Eiserne Bridge

The Severan Tondo or Berlin Tondo from circa 200 AD, is one of the few preserved examples of panel painting from Classical Antiquity, depicting the first two generations of the imperial Severan dynasty, whose members ruled the Roman Empire in the late 2nd and early 3rd centuries. It depicts the Roman emperor Septimius Severus (r. 193–211) with his wife, the augusta Julia Domna, and their two sons and co-augusti Caracalla (r. 198–217) and Geta (r. 209–211). The face of one of the two brothers has been deliberately erased, very likely as part of damnatio memoriae.On the viewer's right is Septimius Severus, and to the left Julia Domna. In front of them are the boys Caracalla and Geta, probably the figure with the erased face on the viewer's left and slightly to the rear of the other boy. All wear jeweled gold wreaths and imperial insignia, some details of which have been lost. The dating of the piece has caused some debate among scholars, with the final consensus being circa 200 AD. The tondo has many stylistic connections to Fayum Mummy portraiture including materials and artistic elements, and its production has been located in the Fayum district of Egypt during this period. Later on the tondo re-emerged from the antiquities trade; the provenance is unknown before entering the Antikensammlung Berlin (inventory number 31329) in the 20th century. It is now in the Altes Museum.

The Antikensammlung Berlin (Berlin antiquities collection) is one of the most important collections of classical art in the world, now held in the Altes Museum and Pergamon Museum in Berlin, Germany. It contains thousands of ancient archaeological artefacts from the ancient Greek, Roman, Etruscan and Cypriot civilizations. Its main attraction is the Pergamon Altar and Greek and Roman architectural elements from Priene, Magnesia, Baalbek and Falerii. In addition, the collection includes a large number of ancient sculptures, vases, terracottas, bronzes, sarcophagi, engraved gems and metalwork.

The Oinochoe by the Shuvalov Painter in the Antikensammlung at Berlin (inventory number F 2414) is an erotic depiction from ancient Greek vase painting.

The Berlin Foundry Cup (German: Erzgießerei-Schale) is a red-figure kylix (drinking cup) from the early 5th century BC. It is the name vase of the Attic vase painter known conventionally as the Foundry Painter. Its most striking feature is the exterior depiction of activities in an Athenian bronze workshop or foundry. It is an important source on ancient Greek metal-working technology.

The statuette of Aphrodite known as Aphrodite Heyl in the Antikensammlung Berlin (inventory number 31272) is an especially finely worked terracotta statue from the second century BC.

The Berlin glass amphora from Olbia (German: Berliner Glasamphora aus Olbia) is a Hellenistic glass vessel in the shape of an amphora, which is now kept in the Antikensammlung Berlin. Presumably the glass amphora was commissioned by a rich citizen of the city of Olbia, where it was later found, in the second half of the second century. The uniquely shaped vessel was donated to the collection, with some other glass vessels, by Friedrich Ludwig von Gans in 1912 and is now displayed in the Altes Museum with the inventory number 30219, 254. It is, to date, the largest known piece of its kind - and one of the best preserved.

The Altes Museum (English: Old Museum) is a listed building on the Museum Island in the historic centre of Berlin and part of the UNESCO World Heritage. Built from 1825 to 1830 by order of King Frederick William III of Prussia according to plans by Karl Friedrich Schinkel, it is considered as a major work of German Neoclassical architecture. It is surrounded by the Berlin Cathedral to the east, the Berlin Palace to the south and the Zeughaus to the west. Currently, the Altes Museum is home to the Antikensammlung and parts of the Münzkabinett.

The Fragment from the tomb of Nikarete from the third quarter of the fourth century BC, found near Athens is displayed today in the Antikensammlung of the Altes Museum in Berlin. The 117 cm high and 59 cm wide fragment of a grave relief made out of Pentelic marble depicts a woman named Nikarete, daughter of Ktesikles of the deme of Hagnous. Her name is preserved on a piece of the grave's gable, which was separately manufactured. Nikarete belongs to the same type of scene as the Grave relief of Thraseas and Euandria, sitting at the right hand side of the relief, looking left. She sits on a backless, cushioned stool. Her head projects from the relief and faces forward. She wears a cloak (himation) over her head. Under this she wears a chiton with flaps and buttoned sleeves. Nikarete's hair is unparted, gathered up into a knot above her forehead. There are holes in her earlobes which once contained real earrings. It is not clear how large the complete relief was or how many other people were depicted in it. It probably belonged to one of the most elaborate grave monuments of the fourth century BC, some of which are known today. Such monuments were mostly erected by the economically successful members of the Athenian citizenry. The nose, part of the lips and the greater part of the cloak are entirely modern reconstruction, carried out in the workshop of Johann Gottfried Schadow. The fragments were found between Athens and the port of Piraeus. The pieces were acquired by the Baron Albert von Sack who traveled through Greece and the east with Georg Christian Gropius, then the Austrian consul in Athens and acquired a collection of ancient artefacts in the process which he later sold to the Antikensammlung in Berlin. It was one of the first ancient artworks to come to Berlin without passing through the Italian art trade.

The Egyptian Museum of Berlin (German: Ägyptisches Museum und Papyrussammlung) is home to one of the world's most important collections of ancient Egyptian artefacts, including the iconic Nefertiti Bust. Since 1855, the collection is a part of the Neues Museum on Berlin's Museum Island, which reopened after renovations in 2009.

Löwenkämpfer (English: The Lion Fighter) is an 1858 bronze equestrian statue by Albert Wolff, installed outside the Altes Museum in Berlin, Germany. An 1892 copy stands in front of the Philadelphia Museum of Art. The companion piece is Amazone zu Pferde, also installed outside the Altes Museum.

The Neues Museum (English: New Museum) is a listed building on the Museum Island in the historic centre of Berlin and part of the UNESCO World Heritage Site. Built from 1843 to 1855 by order of King Frederick William IV of Prussia in Neoclassical and Renaissance Revival styles, it is considered as the major work of Friedrich August Stüler. After suffering damage in World War II and decay in East Germany, it was restored from 1999 to 2009 by David Chipperfield. Currently, the Neues Museum is home to the Ägyptisches Museum, the Papyrussammlung, the Museum für Vor- und Frühgeschichte and parts of the Antikensammlung.

The James Simon Gallery (German: James-Simon-Galerie) is a centrally located visitor center and art gallery between the reconstructed Neues Museum and the Kupfergraben arm of the Spree river on Museum Island in Berlin, Germany. Designed by architect David Chipperfield, the gallery is named after the maecenas Henri James Simon (1851–1932) who brought worldwide fame to the Berlin State Museums with his lavish donations. As the ensemble's sixth building, the gallery has a prominent position at the site of the former Packhof designed by Karl Friedrich Schinkel, which was demolished in 1938, and its design is inspired by the construction history of Museum Island.