place

The Warehouse Studio

1997 establishments in British Columbia1998 establishments in CanadaBryan AdamsBuildings and structures in VancouverCanadian companies established in 1999
Commercial buildings completed in 1886Recording studios in Canada

The Warehouse Studio is a multi-media recording facility and photography studio in Vancouver, British Columbia, Canada, owned by Bryan Adams.

Excerpt from the Wikipedia article The Warehouse Studio (License: CC BY-SA 3.0, Authors).

The Warehouse Studio
Powell Street, Vancouver

Geographical coordinates (GPS) Address Nearby Places
placeShow on map

Wikipedia: The Warehouse StudioContinue reading on Wikipedia

Geographical coordinates (GPS)

Latitude Longitude
N 49.28312 ° E -123.101914 °
placeShow on map

Address

Powell Street 103
V6A Vancouver
British Columbia, Canada
mapOpen on Google Maps

Share experience

Nearby Places

Hotel Europe (Vancouver)
Hotel Europe (Vancouver)

Hotel Europe is a six-story heritage building located at 43 Powell Street (at Alexander) in the Gastown area of Vancouver, British Columbia. The building was commissioned by hotelier Angelo Calori and built in 1908-1909 by Parr and Fee Architects. Situated on a triangular lot, the building is designed in the flatiron style. It was the first reinforced concrete structure to be built in Canada and the earliest fireproof hotel in Western Canada. Contractors had to be brought in from Cincinnati, Ohio for the necessary expertise; the Ferro-Concrete Construction Company began this project six years after constructing the first tall concrete building in the world. With funding from the Canada Mortgage and Housing Corporation, the building was renovated in 1983 as affordable housing with A. Ingre and Associates as the project designers. The residential units are now managed by the Affordable Housing Society. A beer parlour formerly existed below the ground floor, which included areaways extending underneath the above sidewalks. To prevent a cave-in from the weight of pedestrians and above ground traffic, the City of Vancouver filled the areaway in with pea gravel at a cost of $215,000, which presumably can be easily removed in the event of future restoration.The Hotel Europe was one of the filming locations for the suspense movie The Changeling. In it, the building houses the Seattle Historical Society, but the hotel sign can be seen on the right side facade of the building in some takes. Some scenes are set on its roof terrace. Hotel Europe was also a filming location in the 1994 epic drama film Legends of the Fall. It is also one of the locations for the music video Likey from the Korean female group twice. It also appeared in the 1984 film The NeverEnding Story, as well as its 1990 sequel The NeverEnding Story II: The Next Chapter. The exterior is also briefly shown in the 2007 family comedy film Are We Done Yet?, as Ice Cube carries out a cardboard standee of Magic Johnson.

Insite

Insite is the first legal supervised drug injection site in North America, located at 139 East Hastings Street, in the Downtown Eastside (DTES) neighbourhood of Vancouver, British Columbia. The DTES had 4700 chronic drug users in 2000 and has been considered to be the centre of an "injection drug epidemic". The site provides a supervised and health-focused location for injection drug use, primarily heroin. The clinic does not supply any drugs. Medical staff are present to provide addiction treatment, mental health assistance, and first aid in the event of an overdose or wound. In 2017, the site recorded 175,464 visits (an average of 480 injection room visits per day) by 7,301 unique users; 2,151 overdoses occurred with no fatalities, due to intervention by medical staff. The site also offers a free checking service so clients can check their substances for fentanyl and carfentanil. Health Canada has provided $500,000 per year to operate the site, and the BC Ministry of Health contributed $1,200,000 to renovate the site and cover operating costs. Insite also serves as a resource for those seeking to use a harm reduction approach for people who inject drugs around the world. In recent months and years, delegations from a number of countries are on record touring the facility, including various U.S. states, Colombia and Brazil. 95% of drug users who use Insite also inject on the street according to a British Columbia health official.

