Stubentor station

The rooftop remodeling Falkestrasse located in Vienna, Austria, is a Coop Himmelb(l)au architectural project. Architizer, About Coop Himmelblau, March 2012 The remodelling is an edition to a pre-existing traditional Viennese building. The law firm clients, Schuppich, Sporn, Winischhofer required more space in which Coop Himmelblau went up and out. The remodelling design commenced in 1983, with the final construction concluding in late 1988.

The Schubert Monument, a statue in the Stadtpark in Vienna, Austria, is a memorial to the composer Franz Schubert (1797–1828), unveiled in 1872.

The Deutschmeister-Palais or Palais Erzherzog Wilhelm is a building in Vienna located at Parkring 8. It was designed in the years 1864–1868 by the Danish-Austrian architect Theophil von Hansen (1813–1891) as a residence for Archduke Wilhelm Franz of Austria (1827–1894), who at that time was Grand Master of the Teutonic Knights (Deutschmeister). The building face includes statues by the Austrian sculptor Joseph Gasser von Valhorn. From 1938 to 1945 it was the seat of the Viennese SS headquarters, then from 1945 to 1974 it served as the Federal Police Department in Vienna. Today it holds the offices of the OPEC Fund for International Development.

The University of Applied Arts Vienna (German: Universität für angewandte Kunst Wien, or informally just Die Angewandte) is an arts university and institution of higher education in Vienna, the capital of Austria. It has had university status since 1970.

The MAK – Museum of Applied Arts (German: Museum für angewandte Kunst) is an arts and crafts museum located at Stubenring 5 in Vienna's 1st district Innere Stadt. Besides its traditional orientation towards arts and crafts and design, the museum especially focuses on architecture and contemporary art. The museum has been at its current location since 1871. Since 2004 the building is illuminated in the evenings by the permanent outdoor installation "MAKlite" of American artist James Turrell. In 2015 the MAK became the first museum to use bitcoin to acquire art, when it purchased the screensaver "Event listeners" of van den Dorpel. With over 300.000 objects displayed online, the MAK presents the largest online collection within the Austrian Federal Museums. The audio guide to this museum is provided as a web-based app.

Umar Defeats a Dragon is a page from a Mughal Illuminated manuscript illustrating an episode from the Hamzanama. The page size is 55 x 70 cm. It is in the collection of the Museum of Applied Arts, Vienna, Vienna. The manuscript is credited to Daswanth. The illuminated manuscript shows Umar fighting a dragon from the Hamzanama manuscript, from the Mughal dynasty.

The Dominican Church (German: Dominikanerkirche), also known as the Church of St. Maria Rotunda, is an early Baroque parish church and minor basilica in the historic center of Vienna, Austria. It is the third church built on the same site in the course of time.

The Stadtpark (City Park) in Vienna, Austria is a large municipal park that extends from the Ringstraße in the Innere Stadt first district up to the Heumarkt (Hay Market) in the Landstraße third district. The park is divided in two sections by the Wienfluss (Vienna River), and has a total surface area of 65,000 square metres (28 acres). Scattered throughout the park are statues of famous Viennese artists, writers, and composers, including Hans Canon, Emil Jakob Schindler, Johann Strauss II, Franz Schubert, and Anton Bruckner. The opulent Kursalon building on Johannesgasse, with its broad terrace that reaches into the park, is the site of popular waltz concerts.

The Bürgertheater was a theatre in Vienna. The Wiener Bürgertheater was erected in 1905 in the Third District (3 Bezirk), at Vordere Zollamtsstraße 13. It was designed by the architects Franz von Krauss and Josef Tölk. The official opening took place on December 7, 1905, with the performance of Der alte Herr (The Old Man), by Beatrice Dvorsky with the mayor of Vienna, Karl Lueger, attending. The first director was actor and author Oskar Fronz, who managed the theatre until his death in 1925. The venue was unsuccessful in its early years until Fronz adapted the Bürgertheater for operetta performances in 1910 and Edmund Eysler became the house composer. From 1926, Revue-operettas were common, particularly those featuring Karl Farkas and his partner, Fritz Grünbaum. The theatre closed in the early years of World War II, but reopened under the direction of Robert Valberg in 1942. In September 1945, Franz Stoss was named director, and the Bürgertheater became a satellite theatre of the Theater in der Josefstadt. In 1953, Stoss was followed by Harald Röbbeling who renamed the Bürgertheater Broadwaybühne (Broadway-stage) in an attempt to give it a new direction. This was unsuccessful causing huge financial losses that forced the theatre to close. The building was subsequently used for, among other purposes, the transmission hub for the American occupying force and a sales exhibition which was previously housed at the Vienna Stock Exchange. During the 1959-61 great death of the theatres in Vienna - in which the Wiener Stadttheater (in Laudongasse) and the "Scala", the former Johann Strauss Theater, were also affected - the Bürgertheater was demolished in 1960. The headquarters of the Viennese Zentralsparkasse was erected on the site, with a bridge over the adjoining slip road, designed by Arthur Perotti and Anton Potyka.

The Austrian Postal Savings Bank building (German language: Österreichische Postsparkasse) is a famous building in Vienna, designed and built by the architect Otto Wagner. The building is regarded as an important work of Vienna Secession, branch of Art Nouveau. It was constructed between 1904 and 1906 using then completely new reinforced concrete, and was opened on 17 December 1906. Extension was added between 1910 and 1912. The building houses the headquarters of the BAWAG P.S.K. bank, formerly the Österreichische Postsparkasse (P.S.K.) bank before its merger with BAWAG in 2005. It is located at Georg-Coch-Platz 2, in the first district Innere Stadt, next to the Ringstraße boulevard.

Schönlaterngasse ("Street of the Beautiful Lantern") is a small winding alleyway in central Vienna. In the Middle Ages it was known as Straße der Herren von Heiligenkreuz ("street of the gentlemen of Heiligenkreuz"), as it passes the Heiligenkreuzer Hof ("Holy Cross courtyard"). Later on, it carried several names that still referred to the Heiligenkreuzer Hof before being named after the "beautiful lantern" in 1780. The buildings along the alley date back to Baroque times. Schönlaterngasse originally terminated in an alleyway that was removed to make way for the Jesuitenkirche, upon which it was lengthened to Postgasse, where it still ends today. The so-called "beautiful lantern" is located at Schönlaterngasse 6. The original lantern is currently in Vienna’s City Museum, but a replica was installed in its original location in 1971. The house opposite the lantern, Schönlaterngasse 7, is home to a well-known Viennese myth. According to this myth, on 26 June 1212 in the morning, the servant of a baker discovered a basilisk at the bottom of the well in the courtyard. The baker’s apprentice noticed the creature and subsequently destroyed it by holding a mirror to it (looking into its eyes was known to be fatal). The basilisk exploded. The facades of the house tell this tale, which was inscribed in its walls in 1932 using the original text from 1577. An old blacksmith's smithy can be viewed at Schönlaterngasse 9, and serves as home to an art association. The street is also home to several eating and drinking establishments today, which are open nights and evenings. Schönlaterngasse has been on Austrian postage stamps four times. It can also be seen in Carol Reed's The Third Man.

The Jesuit Church (German: Jesuitenkirche), also known as the University Church (German: Universitätskirche), is a two-floor, double-tower church in Vienna, Austria. Influenced by early Baroque principles, the church was remodeled by Andrea Pozzo between 1703 and 1705. The Jesuit Church is located on Dr. Ignaz Seipel-Platz, immediately adjacent to the old University of Vienna buildings.