Southbank Theatre

Melbourne Recital Centre is a venue for live music in Melbourne and welcomes over 200,000 visitors each year. The organisation programs and presents more than 500 concerts and events a year across diverse range of musical genres including classical and chamber, contemporary, pop, folk, rock, electronica, indie, jazz, cabaret and world music. It was opened in 2009, as part of the Melbourne Recital Centre and Melbourne Theatre Company Southbank Theatre complex designed by Ashton Raggat McDougall, and is located on the corner of Southbank Boulevard and Sturt Street in the Melbourne Arts Precinct, Southbank. It is Melbourne's second largest auditorium for classical music (after Hamer Hall in Arts Centre Melbourne).

The National Gallery of Victoria Art School, associated with the National Gallery of Victoria, was a private fine arts college founded in 1867. It was the leading centre for academic art training in Australia until about 1910. Among its luminaries, the school was headed by Sir William Dargie in 1946–53, John Brack from 1962–68, and Lenton Parr from 1968 to its absorption into the newly created Victorian College of the Arts.

Carlton & United Breweries (CUB) is an Australian brewing company based in Melbourne and owned by Japanese conglomerate Asahi Breweries. Its notable brands include Victoria Bitter, Carlton Draught, Foster's Lager, Great Northern, Resch's, Pure Blonde and Melbourne Bitter. CUB was established in 1907 as a merger of six existing breweries and became a public company in 1913. It first expanded outside Victoria in 1931 and acquired a number of other brewing companies over the following decades. In 1983 it became a wholly owned subsidiary of Elders IXL and CUB was delisted from the stock exchange. In 1990, Elders IXL was renamed Foster's Group, and in July 2004, Fosters Group changed its name to Carlton & United Beverages. In February 2009, CUB announced the decision to separate the Australian Wine division from the Australian Beer, Cider & Spirits (BCS) division, and rename BCS to Carlton & United Breweries.In December 2011, American multinational SABMiller acquired Foster's Group, and took over ownership of Carlton & United Breweries as part of the acquisition. Subsequently in October 2016, CUB was included in the purchase of SABMiller by Anheuser-Busch InBev. SABMiller ceased trading on global stock markets and as a result, Carlton & United was then owned by Anheuser-Busch InBev.In July 2019, Asahi Breweries agreed to purchase CUB, with the Australian Competition & Consumer Commission and Foreign Investment Review Board approving the deal in May 2020.

The Field, held August 21–September 28, 1968, was the inaugural exhibition at the National Gallery of Victoria’s new premises on St Kilda Road, launched by the director of London’s Tate gallery, Norman Reid, before an audience of 1000 invitees. Hailed then, and regarded since as a landmark exhibition in Australian art history, it presented the first comprehensive display of colour field painting and abstract sculpture in the country in a radical presentation,[1] between silver foil–covered walls and under geometric light fittings, of 74 works by 40 artists. All practised hard-edge, geometric, colour and flat abstraction, often in novel media including coloured or transparent plastic, fluorescent acrylic paints, steel and chrome. The art was appropriate to a launch of the new venue itself, designed by architect Roy Grounds, and emphatically rectilinear; cubes nested in a basalt rectangular box amongst the other buildings of the new Arts Centre, each based on a geometric solid. Echoing emerging international stylistic tendencies of the time, The Field sparked immediate controversy and launched the careers of a new generation of Australian artists.

The National Gallery of Victoria, popularly known as the NGV, is an art museum in Melbourne, Victoria, Australia. Founded in 1861, it is Australia's oldest and most visited art museum. The NGV houses an encyclopedic art collection across two sites: NGV International, located on St Kilda Road in the Melbourne Arts Precinct of Southbank, and the Ian Potter Centre: NGV Australia, located nearby at Federation Square. The NGV International building, designed by Sir Roy Grounds, opened in 1968, and was redeveloped by Mario Bellini before reopening in 2003. It houses the gallery's international art collection and is on the Victorian Heritage Register. The Ian Potter Centre: NGV Australia, designed by Lab Architecture Studio, opened in 2002 and houses the gallery's Australian art collection. A third site, The Fox: NGV Contemporary, is planned to open in 2028, and will be Australia's largest contemporary gallery.

The Victorian College of the Arts (VCA) is the arts school at the University of Melbourne in Australia. It is part of the university's Faculty of Fine Arts and Music. It is located near the Melbourne city centre on the Southbank campus of the university. Courses and training offered at the VCA cover eight academic disciplines: dance, film and television, drama, Indigenous arts, music theatre, production, theatre, visual art, and writing, alongside the Centre for Ideas and the Wilin Centre for Indigenous Arts and Cultural Development. The library on the Southbank campus is known as the Lenton Parr Music, Visual and Performing Arts Library.

The Faculty of Fine Arts and Music (formerly known as the Faculty of the Victorian College of the Arts and Melbourne Conservatorium of Music) is a faculty of the University of Melbourne, in Victoria, Australia. It is located near the Melbourne City Centre, with its main campus at Southbank on St Kilda Road, housing the Victorian College of the Arts (VCA) and the Melbourne Conservatorium of Music (The Conservatorium). Part of Music also operates from the Parkville campus of the University of Melbourne.

