Finnish pavilion

The national pavilions host each participant nation's official representation during the Venice Biennale, an international art biennial exhibition held in Venice, Italy. Some countries own pavilion buildings in the Giardini della Biennale while others rent buildings throughout the city, but each country controls its own selection process and production costs.

The Danish pavilion houses Denmark's national representation during the Venice Biennale arts festivals. The building was designed by Carl Brummer and constructed between 1930 and 1932, and restored and expanded by Peter Koch in the 1950s.

The Belgian pavilion houses Belgium's national representation during the Venice Biennale arts festivals.

The Czech and Slovak pavilion houses the national representation of the Czech Republic and Slovakia during the Venice Biennale arts festivals.

The Australian pavilion houses Australia's national representation during the Venice Biennale arts festivals.

The French pavilion houses France's national representation during the Venice Biennale arts festivals.

The Venice Giardini or Giardini della Biennale is an area of parkland in the historic city of Venice which hosts the Venice Biennale Art Festival, a major part of the city's cultural Biennale. The gardens were created by Napoleon Bonaparte who drained an area of marshland in order to create a public garden on the banks of the Bacino di San Marco which is a narrow stretch of water dividing the gardens from St. Mark's Square and the Doge's Palace. The gardens contain 30 permanent pavilions. Each pavilion is allocated to a particular nation and displays works of art by its nationals during the Venice Biennale. Several of the pavilions were designed by leading architects of the 20th century, including Carlo Scarpa and Alvar Aalto. The gardens are also famous for the many cats which run wild in the vicinity and for some of the sculptures such as the statue of Garibaldi situated at the entrance.

The Egyptian pavilion is a national pavilion of the Venice Biennale. It houses Egypt's official representation during the Biennale. The building is part of a complex that Brenno Del Giudice designed in 1932 to house Venetian decorative arts on Sant'Elena Island—an expansion of the Biennale from its main Giardini area. The building later served as Switzerland's national pavilion before the country moved to a new pavilion in 1952 and left the building to Egypt. The national pavilions for Serbia and Venice flank the Egyptian pavilion. Egypt's 1995 exhibition won the Biennale's Golden Lion award for best national pavilion.

The Canadian pavilion houses Canada's national representation during the Venice Biennale arts festivals.

San Pietro di Castello (Venetian: San Piero de Casteło), formerly Olivolo (Italian: Olivòlo; Venetian: Ołivoło), is an island in the Venetian Lagoon, northern Italy, forming part of the Castello sestiere. It is linked to the main islands of Venice by two bridges.

The Diocese of Castello, originally the Diocese of Olivolo, is a former Roman Catholic diocese that was based on the city of Venice in Italy. It was established in 774, covering the islands that are now occupied by Venice. Throughout its existence there was tension between the diocese, the Patriarchate of Grado to which it was nominally subordinate, and the Doge of Venice. Eventually in 1451 the diocese and the patriarchate were merged to form the Archdiocese of Venice.

The Basilica di San Pietro di Castello (English: Basilica of St Peter of Castello), commonly called San Pietro di Castello, is a Roman Catholic minor basilica of the Patriarch of Venice located in the Castello sestiere of the Italian city of Venice. The present building dates from the 16th century, but a church has stood on the site since at least the 7th century. From 1451 to 1807, it was the city's cathedral church, though hardly playing the usual dominant role of a cathedral, as it was overshadowed by the "state church" of San Marco and inconveniently located. During its history, the church has undergone a number of alterations and additions by some of Venice's most prominent architects. Andrea Palladio received his first commission in the city of Venice from the Patriarch Vincenzo Diedo to rebuild the facade and interior of St Pietro, but Diedo's death delayed the project. After St Mark's Basilica became Venice's official cathedral (it had previously been the private church of the Doge), San Pietro fell into a state of disrepair. It was firebombed during the First World War and only through the efforts of conservation organisations has it been restored to its former state. Its ongoing conservation is now managed through its membership of the Chorus Association of Venetian churches. The church is located on San Pietro di Castello (from which it derives its name), a small island off the eastern end of the main city of Venice.