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5, St James's Square

Houses in the City of Westminster
Former Libyan People's Bureau, St James's Sq, London
Former Libyan People's Bureau, St James's Sq, London

5, St James's Square (anciently Wentworth House) is a Grade II* listed historic townhouse in London, England, built 1748–51 by William Wentworth, 2nd Earl of Strafford (1722–1791) to the design of Matthew Brettingham the Elder. It remained the London residence of the descendants of his sister until after 1968, and in 1984 was the site of the "Libyan Peoples' Bureau" from which shots were fired which caused the murder of Yvonne Fletcher.

Excerpt from the Wikipedia article 5, St James's Square (License: CC BY-SA 3.0, Authors, Images).

5, St James's Square
St James's Square, City of Westminster Mayfair

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N 51.50808 ° E -0.13509 °
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St James's Square 5
SW1Y 4AD City of Westminster, Mayfair
England, United Kingdom
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Former Libyan People's Bureau, St James's Sq, London
Former Libyan People's Bureau, St James's Sq, London
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Murder of Yvonne Fletcher

The murder of Yvonne Fletcher, a Metropolitan Police officer, occurred on 17 April 1984, when she was fatally wounded by a shot fired from the Libyan embassy on St James's Square, London, by an unknown gunman. Fletcher had been deployed to monitor a demonstration against the Libyan leader Muammar Gaddafi, and died shortly afterwards. Her death resulted in an eleven-day siege of the embassy, at the end of which those inside were expelled from the country and the United Kingdom severed diplomatic relations with Libya. Between 1980 and 1984 Gaddafi had ordered the deaths of several exiled opponents of his regime; bombings and shootings, targeted at Libyan dissidents, occurred in Manchester and London. Five Libyans thought to be behind the attacks were deported from the UK. During the anti-Gaddafi protest on 17 April 1984, two gunmen opened fire from the first floor of the embassy with Sterling submachine guns. In addition to the murder of Fletcher, eleven Libyan demonstrators were wounded. The inquest into Fletcher's death reached a verdict that she was "killed by a bullet coming from one of two windows on the west side of the front on the first floor of the Libyan People's Bureau". Following the breaking of diplomatic relations, Libya arrested six British nationals, the last four of whom were released after nine months in captivity. Two years after Fletcher's murder, the event became a factor in the decision by the British prime minister, Margaret Thatcher, to allow the US bombing of Libya from bases in the UK. In 1999, a warming of diplomatic relations between Britain and Libya led to a statement from the Libyan government admitting culpability in Fletcher's shooting, and the payment of compensation. British police continued their investigation until 2017. Although sufficient evidence existed to prosecute one of the co-conspirators, no charges were brought as some of the evidence could not be raised in court due to national security concerns. As at 2022 no one has been convicted of Fletcher's murder, although in 2021 the High Court of Justice determined that Gaddafi's ally Saleh Ibrahim Mabrouk was jointly liable for Fletcher's murder.

Royal Gallery of Illustration
Royal Gallery of Illustration

The Royal Gallery of Illustration was a 19th-century performance venue located at 14 Regent Street in London. It was in use between 1850 and 1873. The gallery was built in the 1820s by the architect John Nash as part of his own house, to display his considerable collection of paintings. In 1850 the building was named the Gallery of Illustration, and between then and 1855 it housed a diorama created and run by the theatrical scene-painters Thomas Grieve and William Telbin. From 1856 to 1873 the gallery was in the hands of the singer and actress Priscilla Horton and her husband German Reed. Their entertainments developed from songs and comedy with piano accompaniment to programmes of short plays and operettas. In deference to respectable mid-Victorian doubts about the propriety of theatres, the Reeds called their productions "entertainments", and avoided the use of the words "theatre", "play" and other theatrical terms. Under the Reeds the gallery played an important part in the development of a new generation of authors, composers and performers. Among the writers whose works the Reeds staged were W. S. Gilbert and F. C. Burnand, and their composers included Arthur Sullivan, Frederic Clay and Alfred Cellier. The performers Arthur Cecil, Corney Grain and Fanny Holland made their names at the gallery early in their careers. The lease of the building expired in 1873, and it ceased to be used as a performance venue. The Reeds moved to another theatre, and the gallery became a banqueting hall.