and are connected internally. The Cartier store takes up all of the stories inside the building. The southeast corner of Fifth Avenue and 52nd Street was planned as a hotel in the early 1900s after the Roman Catholic Asylum vacated the site. After the Vanderbilts blocked the development of the hotel, the northern portion became the Morton F. Plant House, while the southern portion of the site was developed as the Marble Twins at 645 and 647 Fifth Avenue. In the late 1910s, Plant sold his house to Cartier. The Holbrook House was occupied by a variety of tenants until 1927, after which it was purchased by 653 Fifth Avenue's owners and used by various organizations and firms. The New York City Landmarks Preservation Commission designated the Cartier Building as a city landmark in 1970, and it was added to the National Register of Historic Places in 1983 along with 647 Fifth Avenue.

647 Fifth Avenue, originally known as the George W. Vanderbilt Residence, is a commercial building in the Midtown Manhattan neighborhood of New York City. It is along the east side of Fifth Avenue between 51st Street and 52nd Street. The building was designed by Hunt & Hunt as part of the "Marble Twins", a pair of houses at 645 and 647 Fifth Avenue. The houses were constructed between 1902 and 1905 as Vanderbilt family residences. Number 645 was occupied by William B. Osgood Field, while number 647 was owned by George W. Vanderbilt and rented to Robert Wilson Goelet; both were part of the Vanderbilt family by marriage. The house is a six-story stone building in the French Renaissance Revival style. The first floor has arched openings topped by a balustrade, while the second and third stories contain fluted pilasters supporting an entablature. The fourth and fifth floors were added in the late 1930s in an imitation of the original design, and a balustrade runs above the fifth story. The adjoining townhouse at 645 Fifth Avenue, demolished in 1944, had been built in a similar style. The entire building is taken up by a store for fashion company Versace, which also built a sixth-story fitting room. The southeast corner of Fifth Avenue and 52nd Street was planned as a hotel in the early 1900s after the Roman Catholic Asylum vacated the site. After the Vanderbilts blocked the development of the hotel, the southern portion of the site was developed as the Marble Twins, while the northern portion became the Morton F. Plant House (now the Cartier Building). Number 647 was altered for commercial use after 1916 and contained an art gallery and airline ticket agent, among other tenants. Number 645 was largely residential until it was torn down. The New York City Landmarks Preservation Commission designated 647 Fifth Avenue as a city landmark in 1977, and it was added to the National Register of Historic Places in 1983 along with the Cartier Building. In the late 1990s, Versace remodeled 647 Fifth Avenue.

488 Madison Avenue, also known as the Look Building, is a 25-story office building in the Midtown Manhattan neighborhood of New York City. It is along Madison Avenue's western sidewalk between 51st and 52nd Streets, near St. Patrick's Cathedral. 488 Madison Avenue was designed by Emery Roth & Sons in the International Style, and it was constructed and developed by Uris Brothers. The building was originally named for its primary tenant, the American magazine Look. The building largely contains a facade of white brick, interspersed with horizontal strips of aluminum windows. The lowest two stories contain a main entrance on Madison Avenue as well as several glass-and-metal storefronts. The three sides are connected by curved walls. The exterior includes several setbacks to comply with the 1916 Zoning Resolution. Each of the building's stories contain an average floor area of 19,500 square feet (1,810 m2), a feature intended to maximize usable office space. 488 Madison Avenue was constructed from 1948 to 1950 as a speculative real estate development, without a main tenant. By late 1949, the building was completely leased, and it was named after Look magazine, which had signed a lease for several floors. 488 Madison Avenue remained the headquarters of Look until the magazine stopped publishing in 1971, although it continued to be known as the Look Building for several years. The building has been owned by John D. and Catherine T. MacArthur Foundation and The Feil Organization since the 1970s. The Look Building was added to the National Register of Historic Places in 2005, and the New York City Landmarks Preservation Commission designated it as an official landmark in 2010.

La Grenouille is a historic and award-winning French restaurant located at 3 East 52nd Street between Fifth Avenue and Madison Avenue in Midtown Manhattan, New York City. Founded in 1962 by former Henri Soulé apprentice Charles Masson, Sr. and his wife Gisèle, later with sons Philippe and Charles, La Grenouille (French for "The Frog") became a location of choice among New York, U.S., and eventually international diners, including designers from the nearby Garment District of Manhattan. It is the last operating New York French haute cuisine restaurant from the 1960s, and remains a highly rated restaurant.

The Austrian Cultural Forum New York is one of Austria’s two cultural representation offices in the United States; the other is in Washington, D.C. It is part of the worldwide network of Austrian Cultural Forums of the Austrian Federal Ministry for European and International Affairs.

