MIT Media Lab

Established in 1950, the List Visual Arts Center (LVAC) is the contemporary art museum of the Massachusetts Institute of Technology. It is known for temporary exhibitions in its galleries located in the MIT Media Lab building, as well as its administration of the permanent art collection distributed throughout the university campus, faculty offices, and student housing.

The Wiesner building (Building E15) houses the MIT Media Lab and the List Visual Arts Center and is named in honor of former MIT president Jerome Wiesner and his wife Laya. The building is very box-like, a motif that is consistently repeated in both the interior and exterior design evoking a sense of boxes packed within each other.The building is notable for the level of collaboration between the architect and artists. It stands apart from the surrounding neighborhood with its flat, gridded skin make of white, modular metal panels. The building's exterior was designed by Kenneth Noland is meant as a metaphor of technology through the grids of graph paper and number matrices while also quoting the corridor-like morphology of the rest of the MIT campus. Scott Burton, Alan Shields, and Richard Fleischner also collaborated extensively in the final design of the internal atria and external landscaping.The Wiesner Building in Cambridge, Massachusetts houses the MIT Media Lab, the Center for Bits and Atoms (Neil Gershenfeld's lab), the Department of Architecture's Program in Art, Culture and Technology (ACT, formerly the Visual Arts Program), the Comparative Media Studies (CMS) program and the List Visual Arts Center. It was designed by I.M. Pei & Partners. It is named in honor of former MIT president Jerome Wiesner and his wife Laya and was dedicated in 1985. The Wiesner Building is also known to the Massachusetts Institute of Technology community as Building E15.

The Center for Bits and Atoms (CBA) was established in 2001 in the MIT Media Lab at the Massachusetts Institute of Technology. It is currently run by Neil Gershenfeld. This cross-disciplinary center broadly looks at the intersection of information to its physical representation. From the original NSF proposal: MIT's Center for Bits and Atoms is an ambitious interdisciplinary initiative that is looking beyond the end of the Digital Revolution to ask how a functional description of a system can be embodied in, and abstracted from, a physical form. These simple, profound questions date back to the beginning of modern manufacturing and before that to the origins of natural science, but they have revolutionary new implications that follow from the recognition of the computational universality of physical systems. We can no longer afford to ignore nature's capabilities that have been neglected by conventional digital logic; it is at the boundary between the content of information and its physical representation that many of science's greatest technological, economic, and social opportunities and obstacles lie.

Transparent Horizon is a 1975 black Cor-ten steel sculpture by Louise Nevelson, installed on the Massachusetts Institute of Technology campus, in Cambridge, Massachusetts, United States. The artwork was among the first funded by MIT's "per cent per art" program, and has been the target of vandalism.

The Institute for Medical Engineering and Science or IMES is a research institute at the Massachusetts Institute of Technology that aims to combine engineering, medicine, and science to solve challenges in human health. The institute was established in 2012 and is currently directed by Elazer Edelman. Some core faculty members include Alex K. Shalek, Emery Brown, and Ellen Roche. IMES serves to bring together scientific advances with clinical medicine by serving as the point of intersection with major hospitals and industry partners. IMES is also the MIT home for the Harvard–MIT Program in Health Sciences and Technology.

The Kendall Hotel, or The Kendall Hotel, is a boutique hotel on Main St. in the Kendall Square area of Cambridge, Massachusetts. It repurposed a firehouse built in 1895: it was once the Engine 7 Firehouse. The Telegraph's online review terms it a "gorgeous Victorian firehouse turned boutique hotel near buzzy Kendall Square" and asserts that its "Black Sheep restaurant is a gem."It was originally designed to support horse-drawn fire-fighting equipment. It served in fire protection from 1895 to 1993, its role replaced by a modern fire station in Central Square. The building was renovated starting in 2000. Renovation involved moving the original three-story firehouse closer to the street, adding a seven-story tower behind, and restoring two cupolas. After opening in 2002, it was expanded in 2007 with the addition of a second seven-story tower.The hotel is a member of the Historic Hotels of America.The owners have been honored by the Cambridge Historical Commission for the quality of their historic preservation efforts.The Washington Post in 2017 included "Kendall Hotel at the Engine 7 Firehouse" in a list of 23 American "hotel retrofits", as "part of a trend toward historic adaptive reuse that has travelers overnighting in former department stores, textile mills, an auto assembly plant and even a 19th-century jail.".In 2018, Boeing was to become a tenant next door.

