Ponte Tron, Venice

The Teatro San Gallo in Venice, was built during the early part of the 20th century in the original courtyard of a 13th-century palazzo just behind Piazza San Marco in Venice. Some of the original features of the original palazzo are still visible in various parts of the theatre. The theatre is located in Campo Rusolo o San Gallo, a small campo just behind Piazza San Marco and close to Bacino Orselo. The theatre has 260 seats. Since 2008 the theatre has been home to a nightly performance of Venezia The Show about Venice.

San Geminiano was a Roman Catholic church located in Piazza San Marco in Venice, Italy, dedicated to Saint Geminianus. It is believed to have been founded by the Byzantines in the 6th century AD and it was destroyed and rebuilt several times over subsequent centuries. The last reconstruction began in 1505 to designs of the architect Cristoforo da Legname, and it was completed by Jacopo Sansovino in 1557. This church was a significant example of Venetian Renaissance architecture, and it was well-known for being ornate and richly decorated. The building was demolished in 1807 in order to make way for the Napoleonic wing of the Procuratie, and many of the artworks it contained were distributed among other churches and museums.

The Museo Correr (Italian pronunciation: [muˈzɛo korˈrɛr]) is a museum in Venice, northern Italy. Located in St. Mark's Square, Venice, it is one of the 11 civic museums run by the Fondazione Musei Civici di Venezia. The museum extends along the southside of the square on the upper floors of the Procuratorie Nuove. With its rich and varied collections, the Museo Correr covers both the art and history of Venice.

The Procuratie (English: Procuracies) are three connected buildings along the perimeter of Saint Mark's Square in Venice, Italy. Two of the buildings, the Procuratie Vecchie (Old Procuracies) and the Procuratie Nuove (New Procuracies), were constructed by the procurators of Saint Mark, the second-highest dignitaries in the government of the Republic of Venice, who were charged with administering the treasury of the Church of Saint Mark as well as the financial affairs of state wards and trust funds established on behalf of religious and charitable institutions. The Procuratie Vecchie on the northern side of the square was built during the War of the League of Cambrai in the early sixteenth century to replace an earlier structure, damaged by fire. Although the war imposed financial constraints and limited innovation, it was nevertheless the first major public building in Venice to be erected in a purely classical style. It always contained apartments that were rented by the procurators as a source of revenue to finance building projects and repairs. Rental income was significant, given the prestige of the location. But the apartments were eventually sold to raise immediate money for the government, and several of them were subsequently transformed into clubhouses. The Procuratie Nuove on the southern side housed the official residences of the procurators. Built between the late-sixteenth and mid-seventeenth centuries to replace a series of dilapidated medieval structures, it represented the culmination of an extensive programme of urban renewal that lasted over a hundred years and profoundly transformed Venice's city centre, giving it the appearance of a great classical forum. Both the official residences in the Procuratie Nuove and the rental apartments in the Procuratie Vecchie were built above arcades with space on the ground floor that was rented out for stores, workshops, and later coffeehouses, including the historic Caffè Florian, Caffè Quadri, and Caffè Lavena. The Procuratie Nuovissime (Newest Procuracies, also known as the Napoleonic Wing) was built during the second period of French occupation (1805–1815) when after the fall of the Republic of Venice, the Procuratie Nuove was transformed into the residence of the viceroy of the Kingdom of Italy. Today, much of the Procuratie Nuove and the Napoleonic Wing house the Correr Museum.

The Teatro San Moisè was a theatre and opera house in Venice, active from 1620 to 1818. It was in a prominent location near the Palazzo Giustinian and the church of San Moisè at the entrance to the Grand Canal.

Santa Croce degli Armeni or Holy Cross Armenian Church is a church in Venice, on Calle dei Armeni, near St Mark's Basilica. It is the national church of the Armenian community in Venice.

The Chiesa di San Moisè (or San Moisè Profeta) is a Baroque style, Roman Catholic church in Venice, northern Italy.

Palazzo Molin del Cuoridoro is a 15th-century listed building in the San Marco district of Venice, Italy.The palace was built in a traditional Venetian Gothic style, which was popular from the 14th and well into the 15th century and is currently being converted into 18 apartments.

Caffè Quadri (Italian pronunciation: [kafˌfɛ kˈkwaːdri]) is a coffeehouse located in the Procuratie Vecchie of Piazza San Marco, Venice. It was established in 1775. The restaurant underwent a first important renovation in 1830, under the management of the Vaerini brothers, who expanded both the spaces and the activities, purchasing the upper floor that was used as a restaurant. The ground floor was decorated with pastel stuccos, with a prevalence of green and yellow colors, and completed with views and scenes of Venetian life, the work of the painter Giuseppe Ponga, inspired by the style of Pietro Longhi.The property together with some other shops here are owned by Russian conductor Valery Gergiev as a part of the vast real estate inheritance of the philanthropist Yoko Nagae Ceschina who has died in 2015.

Piazza San Marco (Italian pronunciation: [ˈpjattsa sam ˈmarko]; Venetian: Piasa San Marco), often known in English as St Mark's Square, is the principal public square of Venice, Italy, where it is generally known just as la Piazza ("the Square"). All other urban spaces in the city (except the Piazzetta and the Piazzale Roma) are called campi ("fields"). The Piazzetta ("little Piazza/Square") is an extension of the Piazza towards San Marco basin in its southeast corner (see plan). The two spaces together form the social, religious and political centre of Venice and are commonly considered together. This article relates to both of them. A remark usually attributed (though without proof) to Napoleon calls the Piazza San Marco "the drawing room of Europe".

The Chiesa di San Salvatore (of the Holy Savior) is a church in Venice, northern Italy. Known in Venetian as San Salvador, is located on the Campo San Salvador, along the Merceria, the main shopping street of Venice. The church was first consecrated in 1177 by Pope Alexander III shortly after his reconciliation with Emperor Frederick Barbarossa at nearby San Marco. The present church, however, was begun in around 1508 by Giorgio Spavento and continued after his death the following year by Tullio Lombardo, Vincenzo Scamozzi and possibly Jacopo Sansovino. They built a large hall church, formed from three Greek crosses placed end to end. Each has a dome with a lantern to let light into the cavernous interior. The facade was added in 1663 by Giuseppe Sardi. Adjoining the church is the former monastery, now the offices of the telephone company, which still contain Sansovino's magnificent cloisters. San Salvador is the parish church of a parish in the Vicariate of San Marco-Castello. Other churches in the parish are San Bartolomeo and San Zulian. San Salvador is a small, but still-active religious, cultural and social centre.Below the left column on the facade there is a cannonball embedded in the base of the column. It derived from a bombardment in 1849 by Austrian forces in the port of Marghera, of the independent republic which had been proclaimed by Daniele Manin.

Ponte dei Bareteri is a bridge in Venice, Italy. It is named after manufacturers of caps (barète in Venetian dialect) which were common in the area. The original bridge was wood, replaced by stone in 1508. Both balustrades were restored between 2006 and 2007.