St. Patrick's Cathedral is a Catholic cathedral in the Midtown Manhattan neighborhood of New York City. It is the seat of the Archbishop of New York as well as a parish church. The cathedral occupies a city block bounded by Fifth Avenue, Madison Avenue, 50th Street, and 51st Street, directly across from Rockefeller Center. Designed by James Renwick Jr., it is the largest Gothic Revival Catholic cathedral in North America. The cathedral was constructed starting in 1858 to accommodate the growing Archdiocese of New York and to replace St. Patrick's Old Cathedral. Work was halted in the early 1860s during the American Civil War; the cathedral was completed in 1878 and dedicated on May 25, 1879. The archbishop's house and rectory were added in the early 1880s, both by James Renwick Jr., and the spires were added in 1888. A Lady chapel designed by Charles T. Mathews was constructed from 1901 to 1906. The cathedral was consecrated on October 5, 1910, after all its debt had been paid off. Extensive restorations of the cathedral were conducted several times, including in the 1940s, 1970s, and 2010s. St. Patrick's Cathedral is clad in marble and has several dozen stained glass windows. It measures 332 feet (101 m) long, with a maximum width of 174 feet (53 m) at the transepts. The bronze doors that form the cathedral's main entrance on Fifth Avenue are flanked by towers with spires rising 329.5 feet (100 m). The northern tower contains nineteen bells, and the interior has two pipe organs. Inside is a nave flanked by several chapels; two transepts; a chancel and apse; and a crypt. East of the apse are the rectory, Lady chapel, and archbishop's residence facing Madison Avenue. The cathedral is a New York City designated landmark and is listed on the National Register of Historic Places.

Hickson Inc. was a high-class fashion retailer, designer, and department store in New York City in the early decades of the twentieth century. The firm started as a men's tailors but evolved to be what the designer Howard Greer described as "the most elegant and expensive specialty shop on Fifth Avenue".In the 1910s the firm dressed the actresses of the silent movies and in 1926 it opened a purpose-built store in a corner position on Fifth Avenue. It worked with Madeleine Vionnet and Georges Matchabelli. Charvet & Fils took space in their store. However, in 1931, at the start of the Great Depression, they filed for bankruptcy. A number of Hickson creations are in the collection of the Metropolitan Museum of Art.

The Villard Houses are a set of former residences comprising a historic landmark at 451–457 Madison Avenue between 50th and 51st Streets in the Midtown Manhattan neighborhood of New York City. Designed by the architect Joseph Morrill Wells of McKim, Mead & White in the Renaissance Revival style, the residences were erected in 1884 for railroad magnate Henry Villard. They comprise a portion of the Lotte New York Palace Hotel, the main tower of which is to the east. The building comprises six separate residences in a "U"-shaped plan, with wings to the north, east, and south surrounding a courtyard on Madison Avenue. The facade is made of Belleville sandstone, and each house consists of a raised basement, three stories, and an attic. Among the artists who worked on the interiors were artist John La Farge, sculptor Augustus Saint-Gaudens, and painter Maitland Armstrong. Some of the more elaborate spaces, such as the Gold Room, dining room, and reception area in the south wing of the complex, still exist as part of the New York Palace Hotel. The houses were commissioned by Henry Villard, president of the Northern Pacific Railway, shortly before he fell into bankruptcy. Ownership of the residences changed many times through the mid-20th century. By the late 1940s, the Roman Catholic Archdiocese of New York had acquired all of the houses, except the northernmost residence at 457 Madison Avenue, which it acquired from Random House in 1971. The New York City Landmarks Preservation Commission designated the complex an official landmark in 1968, and the residences were listed on the National Register of Historic Places in 1975. As part of the construction of the New York Palace Hotel, completed in 1980, the north wing was turned into office space for city preservation group Municipal Art Society.

50th Street is a street in the New York City borough of Manhattan. The street runs eastbound from 12th Avenue, across the full width of the island, ending at Beekman Place and carries the M50 bus line, which returns on 49th Street. The following subway stations serve the street, west to east: 50th Street at Eighth Avenue serving the A, ​C, and ​E trains 50th Street at Broadway serving the 1 and ​2 trains 47th–50th Streets – Rockefeller Center at Sixth Avenue serving the B, ​D, ​F, , and ​M trains

The Triple Palace, also known as the William H. Vanderbilt House, was an elaborate mansion at 640 Fifth Avenue between 51st Street and 52nd Street in Midtown Manhattan, New York City. The urban mansion, completed in 1882 to designs by John B. Snook and Charles B. Atwood, was owned by members of the Vanderbilt family. It was composed of two portions: a single-family unit to the south and a two-family unit to the north. William Henry Vanderbilt owned and lived in the southern portion. Two of his daughters, Emily Thorn Vanderbilt and Margaret Louisa Vanderbilt Shepard, along with their respective families, occupied the two residences in the northern portion. The mansion had a brownstone facade as well as a courtyard and portico separating the two sections. William Henry Vanderbilt's portion of the house had elaborate decor, with 58 rooms designed in a different style, as well as a central three-story art gallery with a large skylight. William Henry's section also included an elaborate dining room, library, parlor, and drawing room on the first floor, as well as bedrooms on the second floor for himself, his wife, and his youngest children. Emily's and Margaret's sections of the house were designed in a less lavish style. William Henry Vanderbilt had commissioned the mansion in part to provide space for his paintings, as well as a residence for his two daughters. Upon its completion, the mansion was generally criticized. After William Henry's death in 1885, the house passed on to numerous members of his family. It became known as the home of Henry Clay Frick, who renovated and rented the house from 1905 to 1913, when he built the Henry Clay Frick House, inspired by the Triple Palace and its art collection. Cornelius Vanderbilt III hired Horace Trumbauer to design another renovation for the house in 1916. The northern section of the Vanderbilt house was demolished in 1927, while the southern section was destroyed in 1947; both sections were replaced by high-rise buildings.