St Mary's Guildhall

22 Bayley Lane (also known as The Cottage) is a grade II* listed building and only remaining mediaeval timber framed building in the Cathedral Quarter area of Coventry, where there were at one time a great many.

Coventry Castle (grid reference SP336788) was a motte and bailey castle in the city of Coventry, England. It was demolished in the late 12th century and St Mary's Guildhall was built on part of the site.

38–39 Bayley Lane is a former building, whose present-day site is accessible from the Herbert Art Gallery and Museum in Coventry, England. All that remains is the medieval undercroft, a fourteenth-century cellar that initially belonged to a wealthy merchant, who was a clothier. The undercroft is built with sandstone with a stone-ribbed vault for added security and strength. It is a Grade I listed building.

The Council House, Coventry is a Tudor Revival style civic building which acts as the meeting place of Coventry City Council and was built in the early 20th century. It is a Grade II-listed building.

Drapers' Hall is a historic building (Grade II* listed) in the Cathedral Quarter of Coventry built in 1832 by the Drapers' Company, a large trading guild in Coventry. The present building is believed to the third guildhall on the site.

The Golden Cross is one of the oldest pubs in Coventry, West Midlands, and one of the longest-established alcohol-serving venues in England.

County Hall is a historic former courthouse in Cuckoo Lane in Coventry's Cathedral Quarter. It is a Grade II* listed building.

Coventry Cross was an important landmark in the cathedral city of Coventry, England. Standing between Cuckoo Lane and Holy Trinity Church and in the alley known as Trinity Churchyard, it was a modern version of the historic market cross, such as was common in many medieval market towns.

The Diocese of Coventry is a Church of England diocese in the Province of Canterbury. It is headed by the Bishop of Coventry, who sits at Coventry Cathedral in Coventry, and is assisted by one suffragan bishop, the Bishop of Warwick. The diocese covers Coventry and Warwickshire. The diocese is divided into two archdeaconries, Warwick and Coventry. Warwick archdeaconry is then divided into the deaneries of Shipston, Fosse, Alcester, Southam and Warwick & Leamington, whilst Coventry archdeaconry is divided into the deaneries of Rugby, Nuneaton, Kenilworth, and Coventry South, East and North.The diocese was formed on 6 September 1918 from part of the Diocese of Worcester.An ancient Diocese of Coventry existed , united with Lichfield, in 1102-1837 with the see in Coventry until 1539. In 1837 Coventry passed to the Diocese of Worcester and the title ended. Two suffragan Bishops of Coventry existed in 1891-1903.

The Cathedral Church of Saint Michael, commonly known as Coventry Cathedral, is the seat of the Bishop of Coventry and the Diocese of Coventry within the Church of England. The cathedral is located in Coventry, West Midlands, England. The current bishop is Christopher Cocksworth and the current dean is John Witcombe. The city has had three cathedrals. The first was St Mary's, a monastic building, from 1102-1539, of which only a few ruins remain. The second was St Michael's, a 14th-century Gothic church designated as a cathedral in 1918, which remains a ruined shell after its bombing during the Second World War. The third is the new St Michael's Cathedral, built immediately adjacent after the destruction of the former, consecrated in 1962. The ruined cathedral is a symbol of war time destruction and barbarity, but also of peace and reconciliation.

St Michael's Victory over the Devil is a 1958 bronze sculpture by Jacob Epstein, displayed on the south end of the east wall outside of the new Coventry Cathedral, above the steps leading up from Priory Street to the cathedral's entrance and beside the stained glass of John Piper's bowed baptistry window. The cathedral is dedicated to St Michael. The sculpture symbolises the victory of good over evil, and depicts a winged angel with spear, standing with arms and legs spread above the bound figure of the horned devil lying supine. The larger than life statue stands some 25 ft (7.6 m) high, with the angel's wings spreading 23 ft (7.0 m). For the face of the angel, Epstein made busts of his daughter Kitty's two husbands, Lucian Freud and Wynne Godley, and selected Godley as his model. The angel's body may be inspired by Epstein's 1944–45 statue of Lucifer, now at Birmingham Museum and Art Gallery. The features of the devil may be based on a distorted version of Epstein himself. Epstein was first asked to make a maquette, a small model about 18 in (46 cm) high. He made several preliminary studies in plasticine and bronze, and had started to work on the main work by the time his commission was approved in 1957. Reportedly, some members of the cathedral reconstruction committee objected to Epstein being commissioned, with one complaining "But he is a Jew", to which the architect Basil Spence responded "So was Jesus Christ". A similar controversy had arisen before, when Epstein created his floating lead statue of the Virgin Mother and Holy Child for the Convent of the Holy Child in Cavendish Square, London (now the offices of the King's Fund). The sculpture was one of the last major works of art completed by Epstein before his death on 21 August 1959. It was cast in bronze and unveiled at the cathedral in 1961 by Epstein's widow, Kathleen. A 53.6 cm (21.1 in) high bronze maquette was sold at Christie's in 2014 for £15,000. One maquette now resides in the chapel of Wesley House, Cambridge.

St Mary's Priory and Cathedral was a Roman Catholic institution in Coventry, England, founded in the 12th century by transformation of the former monastery of St Mary, and destroyed during the Dissolution of the Monasteries in the early 16th century. It was located on a site north of Holy Trinity and the former St Michael's parish churches in the centre of the city, on a site bordered by Priory Row to the south, Trinity Street to the west, and the River Sherbourne to the north. Excavated remains from the west end of the cathedral are open to the public.