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Apex Studios

Recording studio stubsRecording studios in Manhattan

Apex Studios was a recording studio in Manhattan, New York City. It had a high reputation for recording jazz. It was located in the Beaux Arts Steinway building. The owner was Bob Scheuing. When Al Schmitt started in 1950, the two engineers were Fred Herbert Otto and Tom Dowd.Apex did almost all of the work for National, Atlantic, and Prestige record labels.Miles Davis's album Miles Davis and Horns was partly recorded here in 1951. Duke Ellington did a session with his son, Mercer. It was one of the first major sessions engineered by Al Schmitt.The studio also recorded radio shows for Voice of America in many languages.Artists that recorded at the studio included Charlie Parker, The Clovers, Clyde McPhatter, the Modern Jazz Quartet, Peppermint Harris, Lightnin' Hopkins.The studio went bankrupt and closed in the early 1950s.

Excerpt from the Wikipedia article Apex Studios (License: CC BY-SA 3.0, Authors).

Apex Studios
West 57th Street, New York Manhattan

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N 40.765 ° E -73.977333333333 °
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111 West 57th Street (Steinway Tower)

West 57th Street
10019 New York, Manhattan
New York, United States
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111 West 57th Street
111 West 57th Street

111 West 57th Street, also known as Steinway Tower, is a supertall residential skyscraper in the Midtown Manhattan neighborhood of New York City. Developed by JDS Development Group and Property Markets Group, it is situated along Billionaires' Row on the north side of 57th Street near Sixth Avenue. The main portion of the building is an 84-story, 1,428-foot (435-meter) tower designed by SHoP Architects and completed in 2021. Preserved at the base is the 16-story Steinway Building (also Steinway Hall), a former Steinway & Sons store designed by Warren and Wetmore and completed in 1925, which originally carried the address 111 West 57th Street. 111 West 57th Street contains 60 luxury condominiums: 14 in Steinway Hall and 46 in the tower. The residential tower has a glass facade with piers made of terracotta; its pinnacle contains setbacks on the southern side. The tower is one of the tallest buildings in the United States, as well as the thinnest skyscraper in the world with a width-to-height ratio of about 1:24. Steinway Hall, a New York City designated landmark, contains a facade made mostly of brick, limestone, and terracotta. 111 West 57th Street contains numerous resident amenities, housed mostly in the building's base, as well as a large rotunda within Steinway Hall that is also a designated city landmark. The Steinway & Sons store at 111 West 57th Street was planned in 1916 but was not completed for nine years due to lawsuits and other delays. Steinway Hall served as a store, recital hall, and office building for almost nine decades, though it was unsuccessful as a speculative development. Plans for a residential skyscraper on the site date to 2005, and JDS acquired the lots for the skyscraper between 2012 and 2013. Despite the tower's size, it was technically constructed as an addition to Steinway Hall. Construction on the tower began in 2014, and Steinway Hall was restored as part of the residential project. The development faced several challenges, including financing difficulties, lawsuits, and controversies over employment. The tower's concrete form topped out during April 2019, and work was completed in 2022.

Sherwood Studio Building

The Sherwood Studio Building was an artists' apartment building at 58 West 57th Street, at the southeast corner with Sixth Avenue (Avenue of the Americas) in Midtown Manhattan, New York City. The building was constructed in 1879 as artists' apartments. It was demolished in 1960 to permit the construction of a large apartment building called Hemisphere House. It differed from the other studio buildings of its time in its extent and in the amenities it offered. It was taller than most, with great floor-to-ceiling windows, many of which gathered northern light across an unusually broad street. In addition to spacious studios, its apartments contained bedrooms, bathrooms, and reception rooms. Each apartment had central heating, gas light, and, for internal communication, electric bells and speaking tubes. The building's elevator was large enough to fit oversize works of art. There was an exhibition hall that could also be used for receptions and parties. An on-site café-restaurant helped to compensate for the building's lack of kitchenettes and became popular for the social interaction it enabled as well as the meals it provided. In its early years, the building adjoined the homes of prosperous art collectors and a later transformation brought luxury shops and tony cultural institutions as its neighbors. With all these advantages, "the Sherwood", as it came to be called, succeeded in attracting artists who were comfortably well off, whether because they had already established successful careers or because they benefited from inherited wealth. Moreover, its location and amenities made it particularly attractive to single women and small families.