Athena Promachos

The siege of the Acropolis took place on 23–29 September 1687, as the Venetian army under Otto Wilhelm Königsmarck laid siege to the Acropolis of Athens, held by the Ottoman garrison of the city. The siege resulted in the destruction of a large part of the Parthenon, which the Ottomans used as a gunpowder store.

The Acropolis of Athens (Ancient Greek: ἡ Ἀκρόπολις τῶν Ἀθηνῶν, romanized: hē Akropolis tōn Athēnōn; Modern Greek: Ακρόπολη Αθηνών, romanized: Akrópoli Athinón) is an ancient citadel located on a rocky outcrop above the city of Athens, Greece, and contains the remains of several ancient buildings of great architectural and historical significance, the most famous being the Parthenon. The word Acropolis is from the Greek words ἄκρον (akron, "highest point, extremity") and πόλις (polis, "city"). The term acropolis is generic and there are many other acropoleis in Greece. During ancient times the Acropolis of Athens was also more properly known as Cecropia, after the legendary serpent-man Cecrops, the supposed first Athenian king. While there is evidence that the hill was inhabited as early as the fourth millennium BC, it was Pericles (c. 495–429 BC) in the fifth century BC who coordinated the construction of the buildings whose present remains are the site's most important ones, including the Parthenon, the Propylaea, the Erechtheion and the Temple of Athena Nike. The Parthenon and the other buildings were seriously damaged during the 1687 siege by the Venetians during the Morean War when gunpowder being stored by the then Turkish rulers in the Parthenon was hit by a Venetian bombardment and exploded.

The Pandroseion (pronounced: panδrosion, Greek: Πανδρόσειον) was a sanctuary dedicated to Pandrosus, one of the daughters of Cecrops I, the first king of Attica Greece, located on the Acropolis of Athens. It occupied the space adjacent to the Erechtheum and the old Temple of Athena Polias. The sanctuary was a walled trapezoidal courtyard containing the altar of Zeus Herkeios (protector of the hearth, of the courtyard) under the sacred Olive Tree planted by Athena. At the west was an entrance stoa from the Propylea. In the northeast corner was an elaborate entrance into the north porch and the entire Etrechtheion complex. At the east, there was also a small opening through which the Thalassa of Poseidon could be viewed. The south-east corner gave access to what some thought was the tomb of Cecrops. The sanctuary also contained the sacred olive tree which was presented by Athena to the city of Athens, after her victory over Poseidon in the contest for the land of Attica.

The Chalkotheke (Greek for "bronze store") was a structure on the Athenian Acropolis, Greece. Its name and function are only known from 4th century BC inscriptions. One decree orders the listing of all objects stored in the Chalkotheke and the erection of a stele inscribed with that list in front of the building.Remains of a structure discovered to the east of the sanctuary of Artemis Brauronia and immediately to the southwest of the Parthenon have been suggested to be those of the Chalkotheke. Only scant limestone foundations and rock-cut foundation trenches survive. The building stood in front of the southern Acropolis wall and was circa 43 m long and 14 m wide, fronted on its northern long side by a portico of 4.5 m width. To make room for that portico, the southernmost portion of the rock-cut steps leading up to the west facade of the Parthenon had to be cut away. Thus, the portico is assumed to have been an early fourth century BC addition, while the main part of the structure is thought to be roughly contemporary with the Parthenon, i.e. to date to the mid-fifth century. A major renovation appears to have taken place during Roman times, as indicated by numerous fragments of architectural members that are definitely Roman in date and have dimensions matching those of the Chalkotheke.

