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Théâtre Marigny

Buildings and structures in the 8th arrondissement of ParisCharles Garnier buildingsTheatres in ParisÉdouard Niermans buildings
Theatre Marigny 1
Theatre Marigny 1

The Théâtre Marigny is a theatre in Paris, situated near the junction of the Champs-Élysées and the Avenue Marigny in the 8th arrondissement. It was originally built to designs of the architect Charles Garnier for the display of a panorama, which opened in 1883. The panorama was converted to the Théâtre Marigny in 1894 by the architect Édouard Niermans and became a home to operetta and other musical theatre.

Excerpt from the Wikipedia article Théâtre Marigny (License: CC BY-SA 3.0, Authors, Images).

Théâtre Marigny
Allée Jeannine Worms, Paris 8th Arrondissement of Paris (Paris)

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N 48.868631 ° E 2.313669 °
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Théâtre Marigny

Allée Jeannine Worms
75008 Paris, 8th Arrondissement of Paris (Paris)
Ile-de-France, France
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call+33153967030

Website
theatremarigny.fr

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Theatre Marigny 1
Theatre Marigny 1
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Palais de l'Industrie
Palais de l'Industrie

The Palais de l'Industrie (Palace of Industry) was an exhibition hall located in Paris between the Seine River and the Champs-Élysées, which was erected for the Paris World Fair in 1855. This was the last of several buildings with the same name erected on the same site. The first Palais de l'Industrie was built in 1839 and was replaced for subsequent exhibitions in 1844 and 1849. The 1855 building was mainly designed by the architect Jean-Marie-Victor Viel and the engineer Alexis Barrault. It was demolished in 1897 to make way for the Grand Palais of the World Fair in 1900. Emperor Napoleon III wished the World's Fair of 1855, which followed London's Great Exhibition by four years, to prove the superiority of the French by surpassing the British fair in every way. In particular, he desired a spectacular exhibition hall to rival The Crystal Palace. A competition held in 1852 was won by a plan by architect Jean-Marie-Victor Viel and engineer Desjardin, which combined the traditional use of masonry with that of cast iron. Due to cost constraints, however, the plans had to be reworked, for which the engineer Alexis Barrault is credited. In the final design, masonry was used only for the exterior walls, which were to be one metre thick and eighteen metres high. However, these massive walls were barely able to support the weight of the projecting cornice, and had to be reinforced with cast iron columns and beams. The Palace of Industry was 260 metres (850 ft) long and 105 metres (350 ft) wide. Its principal nave was 190 metres (630 ft) long, and 48 metres (158 ft) wide. It was surrounded on four sides by aisles two stories high, and 30 metres (98 ft) wide. Its semi-circular trusses bridged a 24-metre (80 ft) span to create an enormous exhibition room. Despite its immense size, the palace was not large enough to house all of the expected exhibitors, so that two temporary buildings were constructed to house the remaining displays. The main failure of the building, which was not completed by the day the World Fair opened, was its poor ventilation. Although this made the building extremely hot during the day, it served as a hall for numerous exhibits and social events until its demolition in 1897. Octave Mirbeau, commenting on the Palais de l'Industrie as a focal point of the Champs Elysées, compared the building to "an ox trampling through a rose garden." Although critics nearly universally condemned the Gothic "heaviness" of the building, the sheathing of an iron and glass structure with a stone casing was imitated in the London Exposition of 1862 and the World Columbian Exposition in Chicago, and even in the buildings that were to replace it: the Grand Palais and Petit Palais built for the 1900 World Fair. The entrance of the Palais de l'Industrie was crowned by Élias Robert's sculpture group France crowning Art and Industry.

Hameau de Chantilly (Paris)
Hameau de Chantilly (Paris)

The Hameau de Chantilly ('hamlet of Chantilly') in Paris was a group of cottages in the gardens of the Élysée Palace in Paris constructed by Bathilde d'Orléans, Duchess of Bourbon in 1787 in imitation of the Hameau de Chantilly at the Château de Chantilly, her principal residence.With the Revolution, she left the Élysée in 1792, returning in 1794; she finally left in 1797. The Élysée gardens, also known as the Jardin Bourbon, became a public garden in 1797 where many public celebrations were held.In 1801, Velloni fils opened the Hameau as a short-lived eating, drinking, and dancing establishment. Here is his announcement: The hamlet of Chantilly, in front of the Élysée-Bourbon, two doors doors down from the Champs-Élysées and in the Faubourg Saint-Honoré. Corner of Marigny Street. Velloni Junior has the honor of informing the public that he will shortly open his new location at the Hamlet of Chantilly with an extraordinary celebration. Every day, English picnics will be served, including every kind of cold meat and the best wines, as well as sit-down lunches and other lunches served in the cottages of the hamlet. A large country café will be set up in the middle of a vast room of greenery: there will be coffee, high tea, chocolate, bavaroises, punch, all kinds of cool drinks, sweet wines, fine liqueurs from the islands, glazed pastries Italian-style, a complete selection of molded ice creams, sherbets, and mousses made by Citizen Tortoni, the pupil and successor of Velloni Senior: a new sparkling lemon drink like the best champagne, a Dutch beer-garden in the middle of the Hamlet, where white beer of the best quality will be served, with various pastries, and generally everything one might desire, all of the best quality, and in the most proper and decent atmosphere. In this huge space there will be all sorts of fun country games, including see-saws, merry-go-round, badminton, water races, dances in the middle of the Hamlet organized by Citizen Julien; a superb promenade on the chateau's terrasse, newly decorated with pavillions with mirrors and statues; a vase with flowers and lights, and many beautiful orange-trees; finally, nothing has been forgotten to make this the most pleasant and elegant visit. The ticket price will be one franc for the day, of which 75 centimes (15 sous) can go toward any of our offerings, except for dance and country games. It is proposed to offer once every ten-day week ['decade'] extraordinary celebrations, including a vocal and instrumental concert by Citizen Feydeau's orchestra conducted by Citizen Lahoussaye; beautiful fireworks by Citizen Ruggieri, and magnificent lighting by Citizen Duvergier. The program of these celebrations will be announced in posters, the day before and the day of their presentation. The ticket on those days will cost 2 francs, not including other offerings. The Jardin Bourbon functioned as a public garden until it was sold to Joachim Murat in 1803 or 1805.