Santa Maria della Pace

The Chiostro del Bramante (Cloisters of Bramante) is an Italian Renaissance building in Rome, commissioned by Cardinal Oliviero Carafa in around 1500, and designed by the architect Donato Bramante.Today the building serves as a space for exhibitions, meetings and concerts. A cafe and bookshop are housed within the building. A fresco painting by Raphael, The Sibyls in the next-door church of Santa Maria della Pace, is visible from the first floor.

Epitaph of Adriaen Vryburch is a sculptural monument by Flemish sculptor François Duquesnoy. The epitaph sits on the pier directly opposite to the Tomb of Ferdinand van den Eynde in the church of Santa Maria dell'Anima in Rome. The epitaph was completed in 1629.

The Tomb of Ferdinand van den Eynde is a sculptural monument designed and executed by François Duquesnoy. It is located in the church of Santa Maria dell'Anima in Rome. Duquesnoy secured the commission for this work thanks to Pietro Pescatore, alias De Visschere, or Pieter Visscher, a Flemish merchant. The site for Eynde's epitaph was granted by the church administration on August 3, 1633. Visscher and Baldoin Breyel were charged with overseeing the tomb's execution. Both of them had been friends of the deceased, who belonged to the expatriate Netherlandish community of Santa Maria dell'Anima in Rome. The tomb was completed between 1633 and 1640.The putti that compose Van den Eynde's epitaph, especially the righthand putto, are considered "the peak of the evolution of the putto in sculpture" and one of Duquesnoy's greatest achievements. Copies of the Van den Eynde's putti, whether in plaster or wax, were owned by many artists in Rome and Northern Europe. Plaster castings of the putti that decorate Van den Eynde's tomb were listed in the studio inventories of Bernini's assistant Peter Verpoorten and the Italian artist Ercole Ferrata in Rome, as well as in the Antwerp studios of Erasmus Quellinus II and Peter Paul Rubens. Both Giovanni Battista Passeri and Giovanni Pietro Bellori stressed the fame of the Van den Eynde's putti, which served as models of the infant putto for contemporary artists. Many other artists, such as Peter Paul Rubens and Johann Joachim Winckelmann (generally a harsh critic of Baroque sculpture) lauded the Van den Eynde's putti. Throughout the following centuries, artists from around the world portrayed the Van den Eynde's epitaph in painting and drawing. Among the drawings which survive today, there are those of Johan Sylvius, Jean-Robert Ango, and Augustin Pajou.

Santa Maria dell'Anima (English: Our Lady of the Soul) is a Roman Catholic church in central Rome, Italy, just west of the Piazza Navona and near the Santa Maria della Pace church. It was founded during the course of the 14th century by Dutch merchants, who at that time belonged to the Holy Roman Empire. In the course of the 15th century, it became the national church of the whole Holy Roman Empire in Rome and henceforth the so-called German national church and hospice of German-speaking people in Rome. In some sources this institution is called Austrian since Habsburg emperors were its protectors.According to tradition, the church received its name, from the picture of Our Lady which forms its coat of arms (the Blessed Virgin between two souls). Among the artworks housed inside is the Holy Family by Giulio Romano. It is the resting place of the Dutch Pope Adrian VI as well as of Cardinals William of Enckenvoirt and Andrew of Austria.

The Church of Saint Nicholas of the Lorrainers (Italian: San Nicola dei Lorenesi, French: Saint-Nicolas-des-Lorrains) is a Roman Catholic church dedicated to Saint Nicholas and the apostle Saint Andrew. It is one of the national churches in Rome dedicated to France (since the Duchy of Lorraine became part of France in 1766). Given to the Lorrainers by Pope Gregory XV in 1622, the pre-existing church of St. Nicholas was redesigned by Lorrainer architect François Desjardins (also called "Du Jardin" and italianized in "Francesco Giardini"), in 1632.The church was thoroughly renovated in 2006 and entitled to the Community of Saint John.

Centro Pro Unione is a ministry of the Franciscan Friars of the Atonement, a Franciscan Anglican community founded in 1898 by Fr. Paul Wattson, SA, Servant of God, and M. Lurana White, SA, and welcomed into full communion with the Church of Rome in 1909 by St. Pius X. Among the charisms of the Congregation of the Atonement is the promotion of unity among all Christians. The Centro Pro Unione, fulfills this particular vocation.

The Tor Sanguigna is one of the medieval towers of Rome, Italy, built of tufa blocks and brick sited a few metres from piazza Navona in that city's Ponte district. 'Tor Sanguigna' was already used in the Middle Ages as a toponym for the whole surrounding area between what are now via Zanardelli, via dei Coronari and Sant'Agostino church. The piazza in which the tower stands is now named after it.

