place

Hanseatisches Oberlandesgericht

1879 establishments in GermanyBuildings and structures in Hamburg-MitteCourts and tribunals established in 1879Courts in Germany
Hanseatisches Oberlandesgericht, Hamburg, Deutschland, IMG 7514 edit
Hanseatisches Oberlandesgericht, Hamburg, Deutschland, IMG 7514 edit

The Hanseatisches Oberlandesgericht (Hanseatic Higher Regional Court, abbreviated HansOLG, officially without a suffix "Hamburg") is the Higher Regional Court (OLG) of the Free and Hanseatic City of Hamburg, Germany, and thus part of the Hamburg ordinary jurisdiction. It is located at the square of Sievekingplatz in the St. Pauli quarter. The square is named after the first president of the OLG, Ernst Friedrich Sieveking.

Excerpt from the Wikipedia article Hanseatisches Oberlandesgericht (License: CC BY-SA 3.0, Authors, Images).

Hanseatisches Oberlandesgericht
Sievekingplatz, Hamburg Neustadt

Geographical coordinates (GPS) Address External links Nearby Places
placeShow on map

Wikipedia: Hanseatisches OberlandesgerichtContinue reading on Wikipedia

Geographical coordinates (GPS)

Latitude Longitude
N 53.5569 ° E 9.9765 °
placeShow on map

Address

Hanseatisches Oberlandesgericht

Sievekingplatz 2
20355 Hamburg, Neustadt
Germany
mapOpen on Google Maps

linkWikiData (Q1583724)
linkOpenStreetMap (139083721)

Hanseatisches Oberlandesgericht, Hamburg, Deutschland, IMG 7514 edit
Hanseatisches Oberlandesgericht, Hamburg, Deutschland, IMG 7514 edit
Share experience

Nearby Places

Laeiszhalle
Laeiszhalle

The Laeiszhalle (German: [ˈlaɪsˌhalə] (listen)), formerly Musikhalle Hamburg, is a concert hall in the Neustadt of Hamburg, Germany and home to the Hamburger Symphoniker and the Philharmoniker Hamburg. The hall is named after the German shipowning company F. Laeisz, founder of the concert venue. The Baroque Revival Laeiszhalle was planned by the architect Martin Haller and inaugurated at its location on the Hamburg Wallring on 4 June 1908. At that time, the Musikhalle was Germany's largest and most modern concert hall. Composers such as Richard Strauss, Sergei Prokofiev, Igor Stravinsky and Paul Hindemith played and conducted their works in the Laeiszhalle. Pianist Vladimir Horowitz gave one of his first international performances in 1926; violinist Yehudi Menuhin gave a guest performance in 1930 at the age of twelve. Following World War II, which it survived intact, the Laeiszhalle experienced an intermezzo when the British occupying forces used the space temporarily as a broadcast studio for their radio station BFN. Maria Callas gave concerts in 1959 and 1962. In the 1960s the musical repertoire was also expanded to jazz and pop music, with performances by Pink Floyd, Lale Andersen, Bee Gees, Lynyrd Skynyrd, Udo Jürgens and Elton John. The Laeizhalle has two separate performance spaces. Due to its relatively low capacity and stage layout, the Laeiszhalle is particularly suitable for the performance of classical and early romantic repertoire, and less so for staging large-scale twentieth-century works. The management of both the Elbphilharmonie and the Laeiszhalle are under the direction of one concert company. Christoph Lieben-Seutter became General and Artistic Director in 2007.

Fanny & Felix Mendelssohn Museum
Fanny & Felix Mendelssohn Museum

The Fanny & Felix Mendelssohn Museum is a museum in the Composers Quarter in the Neustadt district of Hamburg, Germany. It is dedicated to the classical composers and siblings Fanny and Felix Mendelssohn. It opened on 29 May 2018.The museum focuses on their lives, including their childhood and the circumstances in which people of Jewish descent lived and worked within the German culture of the time. In her lifetime, Fanny (1805–1847) wrote the compositions to more than four hundred songs. Felix (1809–1847) was younger than her, and had composed since he was an adolescent. Their mother taught them to play the piano in their early years, but composers including Ludwig Berger, Marie Bigot and Carl Friedrich Zelter later took over the role. The siblings also inspired each other.In the center, a forte piano symbolizes making music, to which Fanny and Felix were dedicated throughout their lives. Multimedia techniques are used, which enable visitors to go into detail on certain subjects. Visitors can learn how the siblings composed their work and listen to their music. On passing by detection devices audio recordings are activated. The museum opted for a scientifically justified presentation. The musicologist Beatrix Borchard was involved in the planning of the museum.Construction work delayed the opening by a year. When the museum was opened, the second construction phase had not yet been fully completed. At that time the audio points, touch pads and several display cabinets were still not ready. The limited existence of original pieces was attended to when the museum was fitted out.