place

Tei, Bucharest

Districts of BucharestRomania geography stubs
Bucharest Quarter Tei
Bucharest Quarter Tei

Tei is a neighborhood in Bucharest, Romania - Sector 2. The name comes from the name of a lake in this area: Lacul Tei (Linden Tree Lake). The name of the lake comes from the linden woods that existed around it in the past. At the beginning of the 19th century, the area belonged to the Ghica family, who built the Orthodox Teiul Doamnei Ghica Church (1833) and, in 1822 the Ghica Tei palace (Palatul Ghica). Around 1900, the area south of the "Calea Lacul Teiului" (today "Bulevardul Lacul Tei") had been sold to Bulgarian gardeners (called "sârbi"). After the First World War, on the grounds located north and southeast of the "Calea Lacul Teiului", houses were built. During the Nicolae Ceauşescu era, many apartment buildings, as well as the Technical University of Civil Engineering of Bucharest and the State Circus were built. To this day, there are still many linden trees in the neighbourhood, and when they are in bloom, they spread a strong scent across the streets. Tei has developed in the last few years from a middle-class neighbourhood into an upper-class one, with many mansions being built recently.

Excerpt from the Wikipedia article Tei, Bucharest (License: CC BY-SA 3.0, Authors, Images).

Tei, Bucharest
Bulevardul Ghica Tei, Bucharest Tei (Sector 2)

Geographical coordinates (GPS) Address Nearby Places
placeShow on map

Wikipedia: Tei, BucharestContinue reading on Wikipedia

Geographical coordinates (GPS)

Latitude Longitude
N 44.459837 ° E 26.118643 °
placeShow on map

Address

Bulevardul Ghica Tei 63
023702 Bucharest, Tei (Sector 2)
Romania
mapOpen on Google Maps

Bucharest Quarter Tei
Bucharest Quarter Tei
Share experience

Nearby Places

Teiul Doamnei Ghica Church
Teiul Doamnei Ghica Church

The Teiul Doamnei Ghica Church (Romanian: Biserica Teiul Doamnei Ghica, lit. “Lady Ghica’s linden tree”) is a Romanian Orthodox church located at 3 Doamna Ghica Street in Bucharest, Romania. It is dedicated to the Feast of the Ascension. In the 18th century, according to the pisanie, Vistier (treasurer) Barbu Văcărescu established a church that stood on the circle in front of the present structure. The latter was built in 1833 by Grigore IV Ghica, the former Prince of Wallachia, and his son Grigore. After the completion of construction, supervised by a German architect, the church was sanctified by Grigorie III, Metropolitan of Ungro-Wallachia. It then became a chapel of the neighboring Ghica Tei Palace. Repairs took place in 1894. The dome collapsed during the 1940 earthquake and was rebuilt simply, without the original Neoclassical decorations. Significant repairs were also carried out following the 1977 earthquake.An Italianate Neoclassical structure, the church has been described as the city’s most original. It is situated in a separate yard from the adjacent palace, withdrawn from street level, on the high bank of a lake. A slight ellipse in shape, it measures 18 meters long by 13 meters wide, planned as a unitary composition. The main space is covered by a large vaulted cupola, on which sits the round dome with eight windows. There are four rather small, symmetrical semi-circular niches, covered in quarter-sphere roofs: two on the east, leading out of the altar, and two on the west, containing the choir balcony stairs. The westerly entrance is preceded by a small portico with four Tuscan Doric columns, two each on a joint base, that support a triangular painted pediment. Two pairs of pilasters flank the door, with the pisanie placed above. The facades are decorated with Doric pilasters, also found on the interior. On the upper part, there is a frieze with triglyphs and a metope with a floral pattern. The windows end in a semicircle.The interior was painted in oil by an Italian artist; the frescoes are Byzantine Revival with Western touches, inscribed in panels with Baroque frames. The portrait of the main ktetor, Prince Ghica, is on the left side of the entrance, with his son on the right, along with the three ktetors of the first church: Văcărescu, his wife and daughter. The carved wood iconostasis, in late Viennese Baroque, is sinuous, as is the balcony railing, both adapted to the interior architecture; each also features wooden columns, with either straight or curved fluting. The princely throne, iconostasis frame and side choir stalls and railing are all richly decorated. A glass case behind the throne encloses flags received by the prince from the Sublime Porte, a sign of his authority.The church is surrounded by graves of Ghica family members. The bell tower, situated to the east, towards the lake below, is a massive square structure on two levels, the tower being decorated with Ionic pilasters. The church is listed as a historic monument by Romania's Ministry of Culture and Religious Affairs.