The Fountain of Neptune (Italian: Fontana del Nettuno) is a fountain in Rome, Italy, located at the north end of the Piazza Navona. It was once called "Fontana dei Calderari" because it was located close to a small alley with blacksmith's workshops, makers of pots and pans and of other metal based businesses, all of them generating heat. The restoration of the Roman Aqua Virgo aqueduct in 1570 was immediately followed by the start of work on a continuation water supply pipe towards the district of the old Campo Marzio, which following the diminution of the city's size and importance was left as the most densely populated part of the city. Restoration of a piped water supply in turn permitted the construction of several public fountains. The basin of the Fontana del Nettuno, (without the sculptures), was designed in 1574 by Giacomo Della Porta, who was also responsible for the Moor Fountain at the other side of the square. It was sponsored by pope Gregory XIII. The lower part of the basin consists of white marble and the upper part of the local stone from Pietrasanta. For the next 300 years, the fountain survived without statues. Nineteenth-century infrastructure developments reduced dependence on urban fountains for drinking and washing purposes but increased their visual and political importance, especially following the creation of the Italian state with Rome as its capital after 1870. The fountain as it exists today was finally completed in 1878 by Antonio della Bitta, who added the imposing sculpture of Neptune fighting with an octopus, and Gregorio Zappalà, who created the other sculptures, based on the mythological theme of the "Nereids with Cupids and walruses". This statuary was added following a competition in 1873, in order to balance that of the Moor Fountain on the south side of the piazza and of the Fontana dei Quattro Fiumi (Fountain of the Four Rivers) at its centre.

The Congregation of the Oratory of Saint Philip Neri is a pontifical society of apostolic life of Catholic priests and lay-brothers who live together in a community bound together by no formal vows but only with the bond of charity. They are commonly referred to as Oratorians (also Oratorian Fathers). This "Congregation of the Oratory" should not be confused with the French Oratory, a distinct congregation, the Society of the Oratory of Jesus (Société de l'Oratoire de Jésus), founded by Pierre de Bérulle in 1611 in Paris. Founded in Rome in 1575 by St. Philip Neri, today it has spread around the world, with over 70 Oratories and some 500 priests. The post-nominal initials commonly used to identify members of the society are "C.O." (Congregatio Oratorii). The abbreviation "Cong. Orat." is also used. Unlike a religious institute (the members of which take vows and are answerable to a central authority) or a monastery (the monks of which are likewise bound by vows in a community that may itself be autonomous and answerable directly to the Pope), the Oratorians are made up of members who commit themselves to membership in a particular, independent, self-governing local community (an Oratory, usually named for the place in which it is located: e.g., Birmingham Oratory, Oxford Oratory, Brooklyn Oratory) without actually taking vows, an unusual and innovative arrangement created by St. Philip. Normally an oratory must have a minimum of four members, two being ordained, in order to be founded. If a group of men seeks to establish an oratory, they may apply to do so, going through the proper diocesan channels; during the process of formation a member (or members) of a well-established oratory resides in the community to facilitate every aspect of the proposed foundation.

Sant'Agnese in Agone (also called Sant'Agnese in Piazza Navona) is a 17th-century Baroque church in Rome, Italy. It faces onto the Piazza Navona, one of the main urban spaces in the historic centre of the city and the site where the Early Christian Saint Agnes was martyred in the ancient Stadium of Domitian. Construction began in 1652 under the architects Girolamo Rainaldi and his son Carlo Rainaldi. After numerous quarrels, the other main architect involved was Francesco Borromini.The church is a titular deaconry, with Gerhard Ludwig Müller being the current Cardinal-Deacon. As well as religious services, the church hosts regular classical concerts in the Borromini Sacristy, from sacred Baroque works to chamber music and operas.

Lungotevere Michelangelo is the stretch of Lungotevere that links Piazza della Libertà to Piazza delle Cinque Giornate in Rome, in the Rione Prati.The Lungotevere is dedicated to Michelangelo Buonarroti, who created several works of art in the town; it was established as per resolution on April 1, 1911.The boulevard is delimited by Ponte Giacomo Matteotti and Ponte Regina Margherita, while in an intermediate position rises Ponte Pietro Nenni, that is used by the trains of the Line A of the Rome Metro.

The Palazzo Fusconi-Pighini is a Renaissance-style palace located on Piazza Farnese #44 in the rione Regola of central Rome, Italy.