Downtown Eastside
Downtown Eastside

The Downtown Eastside (DTES) is a neighbourhood in Vancouver, British Columbia, Canada. One of the city's oldest neighbourhoods, the DTES is the site of a complex set of social issues including disproportionately high levels of drug use, homelessness, poverty, crime, mental illness and sex work. It is also known for its strong community resilience, history of social activism, and artistic contributions. Around the beginning of the 20th century, the DTES was the political, cultural and retail centre of Vancouver. Over several decades, the city centre gradually shifted westwards and the DTES became a poor, although relatively stable, neighbourhood. In the 1980s, the area began a rapid decline due to several factors including an influx of hard drugs, policies that pushed sex work and drug-related activity out of nearby areas, and the cessation of federal funding for social housing. By 1997, an epidemic of HIV infection and drug overdoses in the DTES led to the declaration of a public health emergency. As of 2018, critical issues include opioid overdoses, especially those involving the drug fentanyl; decrepit and squalid housing; a shortage of low-cost rental housing; and mental illness, which often co-occurs with addiction. The population of the DTES is estimated to be around 7,000 people. Compared to the city as a whole, the DTES has a higher proportion of males and adults who live alone. It also has significantly more Indigenous Canadians, who are disproportionately affected by the neighbourhood's social problems. The neighbourhood has a history of attracting individuals with mental health and addiction issues, many of whom are drawn to its drug market and low-barrier services. Residents experience Canada's highest rate of death from encounters with police, and many vulnerable members of the community have low trust in the police. Since Vancouver's real-estate boom began in the early 21st century, the area has been increasingly experiencing gentrification. Some see gentrification as a force for revitalization, while others believe it has led to higher displacement and homelessness. Numerous efforts have been made to improve the DTES at an estimated cost of over $1.4 billion as of 2009. Services in the greater DTES area are estimated to cost $360 million per year. Commentators from across the political spectrum have said that little progress has been made in resolving the issues of the neighbourhood as a whole, although there are individual success stories. Proposals for addressing the issues of the area include increasing investment in social housing, increasing capacity for treating people with addictions and mental illness, making services more evenly distributed across the city and region instead of concentrated in the DTES, and improving co-ordination of services. However, little agreement exists between the municipal, provincial and federal governments regarding long-term plans for the area.

Carnegie Community Centre
Carnegie Community Centre

Carnegie Community Centre is located at 401 Main Street at the corner of Hastings Street, in the old Carnegie Public Library building in the Downtown Eastside of Vancouver, British Columbia. In 1901 Vancouver requested $50,000 from industrialist and philanthropist Andrew Carnegie for the purpose of building a library. Carnegie agreed, provided the City of Vancouver supplied the site and contributed $5000 a year. The original public library was completed in 1903. For decades, the top floor was the home of the Vancouver Museum. The Vancouver Public Library moved into a more spacious building at 750 Burrard Street in 1957 and the Carnegie building eventually fell into disrepair. Neighbourhood poverty activists from the Downtown Eastside Residents' Association convinced city council to turn it into a public space for local residents, and it opened as the Carnegie Community Centre in the 1980s. It now houses recreation facilities, a low-cost cafeteria, a branch of the Vancouver Public Library, and a variety of services and programs for the neighbourhood, which is one of the poorest in Canada. The Carnegie Centre is a drug- and alcohol-free place. The Carnegie Community Centre is owned by the City of Vancouver and funded by the Social Planning Department. It is open 9 a.m. to 11 p.m., every day of the year. The centre is run by Vancouver City Staff in cooperation with the board of directors of the Carnegie Community Centre Association, a non-profit society. Directors are elected annually from the members of the association. Membership costs one dollar per year and is available to neighbourhood residents. All the centre's programs are free to members. Carnegie Community Centre has a gymnasium, a weight room, a theatre (aptly named Carnegie Hall), a cafeteria with very reasonably priced meals, a seniors lounge and a pool room. There is also an Adult Learning Centre on the top floor, which provides informal one-on-one tutoring. There is a computer lab containing multiple computers for educational use located inside the centre as well. The Carnegie Centre publishes a bi-monthly newsletter with articles concerning the Downtown Eastside Community. The Institute for stained glass in Canada has documented the stained glass at Carnegie Community Centre.The Carnegie Centre supports and provides a home for a number of projects, including the political group known as CCAP (Carnegie Community Action Project), which has recently been associated with the anti-gentrification protests in the DTES.

