Anco Cinema

The Empire Theatre is the former Eltinge Broadway theatre located on West 42nd Street in Manhattan, New York City. It serves as the entrance to a multiplex movie theater.

The American Music Hall, also known as the American Theater until 1908, was one of the oldest Broadway venues. Located at 260 West 42nd Street, it was designed by the architect Charles C. Haight, with a capacity of 2065. It opened on May 22, 1888.By 1929, it was a Mutual burlesque house. On December 19, 1930, the interior was destroyed by a fire that started in the balcony after the evening performance of the Mutual show "Nite Life in Paris". With the Depression on, there was little interest in restoring the theater, and it was demolished in 1932.

Eleven Times Square is an office and retail tower located at 640 Eighth Avenue, at the intersection with West 42nd Street, in the Times Square and West Midtown neighborhoods of Manhattan, New York City. The 40-story, 1,100,000-square-foot (102,193 m2) tower rises 601 feet (183 m), making it the 131st tallest building in New York City. The structure is directly east of the Port Authority Bus Terminal and immediately north of The New York Times Building. Completed in 2011, Eleven Times Square was developed by New York City-based SJP Properties in partnership with Prudential Real Estate Investors, and was designed by architect Dan Kaplan of FXFOWLE.

On December 11, 2017, a pipe bomb partially detonated in a corridor between the Times Square–42nd Street and 42nd Street–Port Authority Bus Terminal subway stations adjoining the Port Authority Bus Terminal in Midtown Manhattan, New York City, injuring four people including the bomber. Mayor Bill de Blasio described the incident as "an attempted terrorist attack". The bomber was identified by police as 27-year-old Akayed Ullah, a Salafi Muslim immigrant from Bangladesh; he was convicted in 2018 and sentenced to life in prison in 2021.

Terminal Bar was a bar on Times Square in New York City at 41st Street and 8th Avenue. It had a reputation as one of the roughest bars in the city and was located across from the Port Authority Bus Terminal. Terminal Bar originally had a mainly Irish American clientele, but over time evolved into a predominantly African American and gay bar.The Terminal Bar was featured in the Martin Scorsese film Taxi Driver and was the subject of an award-winning American documentary short film, Terminal Bar, directed by Stefan Nadelman that used a combination of animation, live action and black-and-white photography of Terminal Bar's former patrons taken by the director's father, bartender Sheldon Nadelman, from 1972 to 1982. Scorsese paid tribute again in 1985, featuring a pub called "The Terminal Bar" in his film After Hours; The Emerald Pub in SoHo stood in for the defunct Terminal Bar.A collection of Sheldon Nadelman's Terminal Bar photos was released in book form in 2014 entitled, Terminal Bar: A Photographic Record of New York's Most Notorious Watering Hole.The bar was also featured in the 1982 novel The Terminal Bar.The Terminal Bar closed in 1982. The area where the Terminal Bar formerly stood is now occupied by The New York Times Building.

The New York Times Building is a 52-story skyscraper at 620 Eighth Avenue, between 40th and 41st Streets near Times Square, on the west side of Midtown Manhattan in New York City. Its chief tenant is the New York Times Company, publisher of The New York Times. The building is 1,046 ft (318.8 m) tall to its pinnacle, with a roof height of 748 ft (228 m). Designed by Renzo Piano and Fox & Fowle, the building was developed by the New York Times Company, Forest City Ratner, and ING Real Estate. The interiors are divided into separate ownership units, with the Times Company operating the lower office floors and Brookfield Properties operating the upper floors. As of 2023, the New York Times Building is tied with the Chrysler Building as the twelfth-tallest building in the city. The building is cruciform in plan and has a steel-framed superstructure with a braced mechanical core. It consists of the office tower on the west side of the land lot as well as four-story podium on the east side. Its facade is largely composed of a glass curtain wall, in front of which are ceramic rods that deflect heat and glare. The steel framing and bracing is exposed at the four corner "notches" of the building. The New York Times Building is designed as a green building. The lower stories have a lobby, retail space, and the Times newsroom surrounding an enclosed garden. The other stories are used as office space. During the 1980s and 1990s, the city and state governments of New York proposed a merchandise mart for the site as part of a wide-ranging redevelopment of Times Square. In 1999, the New York Times Company offered to develop its new headquarters on the mart's site. Piano and Fox & Fowle were selected following an architectural design competition, and the land was acquired in 2003 following disputes with existing landowners. The building was completed in 2007 for over $1 billion. The Times Company's space was operated by W. P. Carey from 2009 to 2019; meanwhile, Forest City bought out ING's interest and was then acquired by Brookfield Properties in 2018.

