Museo di Palazzo Mocenigo

The Palazzi Mocenigo consist of the following complex of palazzos on the Grand Canal in Venice, Italy: Palazzo Mocenigo Casa Nuova Palazzo Mocenigo detto "il Nero" Palazzo Mocenigo Casa VecchiaThe palazzos are named after the Mocenigo family, seven of whom were Doges of Venice. The English poet Lord Byron (1788–1824) stayed here when he lived in Venice from 1818.

The Palazzo Corner Gheltof is Gothic-style palace located on the Grand Canal, in the Sestieri of San Marco, adjacent to the Palazzi Mocenigo, in Venice, Italy.

The Palazzo Contarini delle Figure is a Renaissance-style palace located between the Palazzo Mocenigo Ca' Vecchia and Palazzo Erizzo Nani Mocenigo, across the Grand Canal from the Palazzo Civran Grimani in the sestiere di San Marco in the city of Venice, Italy.

The Palazzo Giustinian Persico is an early-Renaissance-style palace located at the corner with the Rio di San Tomà, near Palazzo Tiepolo and across the canal from Palazzi Mocenigo on the Grand Canal, in the Sestiere of San Polo, Venice, Italy.

The Palazzo Marcello dei Leoni is a palace between the Rio di San Tomà e Palazzo Dolfin, on the Grand Canal in the sestiere di San Polo in Venice, Italy.

The Palazzo Tiepolo Passi is a Venetian Gothic-style palace located between the Palazzo Giustinian Persico and the Palazzo Soranzo Pisani on the Grand Canal, in the Sestieri of San Polo, Venice, Italy. The neighboring building is Palazzo Soranzo Pisani.

San Samuele is a church in Venice, northern Italy. It is located in the eponymous campo near Palazzo Grassi and Palazzo Malipiero. The facade is set back on the campo, but faces and is visible from the Grand Canal. It is named after the Biblical Samuel, because in the interior are housed relics traditionally attributed to him. The church was built around 1000 by the families Boldù and Soranzo. In the early 12th centuries it was destroyed by two fires and then reconstructed. In 1685 it was again almost entirely rebuilt. The portico on the façade, now closed, is surmounted by a loggia added in 1952. The interior, over the high altar, houses a 14th-century crucifix attributed to Paolo Veneziano. San Samuele bears the distinction of being one of only a handful of Roman Catholic churches dedicated to an Old Testament figure. It is also unique in that its late-Gothic apse has remained intact despite the restructuring of its nave and façade in 1685. The walls and vaults of this apse have been restored starting in 1999, and are one of the few surviving fresco cycles of the early Venetian Renaissance. The cycle depicts eight Sibyls, Greek and Roman female seers who were believed to have predicted events in the life of Christ such as the Annunciation, the Crucifixion and the Resurrection. The ceiling's quadripartite vault features Saints Jerome, Augustine, Ambrose and Gregory, the four fathers of the Western church, set in roundels and surrounded by inscriptions, decorative foliage, and putti bearing the instruments of the Passion. Above the high altar, the frescoes occupying the spaces between the ribs of the cupola feature Christ and the four Evangelists Matthew, Mark, Luke and John. The cycle has traditionally been attributed to the Paduan or Bolognese school.

The Palazzo Tiepolo is a Renaissance-style palace located between the Palazzo Soranzo Pisani and the Palazzo Pisani Moretta on the Grand Canal, in the Sestieri of San Polo, Venice, Italy.

The Palazzo Caotorta Angaran is a palace located on the Canal Grande of Venice, between the Palazzo Balbi and, across the Rio della Frescada, the Palazzo Civran Grimani in the Sestiere of Dorsoduro, Venice, Italy.

San Tomà (San Toma) is a church which is located in the sestiere of San Polo in Venice, Italy. It stands opposite the Scoletta dei Calegheri. The church is named after San Tommaso Apostolo (Saint Thomas the Apostle). A church on the site dates back to the tenth century, the present orientation was set in 1395, and the exterior and much of the interior decorations are due to reconstructions in the 16th and 17th centuries. For example, The Baroque architecture layout we see today was completed in 1652 by Giuseppe Sardi, using a design originally by Baldassare Longhena. The church was reinforced and the facade decorated with two statues in 1742 by Francesco Bognolo. Presently, the church is used for practice of Roman Catholic, Neocatechumenal Way services and functions. Few of the movable interior decorations remain. The main altar once had statues of Saints Thomas and Peter (1616) sculpted in marble by Girolamo Campagna. It once had two altarpieces by Palma Vecchio: a Madonna and Child with St Francis and John the Baptist and a St Mark and St. Aniano. It also had a main altarpiece depicting Crucifixion Scene by Andrea Vicentino, who also had a number of other works inside the church. Frescoed on the walls of the nave and still extant is a depiction of the Martyrdom of St Thomas by Jacopo Guarana and an altarpiece of the Incredulity of St Thomas by Antonio Zanchi remains. High on an outside wall, is the sarcophagus of Giovanni Priuli, a 14th-century war hero and senator. He lies with his feet resting on a small dog. On the left side above a portal, is a 15th-century relief of the Madonna della Misericordia (Our Lady of Mercy).

Palazzo Grassi (also known as the Palazzo Grassi-Stucky) is a building in the Venetian Classical style located on the Grand Canal of Venice (Italy), between the Palazzo Moro Lin and the campo San Samuele.

The House of Carlo Goldoni, or in Italian, Casa di Carlo Goldoni is writer's house museum located in a small palace or palazzetto, that served as the residence of the Italian playwright Carlo Goldoni. Located in San Polo, Venice, it is now a museum and library of theater studies.