1 Thibault Square

The Alhambra Bioscope, also known as the Alhambra Theatre, was a theatre that opened on Riebeek Street, Cape Town, South Africa in 1929.

Atterbury House (formerly known as Shell House) is a 417 ft (127 m) office skyscraper in Cape Town, South Africa. The 29 story building was completed in 1976. At the time it was completed, it became the 2nd tallest building in Cape Town, shorter than the 423 ft (129 m) 1 Thibault Square.The building has been used as home to several major organizations and companies, including The Metropolitan Health Group, Department of Public Works, and Planet Fitness. Department of Education, Department of Mineral and Energy Affairs, and the Premier are the former notable tenants of the building.On 12 June 2013, Ascension Properties bought the building for R341 million, equivalent to an acquisition yield of 8.7% at that time.

The ABSA Centre, renamed Foreshore Place, is a mixed-use skyscraper in Cape Town, South Africa.

Adderley Street is a street in Cape Town, South Africa. It is considered the main street of the central business district (downtown) of Cape Town. The Christmas lights, night markets, main train station and numerous shops and restaurants and office towers are on this thoroughfare.

The statue of Jan van Riebeeck lies alongside the statue of Maria van Riebeeck on Heerengracht Street in Cape Town, South Africa. Both statues stand with their backs to the sea looking south to Table Mountain. The statue was donated by Cecil Rhodes to the city of Cape Town. He paid the Scottish sculptor John Tweed £1,000 for the work, partly on the condition that the statue not show Tweed's name and be larger than life-size. The statue lies on a Cape granite pedestal 4¼ m high designed by an architect friend of Tweed's. This further inflated the cost. On 18 May 1899, Cape Town Mayor Thomas Ball unveiled the bronze statue in the presence of the entire City Council, national politicians, and members of the public, but in the absence of Rhodes, then sojourning in Europe. Rhodes chose to situate the statue where Van Riebeeck set foot ashore. Due to the development of the harbour and the city's growth, the statue has been overshadowed by skyscrapers. Over time, a large roundabout was developed at the site, once called Heerengracht, and in 1969, a statue of Maria van Riebeeck was laid to the right of her husband's. There is no image that can be said to certainly depict the founder of the Cape refreshment station. In the statue, Van Riebeeck's sword is sheathed, and he carries his walking stick in his right hand. The dress in the statue is historically inaccurate. Overhanging shoulder straps were out of fashion in the mid-17th century, and knee breeches and the jacker Van Riebeeck is wearing only became popular after his departure for Java. Hat feathers were in fashion, but are missing in the statue. Each year on 6 April, Founders Day, wreaths were laid at the statues of Jan and Maria van Riebeeck. In his poem, "Oor monnemente gepraat" ("speaking of monuments"), Peter Blum writes: here is Jan van Riebeeck, very handsome in his plus fours; .... In Van Riebeeck's birthplace of Culemborg is a bust of Van Riebeeck, donated by the Cape Town City Council.

A statue of Maria van Riebeeck (née de la Que(i)llerie) stands alongside that of her husband, Jan van Riebeeck, in a roundabout on Heerengracht Street in Cape Town, South Africa. It was a gift by the Netherlands to the people of South Africa to commemorate the first settlement of the Cape of Good Hope. On 2 October 1954, Prince Bernhard of Lippe-Biesterfeld, husband of Queen Juliana of the Netherlands, unveiled the statue in front of the Iziko South African National Gallery in Company's Garden. In 1969, the statue was moved to its current location. The statue depicts Maria de la Queillerie's stately figure with a serious expression. She wears a circular collar and a wide skirt hangs from her cosseted waist. A coif keeps her hair out of her eyes. She carries a fruit basket in her left arm and a bouquet of flowers in her right hand, hinting at her interest in gardening and produce growing for the Cape refreshment station. There is no reasonably confirmed image of Maria de la Queillerie from her lifetime. The sculptor, Dirk Wolbers, is said to have therefore used his own wife as a model, in what was to be the last sculpture of his career. It was cast in bronze in Paris.

Koopmans-de Wet House is a former residence and current museum in Strand Street, Cape Town, South Africa. The house became part of the South African Museum in 1913 and was opened to the public on 10 March 1914. It was declared a National Monument under National Monuments Council legislation on 1 November 1940. It is the oldest house museum in South Africa.

The Cenotaph is a war memorial on Heerengracht Street in Cape Town. The city's annual Remembrance Day ceremonies are held there. It is classified as a public memorial and as such is subject to protection in terms of heritage legislation administered by Heritage Western Cape, the provincial heritage resources authority of the Western Cape province of South Africa.

The Martin Melck House (Afrikaans: Martin Melck-huis) on 96 Strand Street and the Kostershuis on 100 Strand Street, on either side of the Lutheran Church in Cape Town, are both national heritage sites of South Africa. With the building of the Lutheran church, Martin Melck, a German immigrant whose business success and advantageous marriage rendered him the wealthiest man in Cape Colony in the 18th century, lent part of his property on the east side of the church for a parsonage. He donated the property to the congregation in the end, and in 1781, after Melck's death, construction began on the house. Louis Michel Thibault was probably the original architect. Anton Anreith is generally considered to have been responsible for the stained-glass windows, the swan in the gable, and the engravings on the front door. The building is influenced by French Renaissance architecture. It is also unique in that the attic (a "belvedere") had four windows, at the time giving a wide view of the city and Table Bay. Spacious rooms, paved entryways, African teak floors on the ground floor and Real yellowwood floors on the top floor, African teak beams over the living room, and a courtyard make it a distinctive structure. Until 1891, it served as the parsonage for the church. In 1929, there was talk of demolition, but conservationists and the wider community saved it through intensive renovation. From 1932 on, it was named the Martin Melck House, earning the distinction of a national monument in 1936, and it was used by cultural groups in the city. Around 1975, and antique shop operated there. Shortly after 2000, it was home to a museum of gold art, a souvenir shop, a restaurant, and a goldsmith's studio. The museum focuses on 19th- and 20th-century gold works from Mali, Senegal, Ghana, and the Ivory Coast. The Golden Lion is the highlight of the collection and also serves as an emblem of the museum. It is exhibited in the attic. On the corner of Buitengracht and Strand Streets is the Kostershuis, declared a national monument in 1949. This house was originally built from 1779 to 1783. 100 Strand Street in Cape Town was the traditional address of the Dutch Consulate General in the city.

The South African Sendinggestig Museum (also known as the South African Slave Church Museum) was established in 1977 and is currently situated in the centre of Cape Town, Western Cape, South Africa. It is a province-aided museum which receives support from the Government of the Western Cape Province.

The Lutheran Church in Strand Street in Cape Town is one of the oldest church buildings in South Africa, dating back to 1792. It was declared a National Monument in 1949.

The Golden Acre is a shopping mall on the corner of Adderley and Strand Streets in downtown Cape Town.