Obor
Obor

Obor is the name of a square and the surrounding district of Bucharest, the capital of Romania. There is also a Bucharest Metro station (on the M1 line) named Obor, which lies in this area. The district is near the Colentina and Moșilor neighborhoods. Obor stands in the place of "Târgul Moșilor", a fair famous throughout Wallachia, which was held twice a week. In Old Romanian, "obor" meant enclosure, corral. Located outside the city, in the 18th century, it was also the place for public hangings. About 20 Turks captured from wars were hanged here by the Romanians.The Obor market (Piața Obor), the direct successor of the original fair, was, until 2007, Bucharest's largest public market. It covered about 16 city blocks and included a variety of indoor and outdoor market spaces, with goods ranging from compact discs to live chickens. Informally, the market spilled into the surrounding neighborhood, both in terms of street vendors and in terms of the nearby Magazin Universal ("Universal Store") named Bucur Obor, a large commercial building and housing estate (officially named the ALMO housing estate, built in 1975 and renovated in 2013 and 2017) that has been parcelled up into hundreds of small, independent retail stores. The market was demolished, not without public outcry, in order to pave the way for a modern market and a small park, thus ending a 300-year tradition. The Veranda Mall, which lies close to the Obor metro station, was inaugurated in October 2016. With a 30,000 m2 (320,000 sq ft) surface, it includes 18 fashion and footwear shops, restaurants, children's playgrounds, a cinema, and a gym, as well as a 10,000 m2 (110,000 sq ft) Carrefour hypermarket. In Romanian popular culture, the neighborhood is referenced by Gică Petrescu in his song Uite-așa aș vrea să mor, in which the artist playfully expresses his desire to be buried in a tavern in the area with a glass of red wine in his hand. Among Bucharest dwellers, it has attained a reputation of a market of relatively cheap products, sometimes even of low quality.The Obor railway station was inaugurated in 1903.

Dichiu–Tirchilești Church
Dichiu–Tirchilești Church

The Dichiu–Tirchilești Church (Romanian: Biserica Dichiu–Tirchilești) is a Romanian Orthodox church located at 72 Icoanei Street in Bucharest, Romania. It is dedicated to Saint Nicholas. The church existed by 1773, but lacks a pisanie or other inscriptions attesting its precise origins. Its name comes from two sources: Deoghen, traditionally considered the ktetor, was dichiu or oikonomos of the Metropolis of Ungro-Wallachia; while he was assisted by a certain Tirchilă. For some years, the surrounding area was a village called Tirchilești, incorporated into Bucharest by 1789. Local tradition holds that the church initially served a skete of monks, which ceased to exist when the city extended its boundaries, transforming the building into a parish church. In 1880, it was extended and a wooden dome added. Repairs took place in 1898 and 1903. The interior was painted in fresco in 1949–1953, while exterior repainting was carried out in 1955.The church measures 22 meters long by 6–10 meters wide, and is situated on an elevation. It is cross-shaped, with polygonal exterior apses, an octagonal dome above the nave and, above the narthex, a square bell tower. The latter is topped by a cross sitting on a small roof lantern supported by four slender columns. Interior columns were demolished, while the formerly open portico is entirely closed by masonry, ending in a flat facade with two small pylons at the ends. The exterior was frequently modified as well: the string course does not survive, and the sides feature arches in the lower part, medallions in the upper. The entrance is flanked by icons of Saints Peter and Paul. Two rows of seven saints each, with floral decorations, sit above the entrance, as does the patron saint's icon.The church owns a restored Gospel Book and relics of Saints Paraskeva of the Balkans, Stephen, John the New of Suceava and the Forty Martyrs of Sebaste, all displayed in a silver hand. It is listed as a historic monument by Romania's Ministry of Culture and Religious Affairs.