The Brauroneion was the sanctuary of Artemis Brauronia on the Athenian Acropolis, located in the southwest corner of the Acropolis plateau, between the Chalkotheke and the Propylaea in Greece. It was originally dedicated during the reign of Peisistratos. Artemis Brauronia, protector of women in pregnancy and childbirth, had her main sanctuary at Brauron, a demos on the east coast of Attica. The sanctuary on the Acropolis was of an unusual trapezoidal shape and did not contain a formal temple. Instead, a portico or stoa served that function. The stoa measured circa 38 by 6.8 m; it stood in front of the southern Acropolis wall, facing north. At its corners, there were two risalit-like side wings, each about 9.3 m long, the western one facing east and vice versa. North of the east wing stood a further short west-facing stoa. All of the sanctuary's western part, now lost, stood on the remains of the Mycenaean fortification wall. All that remains of the eastern pare are foundations for walls, cut into the bedrock, as well as some very few architectural members of limestone. One of the wings contained the wooden cult statue (xoanon) of the goddess. Women who petitioned Artemis for help habitually dedicated items of clothing, which were draped around the statue. In 346 BC, a second cult statue was erected. According to Pausanias, it was a work by Praxiteles.Pausanias wrote: There is also a sanctuary [at Athens] of Artemis Brauronia (of Brauron); the image is the work of Praxiteles, but the goddess derives her name from the parish of Brauron. The old wooden image is in Brauron, Artemis Tauria (of Tauros) as she is called. Pausanias also records the presence of an over-life-sized bronze horse representing the Trojan Horse. Then there is a sanctuary of the Brauronian Artemis... The horse one sees here, referred to as wooden, is in bronze... But tradition has it that inside that horse were hidden the most valiant of the Greeks, and indeed the design (schema) of the bronze figure fits in well with this story. Menestheus and Teucer are peeping out of it, and behind them also the sons of Theseus. Further evidence is provided by the scholion to Aristophanes mentioning the name of the dedicator, Chairedemos. This is corroborated by the survival of the base of the sculpture on the Acropolis, which is inscribed with the names of Chairedemos and its sculptor Strongylion. The reference in Aristophanes allows for a terminus ante quem of the statue of 415/414.The entrance to the small sacred precinct, near its northeast corner, is still marked by seven rock-cut steps. They, and its northern enclosure, were probably created by Mnesicles during the building of the Propylaea. The date of the complex in its final shape is unclear, but a date around 430 BC, similar to that of the adjacent Propylaea, is commonly assumed. If still in use by the 4th-century, the temple would have been closed during the persecution of pagans in the late Roman Empire, when the Christian Emperors issued edicts prohibiting non-Christian worship.

The Church of Our Lady of Athens or Panagia Atheniotissa (Greek: Παναγία η Αθηνιώτισσα, lit. 'Panagia the Athenian') was a Greek Orthodox basilica adapted from the ruins of the Parthenon sometime in the 6th century CE. During the Frankish occupation of Athens the church became the Catholic archiepiscopal cathedral of Our Lady by Papal Bull in 1206. It remained under the Latin liturgy until the departure of the last Florentine Duke of Athens in 1458, when it briefly returned to the Orthodox confession. Sometime after the Ottoman conquest in 1460, the Parthenon was converted into a mosque.

The Arrephorion or House of the Arrephoroi is a building conjectured to have been on the Acropolis of Athens based on a passage in Pausanias. The discovery of the foundations of a substantial building on the north-west edge of the Acropolis has led to the identification of this structure with the Arrephorion.Pausanias reports that: I was much amazed at something which is not generally known, and so I will describe the circumstances. Two maidens dwell not far from the temple of Athena Polias, called by the Athenians Bearers of the Sacred Offerings. For a time they live with the goddess, but when the festival comes round they perform at night the following rites. Having placed on their heads what the priestess of Athena gives them to carry—neither she who gives nor they who carry have any knowledge what it is—the maidens descend by the natural underground passage that goes across the adjacent precincts, within the city, of Aphrodite in the Gardens. They leave down below what they carry and receive something else which they bring back covered up. These maidens they henceforth let go free, and take up to the Acropolis others in their place. Additionally, Plutarch remarks on the existence of a ballcourt adjacent to the house. The physical remains fit what we know of the House of the Arrephoroi but the evidence is still circumstantial that this was in fact the residence of the Arrephoroi.The dimensions of the building are 12.2 m square, and it was erected on a foundation of limestone blocks. It was divided into a south-facing portico of 4.4 m deep and a single rectangular room of approximately 8m by 12m. The terrace immediately around the building is an artificial one created by infill, which along with the foundation is dated to the last half of the 5th century or contemporary with the Erechtheion.The reconstruction of the architecture is controversial. While Dörpfeld assumed a south-facing front with two columns in antis - a conjecture that has recently been taken up again - four columns between the antae were later reconstructed. However, since no other four-column antae structures are known, a reconstruction with a six-column prostyle porch was recently proposed. Because of the wide foundations, it can be assumed that there was a step substructure, a crepidoma, on which the actual building stood. Only a gable with a corresponding roof can have risen above the six-columned, prostyle portico. Older reconstructions with a hipped, pyramidal roof would therefore have to be discarded. The order of the columns in the building is unclear. An Ionic order is to be considered, although most available reconstructions assume a Doric order.

The Pelasgic wall or Pelasgian fortress or Enneapylon (Greek: Εννεαπύλον; nine-gated) was a monument supposed to have been built by the Pelasgians, after levelling the summit of the rock on the Acropolis of Athens. Thucydides and Aristophanes call it "Pelargikon", "Stork wall or place". "Pelargikon" refers to the line of walls at the western foot of the Acropolis. During the time of Thucydides, the wall was said to have stood several meters high with a large, visible fragment at 6 meters broad located on to the south of the present Propylaea and close to the earlier gateway. Today, the beveling can be seen but the foundation of the wall lies below the level of the present hill. The Parian Chronicle mentions that the Athenians expelled the Peisistratids from the "Pelasgikon teichos". Herodotus relates that before the expulsion of the Pelasgians from Attica, the land under Hymettus had been given to them as a dwelling-place in reward for the wall that had once been built around the Acropolis. Said to have been built by the Pelasgians, there are some remains of this wall still evident in modern Athens. The wall was believed to be 6 meters thick according to archaeological remains of the site.

