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3rd Military District (Australia)

History of Victoria (Australia)Military districts of Australia
Australian military districts Oct 1939
Australian military districts Oct 1939

The 3rd Military District was an administrative district of the Australian Army. The 3rd Military District covered all of Victoria and that part of New South Wales south of the Murrumbidgee River, with its headquarters at Melbourne. Around the start of the Second World War, the 3rd Military District became part of Southern Command, along with the 4th and 6th Military Districts in South Australia and Tasmania. This required legislative changes to the Defence Act (1903), and did not come into effect until October 1939.

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3rd Military District (Australia)
St Kilda Road, Melbourne Southbank

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N -37.8274 ° E 144.9705 °
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Victoria Barracks

St Kilda Road 256-310
3006 Melbourne, Southbank
Victoria, Australia
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Australian military districts Oct 1939
Australian military districts Oct 1939
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Vault (sculpture)
Vault (sculpture)

Vault (popularly known as The Yellow Peril) is a public sculpture located in Melbourne, Australia. The work of sculptor Ron Robertson-Swann, Vault is an abstract, minimalist sculpture built of large thick flat polygonal sheets of prefabricated steel, assembled in a way that suggests dynamic movement. It is painted yellow. Presently located outside the Australian Centre for Contemporary Art, it is a key work in Melbourne's public art collection, and of considerable historical importance to the city. Vault has weathered much controversy throughout its existence. Commissioned by the Melbourne City Council after winning a competition in May 1978, for the newly built Melbourne City Square, the sculpture was not even built before it began to attract criticism from certain media and council factions, on the grounds that its modern form was felt to be unsympathetic to the location. The cost of $70,000 was also felt to be excessive. The sculpture had no official name for over two years, and acquired a number of nicknames during this time. Robertson-Swann himself called it The Thing. The steelworkers who constructed it called it Steelhenge. Newspapers gave it the derogatory nickname The Yellow Peril, a name which has stuck. Robertson-Swann eventually officially named the sculpture Vault in September 1980.Installed in the City Square in May 1980, Vault lasted until December of that year, when its dismantling coincided with the State Government's sacking of the City Council. The Builders Labourers Federation consequently placed bans on further City Square work projects. In 1981, the Vault was re-erected at Batman Park, a less prominent part of the city. It remained there until 2002 when it was moved to a position outside the Australian Centre for Contemporary Art in Southbank.In 2017, the sculpture was recommended for heritage protection, through inclusion in the City of Melbourne Planning Scheme Heritage Overlay, following a heritage study of the Southbank Area.Vault has been inspirational for some built and propositional architectural projects designed in Melbourne. Several of Denton Corker Marshall's works have "adopted peril's yellow almost as a point of pride and solidarity" while its form has been manipulated in some works by ARM Architecture (Ashton Raggatt McDougall).

Australian Turkish Friendship Memorial
Australian Turkish Friendship Memorial

The Australian Turkish Friendship Memorial (Seeds of Friendship) is a war memorial in Melbourne, Victoria, Australia, located in Kings Domain on Birdwood Avenue. It was built to mark Anzac Day's centennial anniversary and as a tribute to Australian-Turkish relations.The sculpture is a filigreed wreath shaped as a crescent made from interwoven marine-grade stainless steel. Its woven steel strands honours the soldiers who died in the conflict and remembrance poppies can be placed onto the filigreed structure. In front of the wreath are two seed pods based on the Australian casuarina and Turkish pinecone, hand carved from light-coloured granite and symbolising the future and friendship. The "pine needles" are copper etched and contain engraved quotes from troops and their families. The platform has a mosaic made from bluestone pebble. The monument has a height of 3.8 metres and around its base are words from Turkish President Mustafa Kemal Atatürk regarding reconciliation. In 2014, the monument was commissioned by the Victorian RSL's Turkish Sub-branch and Matthew Harding, a sculptor designed and was tasked with its construction. Funding for the project came from Australian state and federal sources. Harding stated that the monument represented "the most poignant and most powerful part of remembrance services – the laying to rest of the fallen and the placing of the wreath". The memorial was opened officially on 13 April 2015 for the 100th Anniversary of Anzac Day.