Devonshire Club

50 St James's Street is a Grade II listed house in St James's Street, St James's, London SW1, opposite White's Club. It was built in 1827, and designed by the architects Benjamin Wyatt and Philip Wyatt, as Crockford's, a gentleman's club. It was altered from 1870–75 by C. J. Phipps.From 1999 to 2009, a luxury casino named Fifty, owned by Robert Earl, operated on the premises.Next, the property was secured by Luca Del Bono, an Anglo-Italian property developer. To this end, in 2011, Westminster City Council approved plans to create a members' club, spa, 14-bedroom hotel, and two public restaurants.In 2014, the property was bought by the Russian billionaire Andrey Goncharenko for £70 million, apparently with the intention of converting it to residential use. The building sat empty, until it was occupied by squatters in 2017.

Crockford's, the popular name for William Crockford's St James's Club was a London gentlemen's club, now dissolved. It was established in 1823, closed in 1845, re-founded in 1928 and closed in 1970. One of London's older clubs, it was centred on gambling and maintained a somewhat raffish and raucous reputation. It was founded by William Crockford who employed Benjamin Wyatt and Philip Wyatt to construct the city's most opulent palace of gentlemanly pleasure, which opened in November 1827. and he employed two of London's finest chefs of the time, Louis Eustache Ude and then Charles Elmé Francatelli to feed its members, food and drink being supplied free after midnight.From 1823, the club leased 50 St. James's Street, and then nos. 51–53, which enabled Crockford to pull down all four houses and build his palatial club on the site. After the club's closure, this continued to be used as a clubhouse, at first briefly by the short-lived Military, Naval and County Service Club, and then between 1874 and 1976 it was home to the Devonshire Club. The current Crockfords, though using much of the "Crocky" imagery and high-end reputation, has no connection with the original club and operates from an entirely different building at nearby 30 Curzon Street.

The Representative of Bermuda in London is the diplomatic mission of the British Overseas Territory of Bermuda in the United Kingdom. It is located in a multi-use office building in St James's. Unlike most diplomatic missions there is no flag or plaque indicating its existence, only a small label on the door-buzzer.

The Wolseley is a restaurant located at 160 Piccadilly in London, England, next to the Ritz Hotel. Designed by the architect William Curtis Green, the Grade II* listed building was erected by Wolseley Motors in 1921 as their regional offices with a ground floor showroom. The ground floor was occupied by a branch of Barclays Bank between 1927 and 1999. It was a Chinese restaurant for a couple of years then reopened in 2003 as an upscale European restaurant after renovation by British restaurateurs Chris Corbin and Jeremy King.

The National Institution of Fine Arts was a short-lived Victorian-era art society founded in London to provide alternative exhibition space for artists. Dante Gabriel Rossetti and Ford Madox Brown notably exhibited there. The organisation began as the "Institution for the Free Exhibition of Modern Art" in 1847 ("Free Exhibition" for short), and mounted shows from 1848–49 in a temporary building known as "St. George's Gallery" on Knightsbridge (road), next to Hyde Park, London. Its purpose was stated in an 1848 catalogue, "Freedom for the Artist, certainty of Exhibition for his works, and the Improvement of the Public Taste." The society then changed its name to the "National Institution of Fine Arts" ("National Institution" for short) and from 1850–61 exhibited works at the old Portland Gallery at 316 Regent Street. The National Institution aimed to provide a less-restrictive and more equitable alternative to the established exhibitions at places like the Royal Academy. The organisers allocated space by lottery, so there was no favouritism, allowed artists more control over the display of their pictures, and space was cheaper — making it more accessible to women artists who suffered discrimination by other exhibiting bodies. The exhibition was "free" in the sense that any artist was welcome to exhibit. Dante Gabriel Rossetti exhibited his first major oil painting, The Girlhood of Mary Virgin, at the Free Exhibition in March 1849, and in April 1850 Ecce Ancilla Domini at the National Institution. Ford Madox Brown also exhibited there in 1848 with Wycliffe reading his Translation of the New Testament to John of Gaunt and in 1849 with The Young Mother and Lear and Cordelia. Robert Scott Lauder was the first president of the National Institution. Chambers's Edinburgh Journal described exhibitors at the National Institution as "..mainly composed of dissenters from the other associations — gentlemen who conceive that they have been ill-treated by Hanging Committees, and a large class of juvenile but promising artists, who resort to the less crowded institutions in the hope of there meeting with better places for their works than in the older and more established bodies".

Portland Gallery is an art gallery in central London, England.Founded in 1984 by Tom Hewlett, the gallery displays modern British and Contemporary paintings. A particular specialization is the work of Scottish colourists Samuel Peploe, Francis Cadell, George Leslie Hunter, and John Duncan Fergusson, and their immediate followers, including Anne Redpath and John Maclauchlan Milne. The gallery also hosts the estate collections of Cadell, Maclauchlan Milne, and Edward Seago. Among contemporary painters and sculptors, the gallery has displayed works by Archie Forrest, Gary Bunt, Paul Rafferty, Nicholas Hely Hutchinson, Gordon Mitchell, Oliver Akers Douglas, and David Spiller.The gallery exhibits at the London Art Fair. It is located at 3 Bennet Street in London, close to The Ritz Hotel.

White's is a gentlemen's club in St James's, London.

Albemarle Gallery was an art gallery located in Mayfair, London. The gallery opened in 1986 and featured figurative to hyper-realist artwork by local and international contemporary painters and sculptors. This gallery closed in 1993.

Mahiki is a London nightclub and bar in Dover Street, just off Piccadilly, near the Ritz Hotel, well known for its celebrity clientele. It is named after the Polynesian path to the underworld. Mahiki was opened in October 2006 by Piers Adam and Nick House. The club has attracted media attention as a favourite haunt of royals including Princes William and Harry and celebrities such as Rihanna, Lady Gaga, Kelly Rowland, and Paris Hilton. Its themed Thursday nights, hosted by Henry Conway, a socialite, were particularly popular, and rival club owner Charlie Gilkes has said "Thursday nights at Mahiki ... are the night in London, there are queues going round the block."

Le Caprice was a restaurant in London's St James's area famous for being frequented by celebrities. It was originally opened by Marco Gallati in 1947 at 20 Arlington St. Famous patrons included Princess Diana.It closed in 2020. Its owners plan to reopen it in a new location.

Arlington is a restaurant located at 20 Arlington Street in London's St James's area. Between 1947 and 2020 the building was occupied by Le Caprice, formerly run by Jeremy King and his then business partner Chris Corbin. It has been described as an 'unabashedly sentimental remastering of Le Caprice' with a similar menu and interior. It launched on 11 March 2024, following a soft opening during the week prior. Giles Coren, writing in The Times, described the food as 'sort of stuff that you really can eat every day'.

Thomas Agnew & Sons is a fine arts dealer in London that began life as part of in a print and publishing partnership with Vittore Zanetti in Manchester in 1817 which ended in 1835, when Agnew took full control of the company. The firm opened its London gallery in 1860, where it soon established itself as one of Mayfair's leading dealerships. Since then Agnew's has held a pre-eminent position in the world of Old Master paintings. It also had a major role in the massive growth of a market for contemporary British art in the late 19th century. In 2013, after nearly two centuries of family ownership, Agnew's closed. The name was subsequently purchased privately and the gallery is now run by Lord Anthony Crichton-Stuart, a former head of Christie's Old Master paintings department, New York.