Vault (popularly known as The Yellow Peril) is a public sculpture located in Melbourne, Australia. The work of sculptor Ron Robertson-Swann, Vault is an abstract, minimalist sculpture built of large thick flat polygonal sheets of prefabricated steel, assembled in a way that suggests dynamic movement. It is painted yellow. Presently located outside the Australian Centre for Contemporary Art, it is a key work in Melbourne's public art collection, and of considerable historical importance to the city. Vault has weathered much controversy throughout its existence. Commissioned by the Melbourne City Council after winning a competition in May 1978, for the newly built Melbourne City Square, the sculpture was not even built before it began to attract criticism from certain media and council factions, on the grounds that its modern form was felt to be unsympathetic to the location. The cost of $70,000 was also felt to be excessive. The sculpture had no official name for over two years, and acquired a number of nicknames during this time. Robertson-Swann himself called it The Thing. The steelworkers who constructed it called it Steelhenge. Newspapers gave it the derogatory nickname The Yellow Peril, a name which has stuck. Robertson-Swann eventually officially named the sculpture Vault in September 1980.Installed in the City Square in May 1980, Vault lasted until December of that year, when its dismantling coincided with the State Government's sacking of the City Council. The Builders Labourers Federation consequently placed bans on further City Square work projects. In 1981, the Vault was re-erected at Batman Park, a less prominent part of the city. It remained there until 2002 when it was moved to a position outside the Australian Centre for Contemporary Art in Southbank.In 2017, the sculpture was recommended for heritage protection, through inclusion in the City of Melbourne Planning Scheme Heritage Overlay, following a heritage study of the Southbank Area.Vault has been inspirational for some built and propositional architectural projects designed in Melbourne. Several of Denton Corker Marshall's works have "adopted peril's yellow almost as a point of pride and solidarity" while its form has been manipulated in some works by ARM Architecture (Ashton Raggatt McDougall).

The Australian Ballet School was founded in 1964 as the primary training facility for The Australian Ballet by Dame Margaret Scott. It is part of the Australian Ballet Centre, which is located in the Melbourne Arts Precinct, Southbank in Melbourne, Victoria. It is a member of the Australian Roundtable for Arts Training Excellence.

The Melbourne Arts Precinct is a series of galleries, performing arts venues and spaces in Melbourne, Victoria, in Australia. The precinct in Southbank is centred on, and near, St Kilda Road. It differs from the East End Theatre District in the city centre, as most of the galleries and venues in the precinct are publicly funded.Administrative offices, broadcast studios, schools and training institutions of many arts organisations are also located in the precinct. In 2008, it was announced by the Government of Victoria the precinct would receive a A$128 million upgrade, with the major refurbishment of Hamer Hall as its centrepiece. The combined Melbourne Recital Centre and MTC Theatre complex, which opened in February 2009, won the Moore Stephens Award for Public Buildings at the Property Council of Australia - the country's highest award for a public building.In 2014, the Victorian government released the Melbourne Arts Precinct Blueprint, initiated by the former state Premier and Minister for the Arts Ted Ballieu for a cost of $900,000 (given by both federal and state government). Led by Creative Victoria, its intention was to establish a vision for the precinct along with prioritising any future development.

The Australian Centre For Contemporary Art (ACCA) is a contemporary art gallery in Melbourne, Australia. The gallery is located on Sturt Street in the Melbourne Arts Precinct, in the inner suburb of Southbank. Designed by Wood Marsh Architects, the building was completed in 2002, and includes facilities for Chunky Move dance company and the Malthouse Theatre. Max Delany has been Artistic Director and CEO of the centre since 2015.

MPavilion is a temporary pavilion in Queen Victoria Gardens, Melbourne, erected annually since 2014. The event is sponsored by philanthropist Naomi Milgrom. Initially the project was planned for four years, but later it was extended by another two, until 2019. It is used for various art events, after which each pavilion is gifted to the city and moved to a permanent location.The first pavilion was designed by Sean Godsell, and was later relocated to the Hellenic Museum. The second pavilion was designed by UK-based architect Amanda Levete in 2015, and later relocated to Docklands. The third pavilion was a bamboo structure designed by Bijoy Jain of Studio Mumbai, later relocated to the Melbourne Zoo. In 2017, the pavilion was designed by Rem Koolhaas and David Gianotten, and is OMA's first completed design in Australia. It has been relocated to the Clayton campus of Monash University. The 2018 pavilion was designed by Spanish architect Carme Pinós. The architect of the 2019 pavilion was Glenn MurcuttYear - Architect 2014: Sean Godsell 2015: Amanda Levete 2016: Bijoy Jain 2017: Rem Koolhaas and David Gianotten 2018: Carme Pinós 2019: Glenn Murcutt 2021: MAP Studio