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Santa Maria della Colonna

16th-century Roman Catholic church buildings in Italy18th-century Roman Catholic church buildings in ItalyBaroque architecture in NaplesChurches in Naples
Le chiese di Napoli (19373042180)
Le chiese di Napoli (19373042180)

Santa Maria della Colonna is a Baroque style deconsecrated Roman Catholic church in central Naples, region of Campania, Italy. It stands across from the church of the Girolamini.

Excerpt from the Wikipedia article Santa Maria della Colonna (License: CC BY-SA 3.0, Authors, Images).

Santa Maria della Colonna
Via dei Tribunali, Naples Pendino

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Wikipedia: Santa Maria della ColonnaContinue reading on Wikipedia

Geographical coordinates (GPS)

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N 40.851374 ° E 14.2587 °
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Santa Maria della Colonna

Via dei Tribunali
80138 Naples, Pendino
Campania, Italy
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Le chiese di Napoli (19373042180)
Le chiese di Napoli (19373042180)
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Nearby Places

San Lorenzo Maggiore, Naples
San Lorenzo Maggiore, Naples

San Lorenzo Maggiore is a church in Naples, Italy. It is located at the precise geographic center of the historic center of the ancient Greek-Roman city, at the intersection of via San Gregorio Armeno and via dei Tribunali. The name "San Lorenzo" may also refer to the new museum now opened on the premises, as well as to the ancient Roman market beneath the church itself, the Macellum of Naples. The church's origins derive from the presence of the Franciscan order in Naples during the lifetime of St Francis of Assisi, himself. The site of the present church was to compensate the order for the loss of their earlier church on the grounds where Charles I of Anjou decided to build his new fortress, the Maschio Angioino in the late 13th century. San Lorenzo actually is a church plus monastery. The new museum takes up the three floors above the courtyard and is given over to the entire history of the area that centers on San Lorenzo, beginning with classical archaeology and progressing to a chart display of historical shipping routes from Naples throughout Magna Grecia and the Roman Empire. The museum provides a detailed account of the local "city hall" that was demolished in order to put up the church in the 13th century and continues up past the Angevin period and into more recent history. Beneath San Lorenzo, about half of an original Roman market has been excavated. The site has been open since 1992, the result of 25 years of painstaking excavation. The market place is the only large-scale Greek-Roman site excavated in the downtown area. In this church Boccaccio met his beloved Fiammetta (1338).

Pio Monte della Misericordia
Pio Monte della Misericordia

The Pio Monte della Misericordia is a church in the historic center of Naples, southern Italy. It is famous for its art works, including Caravaggio's The Seven Works of Mercy. A charity brotherhood (Pio Monte della Misericordia meaning "Pious Mount of Mercy" in Italian) was founded in August 1601 by seven young nobles, who met every Friday at the Hospital for Incurables and ministered to the sick.In 1602 they established an institution and commissioned a small church, built by Gian Giacomo di Conforto, near the staircase leading to the Cathedral, on the corner of the Via dei Tribunali and the Vico dei Zuroli. In 1605, they received an apostolic letter from Pope Paul V, according special privileges to the high altar.The church was consecrated in September 1606. From 1658 to 1678 the edifice was enlarged, also with the annexation of neighbouring structures, by architect Francesco Antonio Picchiati, forming a complex with a palace and a renewed church. The latter, at the high altar, houses Caravaggio's Seven Works of Mercy. There are also paintings by Luca Giordano, Carlo Sellitto, Fabrizio Santafede, Battistello Caracciolo and others. The noblemen of the brotherhood at Pio Monte della Misericordia were looking for painters "to give permanent visual expression to their sense of charitable mission”. Regarding the sharp contrasts of the chiaroscuro in Caravaggio's painting’s, the German art historian Ralf van Bühren explains the bright light as a metaphor for mercy, which "helps the audience to explore mercy in their own lives".