The Cecil and Ida Green Building, also called the Green Building or Building 54, is an academic and research building at the Massachusetts Institute of Technology (MIT) in Cambridge, Massachusetts. The building houses the Department of Earth, Atmospheric, and Planetary Sciences (EAPS). It is one of the tallest buildings in Cambridge. The Green Building was designed by I. M. Pei, who received a bachelor's degree in architecture from MIT in 1940, and Araldo Cossutta. Principal donor Cecil Howard Green received a bachelor's degree and master's degree from MIT and was a co-founder of Texas Instruments.

La Grande Voile (The Big Sail) is a 1965 painted steel sculpture by Alexander Calder, installed in McDermott Court, on the Massachusetts Institute of Technology (MIT) campus, in Cambridge, Massachusetts, United States.

The Koch Institute for Integrative Cancer Research at MIT ( KOHK; also referred to as the Koch Institute, KI, or CCR/KI) is a cancer research center affiliated with the Massachusetts Institute of Technology (MIT) located in Cambridge, Massachusetts, United States. The Institute is one of eight National Cancer Institute-designated basic research centers in the United States.The Institute was launched in October 2007 with a $100 million grant from David H. Koch and the 180,000 square feet (17,000 m2) research facility opened in December 2010, replacing the MIT Center for Cancer Research (CCR). The Institute is affiliated with 25 MIT faculty members in both the Schools of Engineering and Science.

The Abdul Latif Jameel Poverty Action Lab (J-PAL) is a global research center based at the Massachusetts Institute of Technology aimed to reducing poverty by ensuring that policy is informed by rigorous, scientific evidence. J-PAL funds, provides technical support to, and disseminates the results of randomized controlled trials evaluating the efficacy of social interventions in health, education, agriculture, and a range of other fields. As of 2020, the J-PAL network consisted of 500 researchers and 400 staff, and the organization's programs had impacted over 400 million people globally. The organization has regional offices in seven countries around the world, and is headquartered near the Massachusetts Institute of Technology in Cambridge, Massachusetts. In 2019, the Nobel Memorial Prize in Economic Sciences was jointly awarded to J-PAL co-founders Esther Duflo and Abhijit Banerjee, alongside economist Michael Kremer, "for their experimental approach to alleviating global poverty". The Nobel committee highlighted Duflo and Banerjee's work building J-PAL in their report on the scientific background for the award, noting that the organization was "vital" in promoting the acceptance of randomized controlled trials as an empirical technique in development economics. Nicholas Kristof of The New York Times has described J-PAL as leading a "revolution in evaluation".

Aesop's Fables, II is a 2005 steel sculpture by Mark Di Suvero, installed on the Massachusetts Institute of Technology (MIT) campus, in Cambridge, Massachusetts, United States.

Kendall/MIT station is an underground rapid transit station in Cambridge, Massachusetts. It serves the MBTA Red Line, Located at the intersection of Main Street and Broadway, it is named for the primary areas it serves - the Kendall Square business district and the Massachusetts Institute of Technology (MIT). Opened in March 1912 as part of the original Cambridge subway, Kendall/MIT has two side platforms serving the line's two tracks. The Kendall Band, a public art installation of hand-operated musical sculptures, is located between the tracks in the station with controls located on the platforms. Kendall/MIT station is accessible. With 17,018 weekday boardings by a FY2019 count, Kendall/MIT has the fourth highest ridership among MBTA subway stations.