Vancouver Police Museum
Vancouver Police Museum

The Vancouver Police Museum & Archives (formerly Vancouver Police Centennial Museum) opened to commemorate the centennial of the Vancouver Police Department and the City of Vancouver, British Columbia in 1986. Located at 240 E. Cordova Street adjacent to Vancouver's Gastown, the museum is housed in a building that was purpose-built in 1932 for use by the City Coroner’s Services and includes the Coroner's Court, morgue and autopsy facilities (until 1980) and the City Analyst’s Laboratory (until 1996). In 1935, the Coroner's Court was used as a makeshift hospital by police during the Battle of Ballantyne Pier. It was designed by architect Arthur J. Bird, and today it is a municipally designated class "A" heritage building. The museum is run by the Vancouver Police Historical Society, a non-profit organization established in 1983 with the mandate to foster interest in the history of the Vancouver Police Department and to open a museum for this purpose. The catalyst for the project was the museum's first curator, Joe Swan, a former police sergeant and amateur historian. Swan wrote the department's official history book, which was published by the Vancouver Historical Society in 1986, entitled, A Century of Service: The Vancouver Police, 1886-1986. The museum is located on the top floor of the city-owned Coroner's Court building and permanent exhibits include the original morgue and autopsy suite. The museum maintains a collection of approximately 30,000 objects. This includes archival documents, photographs, publications, confiscated firearms and other weapons, counterfeit currency, and various other artifacts and memorabilia, of which an estimated 40% is on display. The museum offers educational programs for children and youth that are focused on forensic investigation. The museum has a small book shop featuring a curated collection of books written by local authors and publishes a quarterly newsletter. The museum is self-funded through admission and program fees, membership fees, donations, book shop sales, and project grants; the museum receives no direct funding from the Vancouver Police Department or the City of Vancouver but gratefully receives their in-kind support.

Centre A
Centre A

Centre A (Vancouver International Centre for Contemporary Asian Art) is a non-profit public art gallery in Vancouver committed to the research, production, presentation and interpretation of contemporary Asian art. It is the only public gallery in Canada dedicated to contemporary Asian and Asian Diasporic visual art practices. Founded in 1999 by Hank Bull (Founding Director), Zheng Shengtian and Stephanie Holmquist, the centre has been led by a board of directors with respected members of the community consisting Milton Wong, Joanne Louie Mah, Joe Wai and Anndraya Luui. Over the years, a number of curators and directors contributed to the success of the gallery, such as Sadira Rodrigues, Alice Ming Wai Jim, Makiko Hara, and Haema Sivanesan. Centre A is a registered charity. Centre A was originally located at 849 Homer Street, near the Vancouver Public Library's central branch. It then moved to 2 West Hastings Street, in the Vancouver's Downtown Eastside. During this time Makiko Hara was Curator. In 2013, under the direction of Haema Sivanesan, Centre A relocated to Chinatown at 229 East Georgia Street. Over the years, the centre has exhibited a number of notable Canadian and international contemporary artists, such as Yoko Ono, Lida Abdul, Abbas Akhavan, Young-Hae Chang Heavy Industries, Hajira Waheed, Ali Kazimi, Lani Maestro, Kyohei Sakaguchi, Jim Wong-Chu, and Samson Young. Recently (2017-2018), Centre A moved to its current 3,300 square foot location at the Sun Wah Centre at 268 Keefer Street for the next foreseeable future with Henry Heng Lu as its new Curator. In 2021, Centre A started a new chapter of renewal and growth. The centre announced its new permanent core team with Henry Heng Lu as the new Executive Director/Curator and Ellie Chung as the new Gallery Manager.