Firenze Campo di Marte railway station

The Chiesa del Sacro Cuore (Church of the Sacred Heart) is located in Via Capo di Mondo in Florence.Ludovico da Casoria, a Franciscan priest, founder of the Congregation of Frati Bigi, had the church built between 1874 and 1877, on the model of San Salvatore al Monte. The church is situated in Firenze (Campo di Marte). In 1941 it became a parish church and the building was completely restructured by the architect Lando Bartoli between 1956 and 1962. For the extremely modern bell tower the architect was assisted by Pier Luigi Nervi. There is a stained glass window of the Resurrection by Marcello Avelani, bronze doors and ceramic saints by Angelo Biancini, mosaic Stations of the Cross by Giovanni Haynal, a crucifix by Umberto Bartoli, a 16th-century Madonna and Child, a Last Supper by Giovanni Stradano and the Apparition of the Sacred Heart by Antonio Ciseri (1880).

Nelson Mandela Forum, formerly Palazzetto dello sport di Firenze and Palasport, is an indoor sports arena that is located in Florence, Italy. Inaugurated in 1985, the arena was renamed to Nelson Mandela Forum in 2004.The seating capacity of the arena is 7,500 people for basketball games, and the maximum capacity for rock concerts, with general admission tickets, is 8,262 people. It was the home arena of the Italian basketball club Pool Firenze Basket, before the club's relegation to the minor leagues in 2009. It is the home venue of women's volleyball club Il Bisonte Firenze since 2014.

The Stadio Artemio Franchi is a football stadium in Florence, Italy. It is currently the home of ACF Fiorentina. The old nickname of the stadium was "Comunale." When it was first constructed, it was known as the Stadio Giovanni Berta, after Florentine fascist Giovanni Berta. The stadium was officially opened on 13 September 1931 with a match between Fiorentina and Admira Wien (1–0), though it took until 1932 for the stadium to be completely finished and currently holds 47,282. The architect is Pier Luigi Nervi (known for the Nervi Hall in the Vatican) and it is one of the most relevant examples of 20th-century architecture in the city. It hosted some of the matches of the 1934 World Cup, as well as football preliminaries for the 1960 Summer Olympics in Rome. In 1945, it hosted the Spaghetti Bowl between American service teams. The stadium is built entirely of reinforced concrete with a 70 metre (230 ft) tower that bears the stadium's flagstaff. The tower is called the "Tower of Marathon". Around the base of the tower, spiral ramps lead from the ground floor to the upper edge of the grandstand. It was originally called the "Comunale" but was renamed after the former FIGC president, Artemio Franchi (1922–1983), in 1991. The stadium underwent renovations for the 1990 FIFA World Cup which included removing the running track and increasing the seating capacity. At the World Cup, the ground hosted three matches in Group A and Argentina's penalty shootout win over Yugoslavia in the quarter-finals.The official record attendance is 58,271 on 25 November 1984, at a Serie A match between Fiorentina and Internazionale.

The English Cemetery in Florence, Italy (Italian, Cimitero degli inglesi, Cimitero Porta a' Pinti and Cimitero Protestante) is an Evangelical cemetery located at Piazzale Donatello. Although its origins date to its foundation in 1827 by the Swiss Evangelical Reformed Church, the name "English Cemetery" results from the majority of its burials being Protestants from the British and American communities of Florence, and who gave the largest sum of money for the purchase of its land. The cemetery also holds the bodies of non-English speaking expatriates who died in Florence, among them Swiss and Scandinavians, as well as Eastern Orthodox Christians, among them Russians and Greeks. The cemetery is still owned by the Swiss Evangelical Reformed Church, and is open for the interment of cremated ashes, now of all Christian denominations, but no longer for burials.

Piazzale Donatello is a city square in Florence, Italy. The square is lined by purpose-built artists studio's constructed during the nineteenth century. Each boasts expansive north facing windows. These studios saw the likes of many notable painters, among them Gianni Vagnetti and Michele Gordigiani. The studios remain active to this day with painters working from life by natural light.

The Porta alla Croce is a former gate of the Walls of Florence, locate east of the neighborhood of Santa Croce, in the Piazza Beccaria of Florence, region of Tuscany, Italy. The gate was part of the fourth set of walls around Florence built in the late 13th century. The Gate was once called Porta alla Croce al gorgo and also Porta Sant'Ambrogio. It is said that the name may derive from the legend that at this location San Miniato was made a martyr.The Gate was refurbished in 1817-1818 under the reign of Grand Duke Ferdinando III of Lorraine, and in the outer lunette has a much degraded fresco depicting the Virgin and Saints by Michele Tosini. In the past, just outside this gate, was the site where official executions were performed.The urban renewal of Florence (1865-1871) directed by Giuseppe Poggi demolished the walls and left this and other gates isolated in a traffic circles. To the south of the gate is a plaque commemorating those fallen in World War I. Below is a fountain in poor state of conservation. The memorial was dedicated in 1925, completed in 1928, and two Fascist emblems were once present. The plaque reads Fallen in the War of Vindication and for the Grandeur of Italy. A plaque from 1310 describes the size of the walls and gate in Braccia Florentina. Finally a third plaque states that in 1817, Ferdinand III, Grand Duke of Tuscany, father of the citizens... to ensure a gain of wealthy classes in periods of poor harvests and boost trade, he opened with great commitment of spending, new ways by which to connect a carriage road from here to the upper valley of the Arno, Casentino and Romagna and because at the same time he restored this door and made more elegant and functional, demolishing blighted buildings that were pushed together and equalizing the level entry and exit. Florence's optimal and munificent prince.

