Montreal Stock Exchange bombing

The Centaur Theatre Company is a theatre company based in Montreal, Quebec. It was co-founded in 1969 by Maurice Podbrey along with The Centaur Foundation for the Performing Arts. It currently has Eda Holmes as the Artistic and Executive Director, and Michael Baratta as Chairman of the Board. Podbrey retired from the company in 1997, and was succeeded by Gordon McCall. From 2007 to 2017 Roy Surette was the company's third Artistic and Executive Director. In 2017 Michael Baratta was named Chairman of the Board as well as Eda Holmes being appointed the forth and current position of Artistic and Executive Director. The Centaur is the city's main English-language only theatre company. From 1969 to 1973 the company leased the partially renovated auditorium in the historic building. In 1974 the Centaur purchased the building and spent $1.3 million in renovations under the design of architect Victor Prus. The building reopened in 1975 with an additional auditorium. The original black box theatre was renamed "C1", and seats approximately 245 people. The newer venue was named "C2" and is a more traditional proscenium stage, seating approximately 425.

First known as the "City Tavern," kept by Robert Tesseyman, this 19th-century hotel in Montreal, Quebec, Canada, was a popular meeting place of the Beaver Club before later becoming the Exchange Coffee House. In 1805, Samuel Gerrard proposed building Nelson's Column, Montreal here. The hotel was a common place of rest for transient travellers and Upper Canada merchants. It became the location of the first stock transactions in Montreal.

The Saint-Sulpice Seminary (French:Vieux Séminaire de Saint-Sulpice) is a building in Montreal, Quebec, Canada. It is the second oldest structure in Montreal and was declared a National Historic Site of Canada in 1980. It is located in the Ville-Marie Borough in the Old Montreal district, next to Notre-Dame Basilica on Notre-Dame Street, facing Place d'Armes. The seminary is a classic U-shaped building featuring a palatial style and includes an annex. Saint-Sulpice Seminary was founded in 1657 by the Society of Priests of Saint Sulpice, who have been the sole owner of the building since its creation. Construction began in 1684 by François Dollier de Casson, superior of the Sulpicians, and was completed in 1687, although later additions, such as the clock, were completed by 1713. It was dedicated to the education of secular priests and to mission work among native peoples in New France.

Notre-Dame Basilica (French: Basilique Notre-Dame de Montréal) is a basilica in the historic district of Old Montreal, in Montreal, Quebec, Canada. The church is located at 110 Notre-Dame Street West, at the corner of Saint Sulpice Street. It is located next to the Saint-Sulpice Seminary and faces the Place d'Armes square. The interior of the church is amongst the most dramatic in the world and regarded as a masterpiece of Gothic Revival architecture. The vaults are coloured deep blue and decorated with golden stars, and the rest of the sanctuary is decorated in blues, azures, reds, purples, silver, and gold. It is filled with hundreds of intricate wooden carvings and several religious statues. Unusual for a church, the stained glass windows along the walls of the sanctuary do not depict biblical scenes, but rather scenes from the religious history of Montreal. It also has a Casavant Frères pipe organ, dated 1891, which comprises four keyboards, 92 stops using electromagnetic action and an adjustable combination system, 7000 individual pipes and a pedal board.Approximately 11 million people visit Notre-Dame Basilica every year, making it one of the most visited monuments in North America.

James O'Donnell (1774–1830) was a noted Irish-American architect in New York City and Montreal.

The Notre-Dame Church was a church in Old Montreal that stood from 1682 until 1830. From 1821 to 1822, it served as the first cathedral of the Diocese of Montreal.

500 Place d'Armes is an International style building on the historic Place d'Armes square in Old Montreal quarter of Montreal, Quebec, Canada. Completed in 1968 as the Banque Canadienne Nationale tower, it is Montreal's 17th tallest building, at 133 m (435 ft), 32 storeys. It was designed by Montreal architects Pierre Boulva and Jacques David, whose other prominent Montreal projects included the Palais de justice de Montréal, Théâtre Maisonneuve, the Dow Planetarium and the Place-des-Arts, Atwater and Lucien-L'Allier metro stations.When it was built in the late 60s, this building was the subject of heated talk. According to one source the building disfigured its part of Old Montreal, overshadowing all of the architecture of Old Montreal surrounding it.

The English Pug and the French Poodle (French: Le Caniche français et le Carlin anglais), also known as The Two Snobs (French: Les deux snobs), is a privately-owned outdoor 2013 art installation with two bronze sculptures by the Canadian artist Marc André J. Fortier, installed at 500 Place d'Armes in Montreal, Quebec, Canada.

Place d'Armes is a square in Old Montreal quarter of Montreal, in Quebec, Canada. In the centre, there is a monument in memory of Paul de Chomedey, founder of Montreal. Buildings that surround it include Notre-Dame Basilica, Saint-Sulpice Seminary, New York Life Building, Aldred Building, Bank of Montreal head office and 500 Place D'Armes.

The Maisonneuve Monument (French: Monument à Paul de Chomedey, sieur de Maisonneuve) is a monument by sculptor Louis-Philippe Hébert built in 1895 in Place d'Armes in Montreal.

The Aldred Building (French: Édifice Aldred; also known as Édifice La Prévoyance) is an Art deco building on the historic Place d'Armes square in the Old Montreal quarter of Montreal, Quebec, Canada. Completed in 1931, the building was designed by Ernest Isbell Barott, of the firm Barott and Blackader, with a height of 96 metres (316 ft) or 23 storeys. Built at a cost of $2,851,076.00 (equivalent to $47,633,831 in 2020), Barott endeavored to design a modern building which would, at the same time, fit with the square's historic surroundings. The building's setbacks at the 8th, 13th, and 16th floors allow more light on the square and create a cathedral-like massing, reflecting the adjacent Notre-Dame Basilica. The building uses limestone, common to other buildings in the area. The Aldred Building also attempts to address both Place d'Armes and Notre-Dame Street which do not meet at right angles, aligning with both streets until the third floor, where it then steps back and becomes square to Notre-Dame. The odd angle is small and not immediately noticeable from street-level.The building resembles New York's Empire State Building, completed the same year, and was built for Aldred and Company Limited, a New York City-based international finance company.Barott began work on the Aldred Building around 1927, with original design for a building only 12 storeys tall, as building heights were limited to 130 feet (40 m) in Montreal until the passing of a bylaw allowing taller buildings provided they made use of setbacks to reduce their overall mass, similar to one in New York City.Barott was able to take advantage of a 1929 clause in the bylaw that allowed buildings on public squares to exceed the then maximum height by up to 200 feet (61 m), if certain restrictions were adhered to. The building's total floor area is 238,946 square feet (22,198.8 m2).

The Bank of Montreal's Head Office is located on Saint Jacques Street in Montreal, Quebec, Canada, across the Place d'Armes from the Notre-Dame Basilica in the Old Montreal neighbourhood. The Bank of Montreal is the oldest bank in Canada, founded in 1817. Although it still remains the bank's legal headquarters, its operational head office was moved to First Canadian Place in Toronto in 1977 due to political instability in Quebec. The centrepiece of the complex is the Bank of Montreal Main Branch, a Pantheon-like building built by John Wells in 1847. The building was inspired by the design of the former headquarters of the Commercial Bank of Scotland in Edinburgh.The building is in neoclassical style. The sculpted pediment of the building was done by Sir John Steell. Enlargements to the building were made in 1901–1905 by the New York City firm of McKim, Mead & White.