Titanic Engineers' Memorial

The Titanic Musicians' Memorial is a memorial in Southampton, United Kingdom, to the musicians who died in the RMS Titanic disaster on 15 April 1912. The original Titanic Musicians' Memorial was unveiled by the Mayor of Southampton, H Bowyer on 19 April 1913, and was located in the old Southampton library. This library along with the memorial were destroyed during World War II. A replica was erected in 1990. The plaque features a musical inscription, the opening bars of the 19th century hymn, 'Nearer, My God, to Thee' by Sarah Flower Adams, carvings showing a grieving woman and an iceberg, and an inscription with the names of the musicians on the Titanic, including bandleader Wallace Hartley, all of whom died.

Southampton Cenotaph is a First World War memorial designed by Sir Edwin Lutyens and located in Watts Park in the southern English city of Southampton. The memorial was the first of dozens by Lutyens to be built in permanent form and it influenced his later designs, including the Cenotaph in London. It is a tapering, multi-tiered pylon which culminates in a series of diminishing layers before terminating in a sarcophagus (or cenotaph, 'empty tomb') which features a recumbent figure of a soldier. In front is an altar-like Stone of Remembrance. The cenotaph contains multiple sculptural details including a prominent cross, the town's coat of arms, and two lions. The names of the dead are inscribed on three sides. Although similar in outline, later cenotaphs by Lutyens were much more austere and featured almost no sculpture. The design uses abstract, ecumenical features and lifts the recumbent soldier high above eye level, anonymising him. The memorial was unveiled at a public ceremony on 6 November 1920. Shortly afterwards, concerns emerged that the list of names on the cenotaph was incomplete. After a newspaper campaign, more than 200 further names were identified and these were eventually added to the cenotaph. The names of most Jewish casualties were omitted, the Jewish community being unhappy that the memorial featured a Christian cross. By the beginning of the 21st century, the engravings on the memorial had deteriorated noticeably. Rather than re-cut them and damage the stonework, they were supplemented by a series of glass panels that bear all the names from the cenotaph, as well as names from the Second World War and later conflicts. The panels were unveiled in 2011. The memorial is a Grade I listed building, having been upgraded in 2015 when Lutyens's war memorials were declared a national collection.

Watts Park, also known as West Park, is an urban park in the city of Southampton. It is named in honour of Isaac Watts, the Congregationalist minister and hymn writer who was born in the city. It was built between 1854 and 1866, and in 1995 was designated Grade II* on Historic England's register of historic parks and gardens.

The John Hansard Gallery is a contemporary visual art gallery and part of the University of Southampton.

Southampton Guildhall (branded the O2 Guildhall Southampton) is a multipurpose venue which forms the East Wing of the Civic Centre in Southampton, England. There are three venues in the Guildhall catering for various event formats: the Guildhall itself, the Solent Suite and a lecture theatre.

The Southampton City Art Gallery is an art gallery in Southampton, southern England. It is located in the Civic Centre on Commercial Road. The gallery opened in 1939 with much of the initial funding from the gallery coming from two bequests, one from Robert Chipperfield and another from Frederick William Smith. The gallery was damaged during World War II and repairing this damaged delayed its reopening until 1946.The gallery's art collection covers six centuries of European art history, with over 5,300 works in its fine art collection. It is housed in an example of 1930s municipal architecture. The gallery holds a Designated Collection, considered of national importance.Highlights of the permanent collection include a 14th-century altarpiece by Allegretto Nuzi, of the Italian Giambattista Pittoni; the Perseus series by Burne-Jones; paintings by the Camden Town Group and The London Group; sculpture by Jacob Epstein, Auguste Rodin, Edgar Degas, Henri Gaudier Brzeska, Richard Deacon and Tony Cragg; and Richard Long photographs.

The Carlton Place drill hall is a military installation in Southampton, Hampshire.

The Civic Centre is a municipal building located in the Cultural Quarter area within the city of Southampton, England. It comprises offices occupied by Southampton City Council, the SeaCity Museum, the Guildhall, the Southampton City Art Gallery, and the city library. It was designed by the English architect Ernest Berry Webber in the Classical style in 1929 and constructed over a ten-year period. It was completed in 1939. Pevsner's Hampshire: South describes it as "the most ambitious civic building erected in the provinces in the interwar years". It was designated as a Grade II* listed building in 1980.

Southampton Archives holds the archives for the City of Southampton. The archives are held at the Civic Centre, Southampton. The collections reflect the maritime history of this port city as well as its civic and political history.

