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November 1932 Geneva shooting

1932 in Switzerland1932 riotsAnti-fascism in SwitzerlandMass shootings in SwitzerlandNovember 1932 events
Protests in SwitzerlandUse British English from April 2018
Monument 9 novembre
Monument 9 novembre

On 9 November 1932, elements of the Swiss Army under Major Perret fired live rounds into a crowd of anti-fascist protesters in Plainpalais in Geneva, killing 13 and wounding 65.The shooting occurred on a background of increasing violence between far-right and far-left groups, of rising totalitarian regimes, and of unemployment and economic crisis in Europe. The incident stemmed from inappropriate crowd control tactics, excitation of the antimilitarist protesters after a speech by socialist leader Léon Nicole, a series of incompetent orders, and a force made up of improperly trained officers and soldiers — who had only had six weeks of military training before their deployment. Exactly how events unfolded and who bears responsibility for them are still a matter of debate.A commemorative monument was unveiled on 9 November 1982 for the 50th anniversary of the shooting on the Southern end of Plainpalais, near the place of the events. On 10 September 2008, the State Council of Geneva authorised the monument to be moved in front of the University of Geneva, on the exact spot of the shooting.

Excerpt from the Wikipedia article November 1932 Geneva shooting (License: CC BY-SA 3.0, Authors, Images).

November 1932 Geneva shooting
Rue Hugo-de-Senger, Geneva Plainpalais

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Wikipedia: November 1932 Geneva shootingContinue reading on Wikipedia

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N 46.193889 ° E 6.141389 °
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Rue Hugo-de-Senger 5
1200 Geneva, Plainpalais
Geneva, Switzerland
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Monument 9 novembre
Monument 9 novembre
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Théâtre de Neuve

The Théâtre de Neuve was a theatre in Geneva, Republic of Geneva. In 1783, the original theatre was replaced with a new stone building, the Théâtre de Neuve, designed by Pierre-David Matthey, with three tiers of boxes surrounding the orchestra seats and an audience capacity of 1000. Nevertheless, Its stage was cramped, with very little room in the wings, and the orchestra pit could not seat more than 30 musicians. At the eve of the French Revolution, as waves of political unrest rocked Geneva, the new theatre's function was still to entertain foreign officers sent as reinforcements and seats were primarily reserved for sponsors and shareholders. As such, most of the Geneva population could not attend performances. The Théâtre de Neuve was destined to stand in place for less than a hundred years. Revolutionary troubles forced the theatre to close several times and it was used consecutively as a revolutionary club and a cotton mill. In October 1797, the theatre was definitely closed to any kind of performance, by decision of the authorities. It remained closed until the French annexed Geneva in April 1798. During this fifteen-year occupation, the theatre hosted several companies of French performers. When Geneva's independence was restored in 1813, the French troops left Geneva, and the actors followed them. The theatre reopened in 1817 and expanded its audiences and repertoire, including works by contemporary composers such as Rossini, Donizetti, Auber and Meyerbeer, Beethoven, Weber and even Wagner, whose Tannhäuser was heard in Geneva long before it was ever performed in Paris. Despite occasional performances by stars of the time, the quality of performance was usually below average, a mix of comedy, vaudeville, operetta and, occasionally, a more ambitious opera. The general trend was partial to the French repertoire, preferably light: Faust was a regular hit, but nowhere near La fille de Madame Angot in popularity.