place

Birds of Knowledge of Good and Evil

2001 establishments in Wisconsin2001 sculpturesAluminum sculptures in WisconsinBirds in artOutdoor sculptures in Milwaukee

Birds of Knowledge of Good and Evil is a public artwork by Polish sculptor Magdalena Abakanowicz. It is located on the Kilbourn Avenue boulevard in Milwaukee, Wisconsin, United States. The 2001 aluminum sculpture consists six pieces organized in columns. The column heights are 4–6 meters, and the dimensions of the birds are: height 100–160 cm, width 190–260 cm, length 120–135 cm.

Excerpt from the Wikipedia article Birds of Knowledge of Good and Evil (License: CC BY-SA 3.0, Authors).

Birds of Knowledge of Good and Evil
East Kilbourn Avenue, Milwaukee

Geographical coordinates (GPS) Address External links Nearby Places
placeShow on map

Wikipedia: Birds of Knowledge of Good and EvilContinue reading on Wikipedia

Geographical coordinates (GPS)

Latitude Longitude
N 43.042888333333 ° E -87.901695277778 °
placeShow on map

Address

Birds of Knowledge of Good and Evil

East Kilbourn Avenue
53202 Milwaukee
Wisconsin, United States
mapOpen on Google Maps

linkWikiData (Q4916094)
linkOpenStreetMap (394490081)

Share experience

Nearby Places

Cass-Wells Street Historic District
Cass-Wells Street Historic District

The Cass-Wells Historic District is a small group of historic homes in the Yankee Hill neighborhood of Milwaukee, Wisconsin, built from 1870 to 1914 in various styles. It was listed on the National Register of Historic Places in 1986 and on the State Register of Historic Places in 1989. Contributing structures are, in the order built: The Bridget Hutchinson house (pictured center) at 801 N. Cass St. is a 2-story Italianate-styled house built about 1870. In 1931 the street-level was remodeled into store space. The Henry Manschot house at 718 E. Wells St. is a 2-story Italianate-styled house with a hip roof and brick walls with corner quoins, designed by Charles A. Gombert. Manschot was a butcher with a shop on Market Square. Governor Francis McGovern lived in this house in the 1920s. The Benjamin Parker house at 712 E. Wells St. is a 2.5-story cream brick house built in 1892. The style is the then-popular Queen Anne, typified by the asymmetry, the corner tower, and the different surface textures - particularly the shingles in the gable end. The Patrick Donnelly house at 815 N. Cass St. is a 2.5-story house designed by Charles Fitzgerald and built in 1896. The massing is Queen Anne, but the porches, railings and cornices are Colonial Revival, one of the styles that was popular after Queen Anne. Patrick was a principal in a school. The Mrs. Willis Danforth house at 819 N. Cass St. is a 2.5-story house designed by Ferry & Clas and built in 1897. The half-timbering in the gable end is a Tudor Revival decoration. The Charles Danforth house at 823 N. Cass St. is a 2.5-story house designed by Ferry & Clas and built in 1904. The style is Dutch Colonial Revival, signaled by the gambrel roof. The walls are a distinctive dark brick. Charles was a salesman. The duplex at 724 E. Wells St. is a 2-story flat-topped building designed by F.W. Andree and built in 1914.

Wisconsin Consistory Building
Wisconsin Consistory Building

The Wisconsin Consistory Building, also known as the Humpfrey Scottish Rite Masonic Center, is a historic structure in Milwaukee, Wisconsin that was built as a Romanesque-style Congregational church in 1889, then bought by a Masonic order and remodeled to an Art Moderne style in 1937. In 1994 it was listed on the National Register of Historic Places.The frame of the Consistory building was built by Plymouth Congregational Church. Plymouth had roots in First Congregational Church, organized in 1841. In 1847 part of that congregation split off into a separate congregation which became Plymouth Congregational. By 1861 the congregation was large and wealthy, including businessmen and professionals like architect E. Townsend Mix. Under Pastor Judson Titsworth, Plymouth aimed to be a "people's church," ministering to the community with social programs like the Third Ward Mission, a boy's club, adult education, a reading room, and the Milwaukee Rescue Mission.In 1888 Plymouth undertook the building of a new church, the frame of the current building at Van Buren and Wells. Member Mix designed a Richardsonian Romanesque-styled building. To serve the community, the building included a 1200-seat auditorium, reading rooms, a parlor, classrooms, a gym and dining facilities. Typical of the style, the foundation is rough limestone, many openings are round-arched, and chimneys were tall and ornate. (A photo of the old building is at the MPL link below.) The large corner tower was not typical of the style, and the design was criticized.By 1912, many in the congregation were moving and the congregation moved to a new building near modern UW-Milwaukee. They sold the building to the Scottish Rite Masons. These masons initially called the building the Consistory Building, for the Consistory - a body within the Scottish Rite organization. Later, that body's pre-eminence declined, the building was shared equally by other Scottish Rite bodies, and the building was called the Scottish Rite Masonic Center.The building worked well for the masons, but by the 1930s they needed more space. When other plans fell through, they hired Herbert Tullgren, a Mason himself, to design an overhaul of the exterior. Tullgren re-clad the old building with a new roof and Art Deco styling. The facade was extensively remodeled including the removal of chimneys flanking the corner dome. It covers an entire city block and contains approximately 22,000 square feet (2,000 m2). It has a chapel, an auditorium, a reception hall and a pub. In addition to Masonic purposes, it is used as a rental wedding and banquet hall. As membership and general needs changed over the past decade, the building was eventually put up for sale and sold to a development company in October 2017 closing a 106-year history of Scottish Rite occupancy and ownership of the historic site.

