Casa dei Tre Oci, Venice

Le Zitelle (officially Santa Maria della Presentazione) is a church in Venice, Italy. It is part of a former complex which gave shelter to young maidens ("zitelle" in Italian) who had no dowry, and is in the easternmost part of the Giudecca island. Generally attributed to Andrea Palladio, the original design dates to 1579–80 and the construction to 1586. Its housing edifice surrounds the church in a horseshoe shape, with a court behind the apse. The façade has two orders, surmounted by a tympanum and flanked by two small bell towers. The church has a large dome with a roof lantern. The interior is on the central plan. It houses works by Aliense, Leandro Bassano and Palma il Giovane. The attribution to Andrea Palladio is not without controversy. The Centro Internazionale di Studi di Architettura Andrea Palladio points to a lack of contemporary documents and drawings confirming Palladio's involvement with the project and the fact that construction only started in 1581, one year after Palladio's death. They consider: ... a project by Palladio both possible and datable to the mid-1570s, but neither the façade nor the interior of the church display characteristics which are unequivocally related to Palladio’s language, unless in an extremely clumsy and unfaithful version. The church is now only open on Sundays, and the Bauer Hotel has acquired the former convent and converted it into a 50-room luxury hotel – The Palladio.

The Palazzo Mocenigo detto "il Nero" is a palazzo on the Grand Canal in Venice, Italy. Other Palazzi Mocenigo on each side include the Palazzo Mocenigo Casa Nuova and the Palazzo Mocenigo Casa Vecchia. The palazzo is located between the Rialto Bridge and St Mark's Square. It was occupied by the English poet Lord Byron (1788–1824) when he lived in Venice.The original Palazzo Mocenigo consisted four different buildings built for the Mocenigo family, seven of whom were Doges of Venice. The Palazzo Mocenigo was built by Alvise Mocenigo in about 1579. In 1788, the individual palazzos were linked by Alvise Giovanni Mocenigo, who was procurator of St Mark's Cathedral (and later Doge), to form a 40-room building complex that he used for entertainment. Lord Byron stayed in the right-hand part of the central palazzo. The Palazzo Mocenigo passed out of ownership by the Mocenigo family in the late 1800s. It changed hands again in 1929 and was put up for sale in 2005.

The Belmond Hotel Cipriani is a deluxe hotel on the island of Giudecca in Venice, northern Italy. It is reached by hotel launch from St Mark's Square, a five-minute journey across the lagoon. Long considered one of the leading luxury hotels of the world, its room rates begin at USD $1,400 per night.

The Garden of Eden, also known as the Eden Garden (Italian: Giardino Eden) is a villa with a famous garden, on the island of Giudecca in Venice, Italy. It is named after an Englishman, Frederic Eden, who designed the garden in 1884 and owned the property for a long time. From 1927 it was owned by Princess Aspasia Manos and her daughter Queen Alexandra of Yugoslavia. Between 1979 and 2000, it was owned by the Austrian painter and architect Friedensreich Hundertwasser, who abandoned the garden to nature.

Punta della Dogana is an art museum in one of Venice's old customs buildings, the Dogana da Mar. It also refers to the triangular area of Venice where the Grand Canal meets the Giudecca Canal, and its collection of buildings: Santa Maria della Salute, (hence the area is also known as Punta della Salute), the Patriarchal Seminary of Venice, and Dogana da Mar at the triangle's tip.

Campo della Salute is a city square in Dorsoduro, Venice, Italy.

The Giorgio Cini Foundation (Italian: Fondazione Giorgio Cini), or just Cini Foundation, is a cultural foundation founded 20 April 1951 in memory of Giorgio Cini, an Italian entrepreneur who died in August 1949.

San Giorgio Maggiore (San Zorzi Mazor in Venetian) is a 16th-century Benedictine church on the island of the same name in Venice, northern Italy, designed by Andrea Palladio, and built between 1566 and 1610. The church is a basilica in the classical Renaissance style and its brilliant white marble gleams above the blue water of the lagoon opposite the Piazzetta di San Marco and forms the focal point of the view from every part of the Riva degli Schiavoni.

The Asplund Pavilion (Italian: Padiglione Asplund) is an Installation art structure built in 2018 in Venice, Italy. It is located at the Cini Foundation in a forest on the island of San Giorgio Maggiore. It was created for the 16th Venice Biennale art exhibition as one of eleven structures for the "Vatican Chapels" project, which was promoted by the Holy See. The project was the first time the Holy See had sponsored an art project at the exhibition. The Asplund Pavilion is noted for offering insights into contemporary perspectives on worship spaces from architects representing diverse cultural backgrounds.The project was inspired by the Skogskapellet (English: Woodland Chapel), designed in 1920 by the architect Erik Gunnar Asplund in the Skogskyrkogården (English: Woodland Cemetery) in Stockholm, Sweden. The Pavilion is entirely made of wood and contains an exhibition of original drawings and models by the architect Asplund.

Santa Maria della Salute (English: Saint Mary of Health), commonly known simply as the Salute, is a Roman Catholic church and minor basilica located at Punta della Dogana in the Dorsoduro sestiere of the city of Venice, Italy. It stands on the narrow finger of Punta della Dogana, between the Grand Canal and the Giudecca Canal, at the Bacino di San Marco, making the church visible when entering the Piazza San Marco from the water. The Salute is part of the parish of the Gesuati and is the most recent of the so-called plague churches. In 1630, Venice experienced an unusually devastating outbreak of the plague. As a votive offering for the city's deliverance from the pestilence, the Republic of Venice vowed to build and dedicate a church to Our Lady of Health. The church was designed in the then fashionable Baroque style by Baldassare Longhena, who studied under the architect Vincenzo Scamozzi. Construction began in 1631. Most of the objects of art housed in the church bear references to the Black Death. The dome of the Salute was an important addition to the Venice skyline and soon became emblematic of the city, appearing in artworks both by locals, such as Canaletto and Francesco Guardi, and visitors, such as J. M. W. Turner and John Singer Sargent.

The Ca' Giustinian, sometimes called the Palazzo Giustinian, is a palace on the Grand Canal in the San Marco sestiere of Venice, Italy. It is today the seat of the Venice Biennale. Built in 1471, it was among the last Gothic palazzi built in Venice. It was partially modernized in the 17th century.

San Giorgio Maggiore (Venetian: San Zorzi Mazor) is one of the islands of Venice, northern Italy, lying east of the Giudecca and south of the main island group. The island, or more specifically its Palladian church, is an important landmark. It has been much painted, featuring for example in a series by Monet.