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Stanton Street

Lower East SideStreets in Manhattan

Stanton Street is a west-to-east street in the New York City borough of Manhattan, in the neighborhood of the Lower East Side. The street begins at the Bowery in the west and runs east to a dead end past Pitt Street, adjacent to Hamilton Fish Park. A shorter section of Stanton Street also exists east of Columbia Street; it was isolated from the remainder of the street in 1959 with the construction of the Gompers Houses and the Masaryk Towers.Stanton Street largely carries a bike lane, a through lane, and a parking lane. It runs one block north of Rivington Street and one block south of Houston Street. The street is named after George Stanton, an associate of landowner James De Lancey.

Excerpt from the Wikipedia article Stanton Street (License: CC BY-SA 3.0, Authors).

Stanton Street
Stanton Street, New York Manhattan

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N 40.720819444444 ° E -73.986572222222 °
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Children's Magical Garden

Stanton Street
10002 New York, Manhattan
New York, United States
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Angel Orensanz Center
Angel Orensanz Center

The Angel Orensanz Center is an art and performance space on the Lower East Side of Manhattan in New York City. It was originally built as a synagogue, running through a succession of congregations and continues to be used as one occasionally. The building is located at 172 Norfolk Street, between Stanton Street and East Houston Street. It was erected in 1849, making it the oldest surviving synagogue building in New York City and the fourth-oldest surviving synagogue building in the United States. It was the largest synagogue in the United States at the time of its construction and is one of the few built in Gothic Revival style.Spanish sculptor and painter Angel Orensanz purchased the property in 1986, about after 12 years after its last synagogue-owners had abandoned its use. He restored it and converted it into an art gallery and performance space known as the Angel Orensanz Foundation Center for the Arts. The New York City Landmarks Preservation Commission designated the building as a historic landmark the following year. It subsequently became home to the Shul of New York, a liberal Reform synagogue.Its owning organizations include: Anshe Chesed Synagogue (Reform), its original builder, also known as the Norfolk Street Congregation (1849–1873) Congregation Shaari Rachmim (Gates of Mercy, Orthodox, 1873–1886) The First Hungarian Congregation Ohab Zedek (To Love Righteousness, Orthodox, 1886–1921) Sheveth Achim Anshe Slonim Synagogue (Orthodox, 1921–1974 and then abandoned) The city took ownership of the vandalized building (1981), after which it was sold to a succession of owners: Hungarian Development, Inc. (1983), Seashells, Inc. (1984), and finally Angel Lopez Orensanz (1986)

Luna Lounge

Luna Lounge was a bar and music club located at 171 Ludlow Street on Manhattan's Lower East Side. Opened in 1995 by Dianne Galliano and Robert Sacher, it was a popular venue for local bands and stand-up comics (the rock band Interpol played there early on and last returned in 2003 to perform a secret show under the name "Cuddleworthy"). Luna Lounge is notable as the place where Elliott Smith wrote the songs for his first major label release, XO.The performance room hosted two to four bands six nights a week, with the "Eating It" alternative stand-up comedy show filling the room on Mondays. "Eating It" featured a changing line-up of comedians including Sarah Silverman, Janeane Garofalo, Louis C.K., Jim Norton, Ted Alexandro, Todd Barry, H. Jon Benjamin, Greg Giraldo, Marc Maron, Mitch Hedberg, Patrice O'Neal, Kathy Griffin, Dennis Miller, Patton Oswalt, Sarah Vowell, Mike Birbiglia, Dave Chappelle and Roseanne Barr; performance artists such as Reverend Jen, Michael Portnoy and Tammy Faye Starlight; and dozens of others. The weekly event was initially devised by Garofalo and Maron, who later helped create the radio network Air America Radio. The $8 admission fee included a drink. Footage of the bar can be seen in the 1997 independent comedy movie Who's the Caboose?, which starred Silverman. A much-loved foosball table was located by the entrance; a game cost $1 in quarters. Luna Lounge was forced to close when its landlord sold the small building to a buyer who planned to demolish it and build a larger development site. The bar closed its doors for the last time at its original location on the morning of June 12, 2005 and the building was torn down on July 26 and 27 of that year.Music at Luna Lounge was always free. When the club closed, it was the last spot on the Lower East Side to feature nightly rock shows with no cover. Some other bands which played the venue early in their careers include The Strokes, Interpol, Longwave, Yeah Yeah Yeahs. Ambulance LTD, Nada Surf, Ratatat, The National and Stellastarr. Sacher, without Galliano, opened a second Luna Lounge on January 22, 2007, in a new Williamsburg, Brooklyn space. Among the artists to play the reopened location were The Meat Puppets, Steve Forbert, The Knitters, The Pipettes, Longwave, Rob Dickinson, The Black Angels, Melvins, Bell Hollow and Kate Nash. Luna Lounge sold its Williamsburg lease in April 2008 to the Knitting Factory.Luna Lounge co-creator and co-owner Sacher later wrote an autobiography, Wake Me When It's Over, which mainly focused on Luna Lounge and its historic and cultural significance within the music scene in New York. The book was published by Selena Press on March 1, 2012.

Clemente Soto Velez Cultural and Educational Center

The Clemente Soto Vélez Cultural and Educational Center, often called The Clemente, is a Puerto Rican/Latinx cultural center named after Puerto Rican writer and activist, Clemente Soto Vélez. The Clemente, which was established as a cultural center in 1993, is located on 107 Suffolk Street in the former PS 160 in Manhattan's historic Lower East Side neighborhood (known as Loisaida by locals).In addition to hosting programming related to Peforma and IDEAS City, the Center is also home to Teatro La Tea, LEFT (Latino Experimental Fantastic Theater), and the leading children’s company SEA, believed to be the only bilingual puppet theatre in the United States.The organization is based in a 1897 City owned building formerly known as P.S. 160, and designed by the architect Charles B. J. Snyder in the collegiate neo-gothic style. It is a representative example of the large number of school buildings that were erected in New York City in the late nineteenth century. In the 1970s a fire caused the school to be vacated and it remained so until 1981, when Solidaridad Humana, a community based educational organization, began to use the building as a school for Spanish-speaking immigrants. Since 1993 the administration of The Clemente has been managing a growing program of long term studios for artists, available at a subsidized license fee. The Clemente has developed an on-going performing arts and exhibition programming, and houses 4 theaters, 3 exhibition galleries, 46 subsidized artists studios, and 12 subsidized offices for arts and education non-for-profit organizations.In December 2019, urban anthropologist, scholar, curator and cultural organizer/producer, Libertad O. Guerra, previously Director and Chief Curator of the Loisaida Cultural Center, was selected as Executive Director of the Clemente Soto Vélez Cultural and Educational Center.