Immanuel Presbyterian Church (Milwaukee, Wisconsin)
Immanuel Presbyterian Church (Milwaukee, Wisconsin)

Immanuel Presbyterian Church is a High Victorian Gothic-styled church built 1873–75 in Milwaukee, Wisconsin. In 1974 it was added to the National Register of Historic Places. Additionally, it was designated a landmark by the Milwaukee Landmarks Commission in 1969.Immanuel congregation was formed in 1870, a merger of First Presbyterian Church and North Presbyterian Church, which were founded in 1837 and 1849. By 1873 the merged congregation was ready to build a new church building. The new building was dedicated in 1875, grand and exuberant, with asymmetric square towers, various groupings of lancet windows, and rose windows. The exterior was clad in carefully laid ashlar Wauwatosa limestone, with openings trimmed in red-orange and gray sandstone. The building was designed by E. Townsend Mix, Milwaukee's prominent architect at the time. The vertical emphasis seen in the towers and upward-pointing windows are characteristics of Gothic style, and the use of multiple colors makes it High Victorian Gothic. Inside, the original auditorium was "as bold and colorful as the exterior," with a nave arcade, a vaulted aisle, and "sumptuous ornament."Then on December 31, 1887, during a snowstorm in the night after a choir performed Handel's Messiah, a fire started. It gutted the nave and chancel, collapsed the roof, and damaged the north wing, leaving only the limestone walls. When the auditorium was rebuilt in 1888 and 1889, it was simplified.Art-glass windows designed by Louis Comfort Tiffany and Co. were added around 1900. In 1937-38 the building was remodeled, with changes to the main vestibule, the chapel, the north wing parlor, and the gallery at the north end of the nave. In 1957-58 the chancel was expanded, the pastor's study and custodian's workshop were added on the south, the pews and pulpit were replaced, and the old wood trim in the auditorium was bleached to match the new pews.

Cathedral Church of All Saints (Milwaukee)
Cathedral Church of All Saints (Milwaukee)

The Cathedral Church of All Saints is the bishop's church of the Episcopal Diocese of Milwaukee, in Milwaukee, Wisconsin, USA. The current parish is a descendant of a small mission by the Right Reverend Jackson Kemper. It is located in Milwaukee's downtown Yankee Hill neighborhood. The Gothic Revival church building was designed by E. Townsend Mix, a noted Milwaukee architect, and constructed as Olivet Congregational Church in 1868. The building was sold to the Episcopal diocese in 1871 when the Olivet congregation faced bankruptcy, and was consecrated as a cathedral in 1898. Incense was first used at All Saints Cathedral on Epiphany, 1902. The complex was listed on the National Register of Historic Places in 1974.The cathedral complex, which includes the church, an attached guild hall and nearby bishop's manse, is listed on the National Register of Historic Places and was designated a Milwaukee City Landmark in 1973. The tower and steeple, approximately 200 feet tall, houses a bronze bell cast in Pittsburgh, Pennsylvania in 1867 one year before the church was built. It measures almost 40 inches in diameter at the mouth, weighs approximately 1,200 pounds and is tuned to an A. Currently, the cathedral is raising money to hang an additional five bells, tuned to F, E-flat, D, C, and B-flat. All bells will be rung by a computerized external striker, and the pre-existing bell can also be swung to ring it. Since renovation in the 1950s the steeple cross is mounted out-of-line with the facade, slightly angled towards Lake Michigan. In the liturgical "east end" of the sanctuary, elevated on a triple-step dais of white marble, stands the high altar and triptych presented as a memorial gift to the cathedral in 1922 during the tenure of Dean Charles S. Hutchinson. The Sienna marble altar and triptych was designed and built by Eugene W. Mason, Jr. of New York City, and is of Italian Gothic styling. Embossed in the bronze door of the tabernacle is the Agnus Dei, the Lamb of God, signifying the sacrificial nature of the Eucharist. The figures on the predella (just below the center panel) are from the left: Saints Thomas Becket, Joan of Arc, St. Mary the Virgin, Francis of Assisi, and Demetrius of Alexandria. Most of the stained glass windows in the cathedral were designed and produced in England, most by Lavers, Barraud and Westlake of London. A large rondel window of Christ the King was made by Heaton, Butler and Bayne, also of London. Today's church features a liturgy in the Anglo-Catholic tradition. The congregation includes around 250 members.