Bristol Crown Court

The Commercial Rooms (grid reference ST587729) are in Corn Street, Bristol, England. Built in 1810 by Charles Busby, the building has sculpture by J. G. Bubb. Originally it housed a club for mercantile interests and during the mid-19th century it was a haunt of local prostitutes. The retained wind vane above the bar would let merchants know whether it was safe for their ships to negotiate the treacherous Avon Gorge, and the wall boards still contain the names of all the club's presidents, treasurers and secretaries. It is now a pub owned by Wetherspoons.

Bristol Guildhall is a municipal building in Broad Street, Bristol, England. It is a Grade II* listed building. It was built in the 1840s on the site of the previous guildhall and used as a courthouse from the 1860s to 1993. Various plans for its use as an art gallery and hotel were then proposed. In March 2020 it was damaged by a fire which led to its roof collapsing.

Christ Church with St Ewen (grid reference ST588730) is a Church of England parish church in Broad Street, Bristol, England. Christ Church was built between 1786 and 1791. The tower appears to have been designed by Thomas Paty who was architect to the vestry, and the body of the church by his son William, and built by Thomas Paty and Sons, replacing a medieval one. The entrance and refurbished interior are by Henry Williams in 1883. The building was restored by Priest-in-charge Rev. G. S. Zimmern in 1973. On the tower quarter-boy figures strike the quarter hours on the Automaton clock. It has been designated as a Grade II* listed building.

The Former Everard's Printing Works (grid reference ST588730) is at 37-38 Broad Street in Bristol, England. It has been designated as a Grade II* listed building.It was built in 1900 by Henry Williams, with the Modern Style (British Art Nouveau style) facade by W.J. Neatby, who was the chief designer for Doulton and Co., as the main works for the printer Edward Everard. It has a triple archway design on the ground floor with two on the first floor and four on the upper floor. Above them is a female figure holding a lamp and a mirror symbolising Light and Truth. The arches were to reflect the Church of St John the Baptist a little further along Broad Street.Most of the red brick building was demolished in 1970 but the Modern Style facade was preserved as it is the largest decorative Doulton Carrara ware tile facade of its kind in Britain (so named from its resemblance to Carrara marble). The contributions of William Morris and Johannes Gutenberg to printing and literature are celebrated in the design. Behind each figure are typefaces representing their work. After the demolition of the rest of the building the facade was incorporated into a new building which was used as offices by the NatWest bank. It was later converted to be the Clayton Hotel, which opened in 2022.

The Former Bank of England (grid reference ST592733) is a historic building at 13/14 Broad Street in Bristol, England. It was built as the site of a branch of The Bank of England.It was built in 1844-47 by Charles Robert Cockerell with a Doric pseudo-portico of three bays recessed between low pavilions: the attic storey is arcaded with a triangular pediment .It has been designated by Historic England as a Grade I listed building.The building is now used as the Bristol Citizens Advice Bureau.

St John on the Wall in Bristol is a historic church in the care of heritage charity The Churches Conservation Trust. The upper church and its medieval vaulted crypt is located at the lower end of Broad Street and is built into the old city's medieval walls.

St Stephen's Church in St Stephen's Avenue, is the parish church for the city of Bristol, England. It has been designated by Historic England as a grade I listed building.

Corn Street, together with Broad Street, Wine Street and High Street, is one of the four cross streets which met at the Bristol High Cross, the heart of Bristol, England when it was a walled medieval town. From this crossroads Corn Street and its later extension Clare Street runs downhill approximately 325m south-westwards to The Centre.Corn Street contains many historic buildings. For centuries it was at the centre of Bristol's commerce and administration, but in recent years has increasingly turned to market shopping, leisure and accommodation.

The Old Council House is a building on Corn Street, Bristol, England. It has been designated by English Heritage as a grade II* listed building.

The Exchange is a Grade I listed building built in 1741–43 by John Wood the Elder, on Corn Street, near the junction with Broad Street in Bristol, England. It was previously used as a corn and general trade exchange but is now used as offices and St Nicholas Market. The Exchange underwent major building work in 1872, including roofing over the courtyard, and again in the early 1900s when the City Valuer's Department moved to the building. Since World War II the external clock tower has been removed and the roof lowered. Outside the building are four bronze tables dating from the 16th and 17th centuries, known as "nails," at which merchants carried out their business. At the front of the building is a clock showing both Greenwich Mean Time and "local time".

St Nicholas Market is a market in Corn Street, Bristol, England in The Exchange in the Bristol City Centre. It is also home to the Bristol Farmers' Market, the Nails Market, and the Slow Food Market, all of which are located in front of the Exchange. It was the location of the first Berni Inn in 1956, which became a large chain, at The Rummer, a historic pub.

The Lloyds Bank (grid reference ST587729) is an historic building situated at 53 & 55 Corn Street in Bristol, England. Originally the West of England and South Wales Bank built by Bristol architects William Bruce Gingell (1819–1899) and T.R. Lysaght in 1854. Gingell was one of the most progressive Bristol architects of the latter part of the nineteenth century. He went on to design the General Hospital. Gingell is said to have used St Mark's library in Venice as a starting point for this building. The sumptuous friezes by are by John Thomas (1813–1862). John Thomas had been responsible for overseeing the carving on Charles Barry's new Houses of Parliament. On the ground floor the crests of Newport, Bath, Bristol, Exeter, and Cardiff are shown – the main towns from where the bank operated. On the first floor the ‘elements and sources of wealth’ are symbolised by life-size figures. They include: justice and integrity; education and charity; peace and plenty; art and science; commerce, navigation and commerce. And above this chubby cherubs depict the activities of the bank: receiving, paying, storing, coining money, engraving and printing, and trading with Africa and America. The adornment was intended to emphasize the wealth, and therefore financial stability, of the bank. It didn't stop the bank going bust, however, twenty years later in 1878. The opulent interior features Corinthian columns.It is a grade II* listed building and formerly housed a branch of the Lloyds Bank.It is now a 42-room boutique hotel & luxury spa.