San Marcello al Corso

Il Facchino (Italian: Il Facchino, The Porter) is one of the talking statues of Rome. Like the other five "talking statues", pasquinades - irreverent satires poking fun at public figures - were posted beside Il Facchino in the 14th and 15th centuries. Il Facchino was originally sited on the via del Corso, on the main facade of the Palazzo De Carolis Simonetti, near the piazza Venezia. In 1874, it was moved to its current position, to the side of the same building, now the Banco di Roma, on the Via Lata. Unlike the other talking statues, which are all dated to Ancient Rome, Il Facchino is relatively modern. The statue was created in around 1580, to a design by Jacopo del Conte for the Corporazione degli Aquaroli . It depicts a man wearing a cap and a sleeved shirt, carrying a barrel - an "acquarolo", who would take water from the Tiber to sell on the streets of Rome during the period before the Roman aqueducts were repaired at the orders of the Popes and the public fountains played again. Somewhat incongruously, water spouts from the centre of the barrel, creating a fountain. The man's face is badly damaged, the result of paving stones thrown at it over the years, in the popular misapprehension because of the soft cap, that it portrayed Martin Luther.

The Arcus Novus was an ancient arch in Rome, located on the Via Lata (now the Via del Corso), at the site of the church of Santa Maria in Via Lata.

Santa Maria in Via Lata is a church on the Via del Corso (the ancient Via Lata), in Rome, Italy. It stands diagonal from the church of San Marcello al Corso.

San Ciriaco de Camiliano was an ancient church of the city of Rome, formerly located on the present site of the Piazza del Collegio Romano near the Via del Corso (the ancient Via Lata of the Romans). It was demolished in 1491 during construction on the church of Santa Maria in Via Lata.

The Arch of Claudius was a triumphal arch in Rome built in honour of the emperor Claudius's successful invasion of Britain in AD 43. It was dedicated in AD 51 but had already been anticipated in commemorative coins minted in AD 46–47 and 49, which depicted it summounted by an equestrian statue between two trophies. However, the real structure was a conversion of one of the arches of the Aqua Virgo aqueduct at the point where it crossed the Via Flaminia, the main road to the north, just north of the Saepta.

The Palazzo Muti (officially the Palazzo Muti e Santuario della Madonna dell' Archetto) is a large townhouse in the Piazza dei Santi Apostoli, Rome, Italy, built in 1644. Together with the neighboring Palazzo Muti Papazzurri, it originally formed part of a complex of adjoining palazzi and other houses owned by the Muti Papazzurri family. During the 18th century this entire range of buildings was, by courtesy of the Pope, the residence of the exiled Stuart dynasty while in exile in Rome. They were recognised by the Catholic Church as the rightful kings of Great Britain and Ireland. The Palazzo Muti should not be confused with the Palazzo Muti Papazzurri in the Piazza della Pilotta which was designed by Mattia de' Rossi in 1660.

The Church of the Madonna dell'Archetto (English: Our Lady of the Little Arch) is a small oratory in Rome, Italy, in the Trevi rione. The official title of the church is Santa Maria Causa Nostrae Laetitiae (English: Holy Mary, Cause of Our Joy). It is often cited as being the smallest church in Rome.

The Oratorio del Santissimo Crocifisso or the Oratory of the Most Holy Crucifix is a building in central Rome, Italy. Located next to the church of San Marcello al Corso, it served as a prayer hall and meeting house for the Archconfraternity of the Most Holy Crucifix (Arciconfraternita del Santissimo Crocifisso in Urbe). It is best known, like the Oratorio del Gonfalone, which shares the same artists, for its Mannerist decorations. The structure was built by Giacomo Della Porta in 1568, near the church of San Marcello, for the Confraternity of Crucifix, founded to venerate the Crucifix (crocefisso) from the nearby church. The confraternity was composed of some of the richest men in Rome, including the cardinals Ranuccio and Alessandro Farnese, nephews of the Pope. The theme of the interior decoration is the Triumph of the Cross. It employed Giovanni de' Vecchi, Cesare Nebbia, Niccolò Circignani, and Cristoforo Roncalli. It was also host of musical concerts, starting in 1639, when the first performances of fifteen musical oratorios [oratories] by Giacomo Carissimi and Emilio de' Cavalieri occurred here.

Palazzo Bonaparte, formerly D'Aste Rinuccini, is a palace in Rome overlooking Piazza Venezia, in the Pigna district.

The Doria Pamphilj Gallery is a large art collection housed in the Palazzo Doria Pamphilj in Rome, Italy, between Via del Corso and Via della Gatta. The principal entrance is on the Via del Corso (until recently, the entrance to the gallery was from the Piazza del Collegio Romano). The palace façade on Via del Corso is adjacent to a church, Santa Maria in Via Lata. Like the palace, it is still privately owned by the princely Roman family Doria Pamphili. Tours of the state rooms often culminate in concerts of Baroque and Renaissance music, paying tribute to the setting and the masterpieces it contains.

The Palazzo Mancini is a palazzo in Rome, Italy. From 1737 to 1793 it was the second home of the French Academy in Rome. It is located on Via del Corso, about a block north of Piazza Venezia.

The Italian National Anti-Corruption Authority (Italian: Autorità Nazionale AntiCorruzione) is an Italian independent administrative authority tasked with combating corruption in the country.