The Frankish Tower was a medieval tower built on the Acropolis of Athens by the Franks as part of the palace of the Dukes of Athens. It was demolished by the Greek authorities in 1874, on the initiative and with funding from Heinrich Schliemann.

The Propylaia (Greek: Προπύλαια, lit. 'Gates') is the classical Greek Doric building complex that functioned as the monumental ceremonial gateway to the Acropolis of Athens. Built between 437 and 432 BCE as a part of the Periklean Building Program, it was the last in a series of gatehouses built on the citadel. Its architect was Mnesikles, his only known building. It is evident from traces left on the extant building that the plan for the Propylaia evolved considerably during its construction, and that the project was ultimately abandoned in an unfinished state.

The Parthenon (; Ancient Greek: Παρθενών, romanized: Parthenōn [par.tʰe.nɔ̌ːn]; Greek: Παρθενώνας, romanized: Parthenónas [parθeˈnonas]) is a former temple on the Athenian Acropolis, Greece, that was dedicated to the goddess Athena. Its decorative sculptures are considered some of the high points of classical Greek art, and the Parthenon is considered an enduring symbol of Ancient Greece, democracy, and Western civilization. The Parthenon was built in the 5th century BC in thanksgiving for the Hellenic victory over Persian Empire invaders during the Greco-Persian Wars. Like most Greek temples, the Parthenon also served as the city treasury. Construction started in 447 BC when the Delian League was at the peak of its power. It was completed in 438 BC; work on the artwork and decorations continued until 432 BC. For a time, it served as the treasury of the Delian League, which later became the Athenian Empire. In the final decade of the 6th century AD, the Parthenon was converted into a Christian church dedicated to the Virgin Mary. After the Ottoman conquest in the mid-15th century, it became a mosque. In the Morean War, a Venetian bomb landed on the Parthenon, which the Ottomans had used as a munitions dump, during the 1687 siege of the Acropolis. The resulting explosion severely damaged the Parthenon. From 1800 to 1803, the 7th Earl of Elgin took down some of the surviving sculptures, now known as the Elgin Marbles or simply Greek Marbles, which, although he had the permission of the then Ottoman government, has subsequently become controversial. Since 1975, numerous large-scale restoration projects have been undertaken to preserve remaining artifacts and ensure its structural integrity.

The Erechtheion (latinized as Erechtheum /ɪˈrɛkθiəm, ˌɛrɪkˈθiːəm/; Ancient Greek: Ἐρέχθειον, Greek: Ερέχθειο) or Temple of Athena Polias is an ancient Greek Ionic temple-telesterion on the north side of the Acropolis, Athens, which was primarily dedicated to the goddess Athena. The building, made to house the statue of Athena Polias, has in modern scholarship been called the Erechtheion (the sanctuary of Erechtheus or Poseidon) in the belief that Pausanias' description of the Erechtheion applies to this building. However, whether the Erechtheion referred to by Pausanias is indeed the Ionic temple or an entirely different building has become a point of contention in recent decades.In the official decrees the building is referred to as “... το͂ νεὸ το͂ ἐμ πόλει ἐν ο͂ι τὸ ἀρχαῖον ἄγαλμα” (the temple on the Acropolis within which is the ancient statue). In other instances it is referred to as the Temple of the Polias. The joint cult of Athena and Poseidon-Erechtheus appears to have been established on the Acropolis at a very early period, and they were even worshipped in the same temple as may, according to the traditional view, be inferred from two passages in Homer and also from later Greek texts. The extant building is the successor of several temples and buildings on the site. Its precise date of construction is unknown; it has traditionally been thought to have been built from circa 421–406 BC, but more recent scholarship favours a date in the 430s, when it could have been part of the programme of works instigated by Pericles.The Erechtheion is unique in the corpus of Greek temples in that its asymmetrical composition doesn’t conform to the canon of Greek classical architecture. This is attributed either to the irregularity of the site, or to the evolving and complex nature of the cults which the building housed, or it is conjectured to be the incomplete part of a larger symmetrical building. Additionally, its post-classical history of change of use, damage and spoliation has made it one of the more problematic sites in classical archaeology. The precise nature and location of the various religious and architectural elements within the building remain the subject of debate. The temple was nonetheless a seminal example of the classical Ionic style, and was highly influential on later Hellenistic, Roman and Greek Revival architecture.