The Simon Flavell Leukaemia Research Laboratory is based at Southampton General Hospital and named after ten-year-old Simon Flavell who died in 1990 from an aggressive form of T-cell acute lymphoblastic leukemia (ALL). The laboratory specialises in researching and developing antibody type treatments for adults and children with currently incurable types of leukaemia. The laboratory was opened officially on 21 February 1993 by Gary Lineker and his former wife Michelle and in 2008 underwent a complete refurbishment. Originally part of the University of Southampton Medical School, The Simon Flavell Laboratory became independent in 2005 though still affiliated to the School of Medicine but now funded by the children’s leukaemia research charity Leukaemia Busters and other charitable sources. The Simon Flavell laboratory focuses on translational research designed to bring benefits to patients directly. In the early years the laboratory was involved in the development and manufacture of two different immunotoxins for treating patients with lymphoma, acute lymphoblastic leukaemia (ALL) and multiple myeloma in phase I clinical trials. This continues and now the laboratory is involved in developing the next generation of genetically engineered immunotoxins that should prove safer to use and cheaper to manufacture. A main theme of the laboratory’s current research work is to devise ways of improving the therapeutic window for immunotoxins to make them safer and more effective to use clinically. The laboratory is currently headed by Simon’s parents David Flavell and Sopsamorn (Bee) Flavell . The purpose of this Laboratory is to ensure that patients do not have to experience as much chemotherapy. The reason why this laboratory even opened was to support Simon Flavell and other people who have high potential for Leukemia, to make sure they would not have to experience as much pain.

The former offices of Ordnance Survey are situated in London Road, Southampton, close to the junction with The Avenue, and are now part of the city's court complex and are occupied by Government agencies. The buildings are Grade II listed.

The Grand Theatre was a playhouse in Southampton in Hampshire, England from 1898 until it was demolished in 1960.The Grand Theatre stood on the corner of Windsor Terrace and Civic Centre Road. It was constructed in 1898 but included some 18th-century buildings on its east side. It was designed by the architects William Hope and J. C. Maxwell of Newcastle upon Tyne and was built by Messrs Jenkins & Sons of Southampton in red brick with terracotta dressings in a French Renaissance style. The front entrance was enhanced with a balustrade above and a central tower, at the top of which was a high domed lantern fitted with a purple light.The theatre was owned by Frederick Mouillot and H. H. 'Mackenzie' Morell, who put on productions with their own company with which they toured the provinces. Among the many theatres the two owned was the Swansea Grand Theatre in Swansea. The theatre's dressing rooms had originally been The Weighbridge, the former home of the Aslatt family in the 19th century, which was acquired by the theatre after the death of Henry Poate Aslatt in 1905. It opened on 5 December 1898 with a performance of The Little Minister by Frederick Harrison; it was performed by the theatrical company of Cyril Maude. The foundation stone was dedicated by the actress Mrs Kendal on 15 November 1898.The theatre's horseshoe-shaped auditorium was 60 feet (18 metres) wide and two-tiered, with the Circle on the first tier and the Gallery on the second above that. The stage was 53 feet (16 m) in height from the floor to the grid and 37 feet (11 m) in depth. Below the stage was a large scene dock, a properties room, large cellars and a mezzanine floor. The theatre could seat 1,800 patrons and had electrical lighting throughout, with gas as an additional system.The Grand Theatre was a "legitimate" theatre as it was a venue for plays, dramas and pantomimes performed by touring theatrical companies as opposed to music hall or variety acts. Among the performers to appear at the theatre were Sarah Bernhardt and Henry Irving. In 1904 Ellen Terry and her daughter Edith Craig appeared at the theatre in Much Ado About Nothing. The actor and theatre impresario Alfred Denville produced repertory plays at the Grand Theatre during the 1930s, and among the many actors who appeared in his productions at that time was Peter Cushing, who stayed with the company for about nine months. Early in its history the theatre was equipped to show bioscope films, with films of local events of interest being screened on 31 May 1902. On 2 July 1913 five short Kinemacolor films were shown. The Grand Theatre became "The New Hippodrome" from 25 March 1939 until 14 September 1940, when it closed. It was used to provide accommodation for soldiers during World War II. With the end of war the theatre was renovated and, under its old name of the Grand Theatre, hosted dramas with its resident repertory company. As audiences dwindled in the 1950s as television became more popular, the theatre featured more striptease shows. The theatre finally closed in 1959 and was demolished in 1960. Marland House, a large commercial office block in the Brutalist style was constructed on the site in 1963 providing offices for local social services. On the demolition of this in about 2016 a new Marland House was built providing student accommodation for the nearby University of Southampton.