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Birmingham Town Hall

Buildings by Joseph HansomCity and town halls in the West Midlands (county)Concert halls in EnglandCulture in Birmingham, West MidlandsGrade I listed buildings in Birmingham
Grade I listed buildings in the West Midlands (county)Grade I listed concert hallsMusic venues completed in 1834Music venues in Birmingham, West MidlandsNeoclassical architecture in EnglandUse British English from April 2022
Birmingham Town Hall from Chamberlain Square
Birmingham Town Hall from Chamberlain Square

Birmingham Town Hall is a concert hall and venue for popular assemblies opened in 1834 and situated in Victoria Square, Birmingham, England. It is a Grade I listed building.The hall underwent a major renovation between 2002 and 2007. It now hosts a diverse programme of events including jazz, world, folk, rock, pop and classical concerts, organ recitals, spoken word, dance, family, educational and community performances, as well as annual general meetings, product launches, conferences, dinners, fashion shows, graduation ceremonies and broadcasts.

Excerpt from the Wikipedia article Birmingham Town Hall (License: CC BY-SA 3.0, Authors, Images).

Birmingham Town Hall
Victoria Square, Birmingham Ladywood

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Wikipedia: Birmingham Town HallContinue reading on Wikipedia

Geographical coordinates (GPS)

Latitude Longitude
N 52.4796 ° E -1.9037 °
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Address

Town Hall

Victoria Square
B3 3DQ Birmingham, Ladywood
England, United Kingdom
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Birmingham Town Hall from Chamberlain Square
Birmingham Town Hall from Chamberlain Square
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Ruskin Galleries

The Ruskin Galleries was a private art gallery located in what is now Chamberlain Square in Birmingham, England between 1925 and 1940. It provided a venue for the exhibition of modern art at a time when Birmingham's other major artistic institutions were marked by a high degree of artistic conservativism.Birmingham had been at the forefront of the emergence of several radical art movements in the 19th century, but during the early 20th century the city was largely resistant to emergining modernist trends in the visual arts. In 1917 the Royal Birmingham Society of Artists hosted an exhibition of Post-Impressionist works curated by Roger Fry, but it met a hostile reception, with a review in the Birmingham Post condemning its works for their "puerile insanities" and "the unbelievable squalor of their production". An editorial in the Birmingham Post in 1925 asked "Why is it that Birmingham has ceased to count as an important centre of Art?", criticising the RBSA as being controlled by "a small group of men who have arrogated to themselves the responsibility for deciding what is and isn't art ... entirely out of sympathy with modern movements .... having stood still for at least twenty years" The Ruskin Galleries were opened by John Gibbins in 1925 and exhibited work both by local artists and by artists from the international avant-garde. One of the first exhibitions put on by the gallery included works by Matisse, Bonnard and Vlaminck. In 1928 it hosted a nationally-groundbreaking exhibition of contemporary Russian artists, featuring 70 paintings by 15 artists including Filipp Malyavin, Konstantin Korovin, Natalia Goncharova, Mikhail Larionov.During the 1920s and 1930s it provided a venue for the local Artist-Craftsmen Group, which evolved into the Modern Group, providing an outlet for the emergence of progressive Birmingham artists such as the sculptors Gordon Herickx and Alan Bridgwater. The galleries hosted a one-man show by Joseph Southall in 1927.The gallery's immediate impact was noted in the national press in 1926: "when Birmingham seemed hopeless and the modernists felt like exiles in the desert, a miracle happened .... Mr Gibbons has almost revolutionised the artistic life of Birmingham".Although its founder John Gibbons died in 1932 the gallery continued to present exhibitions by local and international artists throughout the 1930s and remained open until 1940, when it was closed due to the onset of the Second World War. In November of that year the Birmingham Mail reviewed its influence: "For over a dozen years it has been an institution in the cultural life of Birmingham where contemporary art has been displayed and modern craftsmanship exhibited in greater variety than anywhere else ... more than one painter may be said to have been discovered there."

Iron:Man
Iron:Man

Iron:Man is a statue by Antony Gormley, in Victoria Square, Birmingham, England. The statue is 6 metres (20 ft) tall, including the feet which are buried beneath the pavement, and weighs 6 metric tons (6 long tons). The statue leans 7.5° backwards and 5° to its left. It is said by the sculptor to represent the traditional skills of Birmingham and the Black Country practised during the Industrial Revolution. Cast at Bradley and Fosters Castings (now Firth Rixson Castings) in Willenhall, it was erected in 1993 and was a gift to the City from the Trustee Savings Bank, being erected outside the former Head Post Office, which was then their headquarters. It was originally named Untitled, but gained the nickname Iron Man, which Gormley requested be changed to Iron:Man and become the official name for it.It was controversial initially, with early accusations of rusting being explained as deliberate by Gormley when he stated that the type of iron used encourages surface oxidation to protect the underlying metal. When the bank relocated its headquarters to Bristol, some in Birmingham at the time felt the statue should be relocated or removed although, as it was originally a gift to the city, it was left in place.A maquette of the statue used to be at the Public Art Commissions Agency in the Jewellery Quarter, but is now located at the Birmingham Museum Collection Centre in Nechells.The statue was moved into storage in September 2017, to allow the tracks for the West Midlands Metro extension to Centenary Square to be laid, and restored to a new site in Victoria Square in February 2022.