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Lutherse Kerk (Delft)

18th-century Lutheran churches18th-century churches in the NetherlandsBuildings and structures in DelftChurches in South HollandDutch building and structure stubs
European church stubsLutheran churches in the Netherlands
Delft Lutherse Kerk
Delft Lutherse Kerk

The Lutherse Kerk, also known as St. George's Chapel, is an 18th-century church in the Dutch city of Delft. The church's foundation was laid in the 15th or 16th centuries, with a wooden structure being built on top of it. This first wooden church burned down in 1536, and the city of Delft erected an armory where the church had stood. The armory was converted into the current Lutheran church in 1768, and a new stone facade and steeples where added to the existing building.

Excerpt from the Wikipedia article Lutherse Kerk (Delft) (License: CC BY-SA 3.0, Authors, Images).

Lutherse Kerk (Delft)
Noordeinde, Delft

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N 52.0156 ° E 4.3534 °
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Lutherse Kerk

Noordeinde 4
2611 KH Delft
South Holland, Netherlands
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Delft Lutherse Kerk
Delft Lutherse Kerk
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De Roos
De Roos

De Roos (literally, "The Rose"), also locally known as Roosmolen or Koren op de Molen, is a wind and platform mill situated within the municipality of Delft, in the South Holland province of the Netherlands. The mill was originally constructed on the southern city wall of Delft but was later relocated and rebuilt above the western fortifications of the Dutch municipality in 1679. Two principal phases of implementation of the Delft mill followed this reconstruction. The first was dated 1728, while the second was from the 1760s. The building has been the subject of multiple restoration projects, commencing in the late 1920s and concluding in 2023. The artistic work, whose historical background remains largely uncharted before its 1679 reconstruction, represents the sole surviving mill within the erstwhile fortified zone of Delft, among the eighteen that previously operated within the Dutch city. On the current site of De Roos, at 111-112 Phoenixstraat, there originally stood a post mill called Gasthuismolen, which was destroyed during a storm in the second half of the 17th century. Previously bordered by the tramway and then the railway line connecting the city to The Hague, the site of De Roos mill has been situated above the Willem of Orange railway tunnel since the second half of the 2010s. The construction of this infrastructure necessitated the hydraulic jacking and the underpinning of the De Roos complex — mill, miller's house, warehouse — and preventive archaeological excavations that revealed remnants of the windmill dating from the late 17th century and early 18th century, as well as elements of the western portion of the medieval city wall of Delft. Despite periods of inactivity, particularly during periods of restoration and repair, the mill remains operational. It has been managed by many millers, including those from the Kouwenhoven, van Rhijn, and De Vreede families. On June 29, 1967, the Dutch Cultural Heritage Agency designated the De Roos grain mill, along with the miller's house and warehouse surrounding its skirt, as a national monument. The windmill is conical in shape and of the skirt and platform type. It is rather massive in scope and height, constructed of bricks and jointed stones. The mill is equipped with a rotating cap, and the milling work, which transforms grains of cereals into flour, is powered by a complex set of elements, mostly mechanical, motorized, and electric for a few. The house and warehouse, also constructed of masonry bricks, feature facades with gables.

Flower-holder
Flower-holder

The Flower-holder (Tulpenvaas) is one of a matching pair of tulip vases dated to ca. 1690 and currently in the collection of Museum Het Prinsenhof.The pair was created in the tin-glazed delftware company called "De Griekse A" ("The Greek A") in Delft. A flower-holder such as these was meant to maximize the use of tulips and each tubular hole in the top was meant for one individual flower, as tulips were so expensive at the time. Each vase can hold 15 tulips. It is unusual to see tulip vases in pairs. This pair is unusual both for its age and condition, and was purchased by the museum in 1975 after the vases were put on display by Aronson Antiquairs of Amsterdam at an art fair hosted by the museum itself. Each vase was made in four separate pieces. The assembly consists of a foot-piece, a vase that rest on it, and a double-layered lid with tubular holes. These tubular holes are referred to as spouts, but were not used for pouring. The lids fit into each other and were designed to hold 8 and 7 individual blooms respectively. The Greek A factory was known for its decorative table objects, but also became known for its extravagant tower vases, that held many more flowers. These tower vases would have been very costly to have filled completely. Tulips were very difficult to propagate and were considered quite expensive, though no longer as expensive as they had been during tulip mania when speculation in the market for flower bulbs caused several well-to-do growers to go bankrupt in the 1630s. It is unknown who designed this specific pair of vases, but a similar vase in the collection of the Metropolitan Museum of Art without the foot piece was designed by Daniel Marot for the Greek A factory during the period of Adrianus Koecks, who is documented working there during the years 1689–94.A replica of a tulip pyramid vase made by De Griekse A in this period was used as a backdrop for President Obama's visit to the Netherlands in 2014. Each tier of the vase containing spouts is a separate piece. While the paired vases have two tiers, pyramid vases can have 10 or more tiers of spouts.