Piazza Cesare Beccaria is a square of Florence located on the viali di Circonvallazione, the boulevard along the route of the former walls of Florence.

Porta a Pinti was a former gate in the walls of Florence, region of Tuscany, Italy. The gate was also called Porta Fiesolana because the road led out to Fiesole, and of di Penitenti, which was shortened and corrupted to give name to the gate and the neighborhood, Borgo Pinti. Individuals returning to church, called convertiti or penitenti, lived in this neighborhood. It was destroyed in 1865 during the creation of the Viale di Circonvallazione, which removed most of the walls of Florence.

The Monument to Savonarola in Piazza Savonarola is an outdoor marble statue on a plinth in honor of the 15th-century Dominican friar Girolamo Savonarola; it is located in a piazza of the same name a few blocks outside of the Viali di Circonvallazione, in Northeastern Florence, region of Tuscany, Italy. This monument has a colorful history of migrations. The statue was completed circa 1875 by Enrico Pazzi, a native of Ravenna, at a time, when anti-papal feelings ran high in Italy. However, Savonarola has always been a polarizing historic figure, maniacal in his faith, and the perpetrator of the original Bonfire of the Vanities. His theology was not compatible with contemporary liberal thought. The statue was conceived by Pazzi in 1861, who habitually created public monuments before they were requisitioned. A committee was formed in 1869 to commission a monument to Savonarola, which was to be placed in the convent of San Marco; however, they did not choose Pazzi's model, but instead chose one by Giovanni Duprè, a former mentor of Pazzi. This was to lead to fierce conflict between the two sculptors. In 1870, another committee, chaired by Prince Ferdinando Strozzi, selected to commission Pazzi's more grandiose and more anti-papal statue, and obtained the Commune's permission to site the sculpture in the first cloister of the Florentine convent. However, the drop in revenue caused by the transfer of the capital of Italy from Florence to Rome, cancelled this project. By 1873, Duprè completed his contribution: a simple plaque and relief bust placed in the cell of the friar in San Marco. Pazzi's work, completed only in 1875, did not find enough subscribers, and was donated ultimately to the Town Hall. It remained in studio till 1882, when it was installed, to much criticism, into the niche of the southern end of the Salone dei Cinquecento in the Palazzo Vecchio. One justification for this placement was that Savonarola had commissioned the creation of this large hall in 1497. There was still rumors that it would be moved in the future to the precinct of San Marco. The statue had displaced none other than a Michelangelo statue, placed here by Vasari. Even in this niche, Savonarola's provincial and other-worldly causes did not fit the Italian nationalism that was in demand after the recent world war. In addition, many Florentine critics were never content with the removal of the heroic Genius of Victory by Michelangelo. Ultimately, even if unfinished, the subtle Michelangelo work was able to vanquish the polished sculpture of the somewhat unsufferable, faith-frenzied priest. In 1921, Savonarola's statue was exiled to this graffiti-ridden suburban park. In some ways, the Ferrarese priest was never quite at home in Florence. Savonarola stands on a plinth designed by Olinto Rimediotti. Savonarola is depicted with his right hand while raising a Cross, recalling his declaration during a public sermon in 1495, that Christ was the new King of Florence. The left hand of his gown protects, or perhaps smothers, the Marzocco, a symbol of the Republic of Florence. Restoration of the monument has been planned.The statue lacks the commanding and hypnotic drama of the bronze Monument to Girolamo Savonarola in Ferrara by Stefano Galletti.

The Galleria Rinaldo Carnielo is a museum encompassing the small palace and studio of the artist Rinaldo Carnielo (1853-1910), located on Piazza Savonarola #3, Florence, region of Tuscany. Italy. The eclectic collection consists of nearly 300 works or models, mainly sculptures, by Carnielo, as well as some paintings by Carniello, and some of his colleagues Silvestro Lega, Michele Gordigiani, and Arturo Calosci. Among the works of Carnielo are some macabre sculptures such as Tenax Vitae, Dying Mozart, and Angel of Death. The small palace is built in the Italian counterpart of Art Nouveau, known as Stile Liberty, and was donated to the commune in 1957 by the sculptor's son. In October 2015, the museum was temporarily closed.The design and construction of the palace dates to the 1880s and appears to have involved Rinaldo Carnielo and Enrico Lusini. The facade has various inscriptions including a bust of the artist with the inscription "Non ominis moriar". A scroll in the center facade states "Onorate l'arte che è vita della vita" (Honor art which is the life of life).

The Great Synagogue of Florence or Tempio Maggiore is one of the largest synagogues in South-central Europe, situated in Florence, in Italy. The synagogue of Florence was one of the most important synagogues built in Europe in the age of the Jewish emancipation, reached by the Jewish communities living in the Grand Duchy of Tuscany in 1848.

San Salvi, also known as San Michele a San Salvi, is a church in Florence, Italy. The church was built in the 11th century by the Vallombrosans as part of an abbey complex. During the 1529 Siege of Florence, the church was partially destroyed. It was reconstructed in accordance with its original style with the exception of the portico which was built with a 16th-century style. The interior of the church is of a single aisle, Latin-cross design with a rectangular apse. The refectory contains a masterwork fresco of the Last Supper (1519-1527) by Andrea del Sarto.