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Kodansha Noma Memorial Museum

2000 establishments in JapanAC with 0 elementsArt museums and galleries in TokyoArt museums established in 2000Buildings and structures in Bunkyō
Kodansha Noma Memorial Museum 2
Kodansha Noma Memorial Museum 2

Kodansha Noma Memorial Museum (講談社野間記念館, Kōdansha noma kinenkan) is located in Bunkyo, Tokyo, Japan. Its collection includes fine Japanese art objects. The museum was opened in April 2000, in order to commemorate the 90th anniversary of the founding of Japan's largest publishing company, Kodansha Publishing Company. It was the residence of the former Kodansha president Sawako Noma, the grand daughter of its founder, Seiji Noma. One of the museum's exhibits is the Noma Japanese Art Collection, art objects collected by Seiji Noma in the early part of the 20th century. Featured artists include Kawai Gyokudō, Uemura Shōen, Kiyokata Kaburagi, and more. The Noma collection includes works by Yokoyama Taikan and other modern Japanese and Western artists, sculpture and ceramics. There are also 6,000 shikishi (decorated Japanese paper or silk used originally for artistic prose, etc) received directly from the artists. The collection reflects an overview of the trends in the history of modern Japanese art. The Museum also displays the Publication Culture Collection, which presents valuable cultural treasures that have been collected from the Meiji Era to the Heisei Era.

Excerpt from the Wikipedia article Kodansha Noma Memorial Museum (License: CC BY-SA 3.0, Authors, Images).

Kodansha Noma Memorial Museum
Mejiro-dori Avenue, Bunkyo

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N 35.714 ° E 139.72502777778 °
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講談社野間記念館

Mejiro-dori Avenue 文京区関口2-11-30
112-8680 Bunkyo
Japan
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Kodansha Noma Memorial Museum 2
Kodansha Noma Memorial Museum 2
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Noma Dōjō
Noma Dōjō

Noma Dōjō (野間道場) is a privately owned kendo training hall, or dōjō, located in Tokyo's Bunkyo ward close to Gokoku-ji. The original Noma Dojo was established in 1925 by Seiji Noma, founder of the Kodansha publishing house, but demolished by the company in late 2007 and replaced with a modern training hall in a neighbouring office building. The original hall had long been one of the most celebrated kendo dōjō in Japan. Core elements of the building dated from an Edo period dōjō previously located at a different site. It was the only example of its type to survive into the 21st century and has been described by Japanese media as a "holy place" for kendo enthusiasts. The hall had a number of unusual design features, including glass-doored walls on two sides that open onto gardens, deep skylights and a specially sprung wooden floor. The long and relatively narrow shape of the hall meant it was ideal for kendo practices involving a single row of paired-off fencers. In an article in Japan's Nihon Keizai Shimbun published on September 15, 2006, former Kodansha chairman Toshiyuki Hattori wrote that the publishing house had decided to demolish Noma Dojo as part of a redevelopment of the company compound. Hattori appealed for the company to reconsider its plans, saying the dōjō was a place where the "fragrant, darkly lustrous wood" was "permeated with the blood and sweat of famous fencers". Architects, conservationists and some public figures also called for the hall to be preserved or at least moved to a new site. However, by October 2007, Kodansha had completed the demolition of a nearby early-20th aristocratic villa and the construction on the site of a new office building with a fifth-floor dōjō. Late appeals for the Noma Dojo hall to be preserved by moving it to Seiji Noma's hometown resulted only in agreement to transfer its porch. The rest of the building was razed by early December. Apart from its architectural value, Noma Dōjō has been celebrated for the excellence of its teachers, including the late Moriji Mochida, a holder of the 10th Dan rank who was known as a "master swordsman of the Shōwa period". As well as being used by the Kodansha kendo club, the hall has for decades held a daily 7 a.m. practice that is open to kendo fencers from any school or association. Kodansha has said the morning practice will continue in the new dōjō, which was designed to reflect some of the features of the old hall, including the use of skylights.