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Paradise Street

England road stubsStreets in Birmingham, West MidlandsUse British English from December 2016West Midlands (county) geography stubs
Queen's College facade, Birmingham
Queen's College facade, Birmingham

Paradise Street is a short street in the core area of Birmingham City Centre, in England. Paradise Street runs roughly from Victoria Square to Suffolk Street and Broad Street. The street existed in 1796 when a congregation gathered at a meeting hall for a sermon. Paradise Street is noted as the location of Birmingham Town Hall (started in 1832) and the former site of Queen's College, Birmingham (started 1843) which was the first establishment in Birmingham to grant degrees. The Birmingham and Midland Institute had its first building on Paradise Street (opened 1860) but moved to Margaret Street when the Inner Ring Road (A4400) was developed in the 1960s. The head office building of the Birmingham Canal Navigations was built opposite the western end of Paradise Street. For a few years in the 1960s Birmingham Borough Labour Party had its office at 25A Paradise Street. The street gave its name to Paradise Circus, which lies adjacent.

Excerpt from the Wikipedia article Paradise Street (License: CC BY-SA 3.0, Authors, Images).

Paradise Street
Paradise Street, Birmingham Ladywood

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Wikipedia: Paradise StreetContinue reading on Wikipedia

Geographical coordinates (GPS)

Latitude Longitude
N 52.4791 ° E -1.904 °
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Address

Queens College Chambers

Paradise Street 38
B1 2AF Birmingham, Ladywood
England, United Kingdom
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Queen's College facade, Birmingham
Queen's College facade, Birmingham
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Nearby Places

Ruskin Galleries

The Ruskin Galleries was a private art gallery located in what is now Chamberlain Square in Birmingham, England between 1925 and 1940. It provided a venue for the exhibition of modern art at a time when Birmingham's other major artistic institutions were marked by a high degree of artistic conservativism.Birmingham had been at the forefront of the emergence of several radical art movements in the 19th century, but during the early 20th century the city was largely resistant to emergining modernist trends in the visual arts. In 1917 the Royal Birmingham Society of Artists hosted an exhibition of Post-Impressionist works curated by Roger Fry, but it met a hostile reception, with a review in the Birmingham Post condemning its works for their "puerile insanities" and "the unbelievable squalor of their production". An editorial in the Birmingham Post in 1925 asked "Why is it that Birmingham has ceased to count as an important centre of Art?", criticising the RBSA as being controlled by "a small group of men who have arrogated to themselves the responsibility for deciding what is and isn't art ... entirely out of sympathy with modern movements .... having stood still for at least twenty years" The Ruskin Galleries were opened by John Gibbins in 1925 and exhibited work both by local artists and by artists from the international avant-garde. One of the first exhibitions put on by the gallery included works by Matisse, Bonnard and Vlaminck. In 1928 it hosted a nationally-groundbreaking exhibition of contemporary Russian artists, featuring 70 paintings by 15 artists including Filipp Malyavin, Konstantin Korovin, Natalia Goncharova, Mikhail Larionov.During the 1920s and 1930s it provided a venue for the local Artist-Craftsmen Group, which evolved into the Modern Group, providing an outlet for the emergence of progressive Birmingham artists such as the sculptors Gordon Herickx and Alan Bridgwater. The galleries hosted a one-man show by Joseph Southall in 1927.The gallery's immediate impact was noted in the national press in 1926: "when Birmingham seemed hopeless and the modernists felt like exiles in the desert, a miracle happened .... Mr Gibbons has almost revolutionised the artistic life of Birmingham".Although its founder John Gibbons died in 1932 the gallery continued to present exhibitions by local and international artists throughout the 1930s and remained open until 1940, when it was closed due to the onset of the Second World War. In November of that year the Birmingham Mail reviewed its influence: "For over a dozen years it has been an institution in the cultural life of Birmingham where contemporary art has been displayed and modern craftsmanship exhibited in greater variety than anywhere else ... more than one painter may be said to have been discovered there."

Iron:Man
Iron:Man

Iron:Man is a statue by Antony Gormley, in Victoria Square, Birmingham, England. The statue is 6 metres (20 ft) tall, including the feet which are buried beneath the pavement, and weighs 6 metric tons (6 long tons). The statue leans 7.5° backwards and 5° to its left. It is said by the sculptor to represent the traditional skills of Birmingham and the Black Country practised during the Industrial Revolution. Cast at Bradley and Fosters Castings (now Firth Rixson Castings) in Willenhall, it was erected in 1993 and was a gift to the City from the Trustee Savings Bank, being erected outside the former Head Post Office, which was then their headquarters. It was originally named Untitled, but gained the nickname Iron Man, which Gormley requested be changed to Iron:Man and become the official name for it.It was controversial initially, with early accusations of rusting being explained as deliberate by Gormley when he stated that the type of iron used encourages surface oxidation to protect the underlying metal. When the bank relocated its headquarters to Bristol, some in Birmingham at the time felt the statue should be relocated or removed although, as it was originally a gift to the city, it was left in place.A maquette of the statue used to be at the Public Art Commissions Agency in the Jewellery Quarter, but is now located at the Birmingham Museum Collection Centre in Nechells.The statue was moved into storage in September 2017, to allow the tracks for the West Midlands Metro extension to Centenary Square to be laid, and restored to a new site in Victoria Square in February 2022.