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Porte de Charenton (Paris Métro)

Paris Métro line 8Paris Métro stations in the 12th arrondissement of ParisParis Métro stubsRailway stations in France opened in 1931
Paris Metro Ligne 8 Porte de Charenton
Paris Metro Ligne 8 Porte de Charenton

Porte de Charenton (French pronunciation: ​[pɔʁt də ʃaʁɑ̃tɔ̃]) is a station on line 8 of the Paris Métro. The station opened on 5 May 1931 with the extension of the line from Richelieu - Drouot for the Paris Colonial Exposition, held in the nearby Bois de Vincennes. It was the southeastern terminus of the line until its extension to Charenton - Écoles on 5 October 1942. It is named after the Porte de Charenton, a gate in the nineteenth century Thiers wall of Paris on the road to Charenton-le-Pont. An interchange with Paris tramway Line 3a opened on 15 December 2012. The nearby Pelouse de Reuilly (part of the Bois de Vincennes) is the location of the Foire du Trone funfair in April and May.

Excerpt from the Wikipedia article Porte de Charenton (Paris Métro) (License: CC BY-SA 3.0, Authors, Images).

Porte de Charenton (Paris Métro)
Boulevard Poniatowski, Paris 12th Arrondissement (Paris)

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Geographical coordinates (GPS)

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N 48.83278 ° E 2.4004 °
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Address

Reuilly Moto

Boulevard Poniatowski 59
75012 Paris, 12th Arrondissement (Paris)
Ile-de-France, France
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Website
reuillymoto.com

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Paris Metro Ligne 8 Porte de Charenton
Paris Metro Ligne 8 Porte de Charenton
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Palais de la Porte Dorée
Palais de la Porte Dorée

The Palais de la Porte Dorée is an exhibit hall located on the edge of the Bois de Vincennes at 293, avenue Daumesnil, 12th arrondissement of Paris, France. It now houses the Musée de l'Histoire de l'Immigration, as well as a tropical aquarium in its cellar. The building was constructed for the Paris Colonial Exposition of 1931 to designs by French architect Albert Laprade, Léon Jaussely and Léon Bazin. It provides 16,000 m2 of exhibition and office space. External bas-reliefs (1200 m2) by sculptor Alfred Janniot portray ships, oceans, and wildlife including antelopes, elephants, zebras, and snakes. The building's bas-reliefs and interior frescoes present an idealized version of colonialism that ignores colonialism's negative impacts. The building is considered a landmark of Art Deco architecture.The Palais de la Porte Dorée has housed a succession of ethnological museums, starting with the colonial exhibition of 1931, which was renamed in 1935 the Musée de la France d’Outre-mer, then in 1960 the Musée des Arts africains et océaniens, and finally in 1990 the Musée national des Arts d'Afrique et d'Océanie. In 2003 these collections were merged into the Musée du quai Branly, and in its place the building now houses the Cité nationale de l'histoire de l'immigration. The building's cellar is home to the Dorée Tropical Aquarium (French: Aquarium du palais de la Porte Dorée), which contains about 5,000 animals representing 350 species in a variety of tanks ranging from 100 to 370,000 l (26 to 97,744 US gal) in size.

Cité nationale de l'histoire de l'immigration
Cité nationale de l'histoire de l'immigration

The Cité nationale de l'histoire de l'immigration is a museum of immigration history located in the 12th arrondissement of Paris at 293, avenue Daumesnil. The nearest métro station is Porte Dorée. It is open Tuesday through Friday from 10 a.m. to 5:30 p.m. and weekends from 10 a.m. to 7 p.m.; an admission fee of €4.50 is charged.The museum was conceived in 1989 by Algerian immigrant Zaïr Kedadouche, supported initially by historians including Pierre Milza and Gérard Noiriel, but the idea was paused in 1993. The 1998 French World Cup win reunified the people of France, and former Prime Minister Lionel Jospin approved its creation almost immediately. Years passed and hope for the Museum to come to fruition faded until President Jacques Chirac was reelected in 2002. He put Jacques Toubon in charge of bringing the Museum to life with a mission to "contribute to the recognition of the integration of immigrants into French society and advance the views and attitudes on immigration in France". It opened without public ceremony in late 2007 under his successor, President Nicolas Sarkozy, amid political controversy in which eight of the twelve academics involved in the project resigned. The museum occupies the Palais de la Porte Dorée, a historical monument in Paris, which was built in 1931 to serve as the Colonial International Exhibition’s museum dedicated to the colonies. Owing to the Palais de la Porte Dorée’s colonial history and deep ties to the French Empire, space in the museum is dedicated to informing guests of its history, and one of the first temporary exhibits was of the year 1931. However, there is also some controversy surrounding the theme of reducing all immigration to colonialist origin which can be seen as demeaning and confusing to some. The museum was also formerly the home of the Musée national des Arts d'Afrique et d'Océanie, on the edge of the Bois de Vincennes. Its tropical aquarium is still located in the cellar and remains open to the public. It contains over 1100 m² of exhibition space devoted primarily to the history and culture of immigration in France from the early nineteenth century to the present. A permanent installation, "Benchmarks", contains interactive exhibits presenting immigrant stories in multimedia form. The Abdelmalek Sayad multimedia library house, which is located in the museum, contains a diverse collection of books, films, and other types of media related to the themes of the museum. The collection is accessible online through the museum’s portal.The museum's collections are organized by three main themes: images including photography by Eugène Atget, Gérald Bloncourt, Robert Capa, Yves Jackson, Jean Jacques Pottier, etc., as well as prints, posters, drawings press, cartoons, comic books, audiovisual materials; objects of daily life; and works of art concerning immigration, territory, borders, and roots. In May 2019 it hosted an event with the artist Adelaide Damoah during Museum Week.