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Messehallen station

1970 establishments in West GermanyBuildings and structures in Hamburg-MitteGerman rapid transit stubsHamburg U-Bahn stationsHamburg stubs
Railway stations in Germany opened in 1970
U Bahn Zug DT4 Hamburger U Bahn Messehallen 2010
U Bahn Zug DT4 Hamburger U Bahn Messehallen 2010

Messehallen is a metro station located at Messe and Congress Center Hamburg on the border of the two Hamburg districts St. Pauli and Neustadt. The station was opened in 1970, and is served by Hamburg U-Bahn line U2.

Excerpt from the Wikipedia article Messehallen station (License: CC BY-SA 3.0, Authors, Images).

Messehallen station
Tschaikowskyplatz, Hamburg St. Pauli

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Wikipedia: Messehallen stationContinue reading on Wikipedia

Geographical coordinates (GPS)

Latitude Longitude
N 53.557777777778 ° E 9.9766666666667 °
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Address

Messehallen

Tschaikowskyplatz
20355 Hamburg, St. Pauli
Germany
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U Bahn Zug DT4 Hamburger U Bahn Messehallen 2010
U Bahn Zug DT4 Hamburger U Bahn Messehallen 2010
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Laeiszhalle
Laeiszhalle

The Laeiszhalle (German: [ˈlaɪsˌhalə] (listen)), formerly Musikhalle Hamburg, is a concert hall in the Neustadt of Hamburg, Germany and home to the Hamburger Symphoniker and the Philharmoniker Hamburg. The hall is named after the German shipowning company F. Laeisz, founder of the concert venue. The Baroque Revival Laeiszhalle was planned by the architect Martin Haller and inaugurated at its location on the Hamburg Wallring on 4 June 1908. At that time, the Musikhalle was Germany's largest and most modern concert hall. Composers such as Richard Strauss, Sergei Prokofiev, Igor Stravinsky and Paul Hindemith played and conducted their works in the Laeiszhalle. Pianist Vladimir Horowitz gave one of his first international performances in 1926; violinist Yehudi Menuhin gave a guest performance in 1930 at the age of twelve. Following World War II, which it survived intact, the Laeiszhalle experienced an intermezzo when the British occupying forces used the space temporarily as a broadcast studio for their radio station BFN. Maria Callas gave concerts in 1959 and 1962. In the 1960s the musical repertoire was also expanded to jazz and pop music, with performances by Pink Floyd, Lale Andersen, Bee Gees, Lynyrd Skynyrd, Udo Jürgens and Elton John. The Laeizhalle has two separate performance spaces. Due to its relatively low capacity and stage layout, the Laeiszhalle is particularly suitable for the performance of classical and early romantic repertoire, and less so for staging large-scale twentieth-century works. The management of both the Elbphilharmonie and the Laeiszhalle are under the direction of one concert company. Christoph Lieben-Seutter became General and Artistic Director in 2007.

Heinrich Hertz Tower
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The Heinrich Hertz Tower (German: Heinrich-Hertz-Turm) is a landmark radio telecommunication tower in the city of Hamburg, Germany. Designed by architect Fritz Trautwein, in co-operation with civil engineers Jörg Schlaich, Rudolf Bergermann and Fritz Leonhardt, the tower was built between 1965–1968 for the former Deutsche Bundespost (German Federal Post and Telecommunications Agency, now Deutsche Telekom's subsidiary Deutsche Funkturm GmbH) near Planten un Blomen park. With an overall height of 279.2 m (916 ft) it is Hamburg's tallest structure, consisting of a 204 m (670 ft) steel-reinforced concrete lower section topped by a 45 m (148 ft) steel-lattice tower and a three-segmented cylinder of about 30 m (98 ft), which supports various antennas. There are eight concentric platforms stacked one above the other: starting at 128 m (420 ft) with the two-story observation (lower floor) and restaurant (upper floor) platform, served by two high-speed elevators. Above that at 150 m (492 ft) is the operations platform housing the workforce and equipment, and further up six differentially sized, smaller open platforms in same distances, populated with high-gain directional microwave radio relay antennas ("parabolic mirrors"). Number nine was added at 25 m height in July 2005. After the observation platform and restaurant were closed due to asbestos decontamination, former stuntman Jochen Schweizer had a bungee jumping base installed. The restaurant will not open again due to new fire escape regulations, and the bungee platform was closed at the end of 2001. The tower has been home to the VFDB Hamburg section's radio amateur club station "DF0HHT". It also housed a DGPS transmitting station serving the city of Hamburg's Surveying Agency. The tower is named after the Hamburg-born German physicist Heinrich Hertz. A memorial plaque in his honour on the tower's wall reads: "Heinrich Hertz – Dem Sohn der Stadt Hamburg" ("Heinrich Hertz - Son of the City of Hamburg").

Fanny & Felix Mendelssohn Museum
Fanny & Felix Mendelssohn Museum

The Fanny & Felix Mendelssohn Museum is a museum in the Composers Quarter in the Neustadt district of Hamburg, Germany. It is dedicated to the classical composers and siblings Fanny and Felix Mendelssohn. It opened on 29 May 2018.The museum focuses on their lives, including their childhood and the circumstances in which people of Jewish descent lived and worked within the German culture of the time. In her lifetime, Fanny (1805–1847) wrote the compositions to more than four hundred songs. Felix (1809–1847) was younger than her, and had composed since he was an adolescent. Their mother taught them to play the piano in their early years, but composers including Ludwig Berger, Marie Bigot and Carl Friedrich Zelter later took over the role. The siblings also inspired each other.In the center, a forte piano symbolizes making music, to which Fanny and Felix were dedicated throughout their lives. Multimedia techniques are used, which enable visitors to go into detail on certain subjects. Visitors can learn how the siblings composed their work and listen to their music. On passing by detection devices audio recordings are activated. The museum opted for a scientifically justified presentation. The musicologist Beatrix Borchard was involved in the planning of the museum.Construction work delayed the opening by a year. When the museum was opened, the second construction phase had not yet been fully completed. At that time the audio points, touch pads and several display cabinets were still not ready. The limited existence of original pieces was attended to when the museum was fitted out.