Zanja Madre

The Immigrants is a 1971 concrete and steel sculpture by Alberto Biasi, installed outside Los Angeles' Casa Italiana (1041 North Broadway), in the U.S. state of California.

Cathedral High School is a private, college preparatory Catholic all-boys school in Los Angeles, California.

Elysian Park Fault is an active blind thrust fault located in Central Los Angeles, California. Approximately 20 km (12.4 miles) long, the fault is believed to able to produce a destructive earthquake of magnitude 6.2 to 6.7, about every 500-1300 years, similar in size and frequency to the 1971 San Fernando earthquake or 1994 Northridge earthquake.

River Station was a Southern Pacific Railroad passenger station location, southwest of the Los Angeles River and north of Downtown, in Los Angeles, California. The site is within the present day Los Angeles State Historic Park.

Los Angeles State Historic Park (LASHP) is a California State Park within the Chinatown neighborhood of Los Angeles. Also known as the Cornfield, the former brownfield consists of a long open space between Spring Street and the tracks of the Metro Gold Line. Located outside the main commercial and residential area in the northeast portion of Chinatown, the area is adjacent and southeast of the Elysian Park neighborhood.

Materials & Applications is a Los Angeles-based art and architecture exhibition space. M&A's exhibitions typically take the form of outdoor, public installations and one-to-one architecture. The organization is one of dozens of small non-profit artist run spaces that have been called "feral" in their relationship to larger, more established organizations and museums in Los Angeles. Jeremy Rosenberg, a Los Angeles based writer, has likened it to other "feral" artist-run organizations such as The Museum of Jurassic Technology, Center for Land Use Interpretation, and Echo Park Film Center.

The Figueroa Street Tunnels are a set of four four-lane tunnels that carry northbound traffic on State Route 110 (the Arroyo Seco Parkway) through Elysian Park in Los Angeles, California, United States. From south to north, the four tunnels measure 755, 461, 130, and 405 feet (230, 141, 40, and 123 m) in length, 46.5 feet (14 m) in width, and 28.3 ft (8.6 m) in height.The north three tunnels opened in 1931 as a bypass to a section of North Broadway; the southernmost (and longest) opened in 1935, connecting to Figueroa Street downtown. In 1943, the Figueroa Street Viaduct was built to the north of the tunnels. This dedicated the tunnels to 4 lanes of eastward traffic, and the viaduct to 4 lanes of westward traffic. Several connections have been added to the street, most notably in 1940 to the Arroyo Seco Parkway and in 1953 to the Four Level Interchange. The tunnels were designed by engineer Merrill Butler, who was responsible for many iconic Los Angeles River bridges - notably the Sixth Street Viaduct and the Glendale-Hyperion Bridge. The tunnels featured Art Deco patterns, ornamental street lamps, reflective tiling (similar to the 2nd Street Tunnel), and above all eight openings, a stylized Seal of Los Angeles.Traffic through the tunnels is heavy at almost all times of day. At the north end of the tunnels is an interchange with Interstate 5 (Golden State Freeway), in which the leftmost lane makes a hard turn onto the offramp. There are also sharp exit and entrance ramps, on the right lane, at Solano Avenue after the first tunnel. Since the tunnels' incorporation into Arroyo Seco Parkway (now SR 110), Figueroa Street has been discontinuous. It merges into SR 110 at Alpine Street in Chinatown, south of the tunnels, and splits in Highland Park, north of the Figueroa Street Viaduct over the Los Angeles River.

The Hong Kong Café was a Los Angeles restaurant and music venue that was a part of the Los Angeles punk rock scene during the late 1970s and early 1980s followed by a resurgence from 1992 to 1995. Located at 425 Gin Ling Way in the Chinatown district of Downtown Los Angeles, California and across the way from sometimes rival Esther Wong's Madame Wong's, the former Chinese restaurant was open to audiences of all ages. It can briefly be seen in the 1974 movie, Chinatown.

The Chinatown East Gate (also known as the Gate of Maternal Virtues) is installed in Los Angeles' Chinatown neighborhood, in the U.S. state of California. The structure was installed in 1939, one year after the dedication of Central Plaza and the installation of the Chinatown West Gate. It was commissioned by Y.C. Hong to commemorate his mother. The East Gate has been designated a Los Angeles Historic-Cultural Monument.

A statue of Sun Yat-sen is installed in Chinatown, Los Angeles, in the U.S. state of California.

Coagula Curatorial is a contemporary art gallery founded in April 2012 by Mat Gleason, Los Angeles art critic & curator. From 1992-2011, Gleason published Coagula Art Journal, a free zine-style publication on contemporary art, which gained notoriety for its "no holds barred" critique of the contemporary art world. Following the same spirit as the magazine, the gallery opened on Los Angeles' historic Chung King Road and has hosted solo shows by contemporary artists such as Karen Finley, Kim Dingle, Gronk (artist), Llyn Foulkes, Sheree Rose and others. The gallery also utilizes guest curators, who have included other prominent artists in Coagula exhibitions such as: John Fleck, Diane Gamboa, Germs, Peter Shelton, Gajin Fujita, Sue de Beer, Rafael Reyes (artist) and others. Coagula Curatorial's inaugural exhibit in April 2012 for artist Tim Youd garnered press for being "sexually explicit".In July 2012, legendary performance artist Karen Finley performed her first Los Angeles performance in 14 years at the gallery.In October 2012, TimeOut LA called Coagula Curatorial one of LA's "Most Stylish Galleries".In December 2013, artist Kim Dingle was quoted by the Los Angeles Times as calling Coagula Curatorial "edgy" and "free", as well as describing gallerist Mat Gleason as "an artist's gallerist".

Charlie James Gallery is a contemporary art gallery located in the Chinatown neighborhood of Los Angeles. The gallery’s focus leans toward political work that in some way questions or comments on issues of contemporary cultural significance. The gallery has invested in culture jammers of international reputation like Steve Lambert, art world provocateurs like William Powhida, and mid-career conceptual artists like Ray Beldner and Walter Robinson. The gallery also cares about work that addresses issues of contemporary identity, exhibiting Iranian-American artists Ala Ebtekar and Taravat Talepasand and feminist artist Orly Cogan.