The Liberty Theatre was a Broadway theater from 1904 to 1933, located at 236 West 42nd Street in New York City. It was built by the partnership of Klaw and Erlanger.From 1933 until the late 1980s the Liberty operated continuously as a movie theatre. In 1992 the then vacant theatre was purchased by the City of New York along with many other properties as part of the New 42nd Street renovation project. In 1996 it was used for a staged reading of T. S. Eliot's poem The Waste Land, with actress Fiona Shaw, directed by Deborah Warner. The New York Times review described the theater as "derelict". The facade of the Liberty theater was later absorbed into Ripley's Odditorium, which is part of the Forest City Enterprises entertainment complex.In 2011, renovations were completed and the former Liberty Theatre auditorium was converted for use as a Famous Dave's restaurant. The main auditorium space later became a rental event space, with the restaurant portion along 42nd Street operating as the Liberty Diner.From March 2015 to November 2015, Cynthia von Buhler's Speakeasy Dollhouse: Ziegfeld's Midnight Frolic was staged as an immersive play in the theater. The story investigates the death of silent film star and Ziegfeld Girl Olive Thomas. Barring this performance, the space has sat vacant, the Liberty Diner (and thus access to the auditorium space) having been closed since 2015 when the operators lost the lease.

The Hotel Carter was a hotel located near Times Square in Manhattan, New York City. The building is 24 stories tall, and at its opening, had 1,000 rooms, but was later downsized to 700 rooms. Opened in 1930 as the Dixie Hotel, it originally extended from 43rd Street to 42nd Street, although the wing abutting 42nd Street has since been demolished. The hotel has changed ownership numerous times throughout its history. In October 1976, it was renamed the Hotel Carter in an attempt to rehabilitate its image. The hotel closed and was offered for sale in 2014. While it was operating, the Hotel Carter gained a negative reputation due to the crimes that took place there, as well as its general uncleanliness. At least nine deaths have occurred in the hotel, including four suicides and four murders. In addition, the Hotel Carter had previously been cited as being among America's dirtiest hotels, both by the media and via visitor reviews.

The Times Square Hotel is located in New York, New York. The building was built in 1922 and was added to the National Register of Historic Places on May 4, 1995.

The Candler Building is a historic skyscraper on 220 West 42nd Street in Times Square, Manhattan, New York City. It is listed on the National Register of Historic Places.

The Sam H. Harris Theatre was a Broadway theatre within the Candler Building, at 226 West 42nd Street, in the Theater District of Manhattan in New York City. It was built in 1914 and stopped producing plays in 1933. It remained in operation as a movie house for decades and was demolished in 1996.

Joel's Bohemia was a two-story all-night restaurant near Times Square, New York from 1902 to 1925, catering to artists, writers, revolutionaries, and other bohemians. Owned by and managed by Joel Rinaldo, it was also known as Joel's or Joel's Bohemian Refreshery. Above the restaurant, Rinaldo ran a three-story hotel. Its address was 206 West 41st Street. Joel's claimed to be the only place in New York offering Mexican food, with specialties of chile con carne and tamales. His Blue Moon cocktail was notoriously strong. Joel's was once described as a "poor man's Rector's". There was usually piano music, singing, and often an impromptu cabaret show.Among the regulars were Booth Tarkington, Horace Traubel, William Glackens, George Luks, Alan Dale, William Winter, Zoe Anderson Norris, Shaemas O'Sheel, Sadakichi Hartmann, Robert Chanler, Hippolyte Havel, "General" Jake Coxey, and O. Henry. The El Refugio café in O. Henry's 1910 short story "The Gold that Glittered" was probably based on Joel's. When he was in town, Edwin Markham would drink coffee at the restaurant and sleep at the hotel. Joel's was a "renowned" meeting place for Spanish-language exiles, especially "bohemians, painters, musicians, caricaturists, actors". A table in the corner of the dining-room had a sign on it, starting at 11 o'clock, reading "Reserved for Literature and Revolution", "where famous Hispanic-American revolutionaries used to sit". Leaders of the Mexican Carrancistas met here, and the Mexican Liberal Party's headquarters were here. When the US joined the First World War in 1917, the table was renamed the "Newspaper and Literary Table". Several artists painted scenes set in the restaurant: Max Weber's oil painting "Joel's Cafe", 1909 or 1910. George Luks, "Joel's Famous Bohemia at 41st Street and Seventh Avenue. The Tall Man is Joel", published in Vanity Fair in 1934.Joel's was famous for its celebrity wall of drawings and caricatures, some by Carlo de Fornaro, an opponent of Porfirio Díaz. Paintings by Luks, Glackens, and John Sloan hung on the walls.The closing of Joel's in 1925 was memorialized in the New Yorker: Joel's has closed; perhaps the last of the older order of restaurants, whose hosts were individuals, not corporations. It was never a gaudy, nor a gilt-edged establishment, that one on Forty-first street, with its green-tinted door; and its heydays were ten, or even fifteen years behind when it surrendered to the inevitable.