Trident Studios

St Anne's Court is an alleyway that connects Dean Street and Wardour Street in London's Soho district. Parts of it can be dated back to the late 17th century.Sites in St Anne's Court included the "model lodgings" designed by William Burges in 1864-66 for the banker and philanthropist Lackland Mackintosh Rate, for whom Burges subsequently work at Milton Court, Dorking, Surrey. At St Anne's, Rate wanted a commercial rental property. The result was a series of thirty lodging rooms to be let to artisans. The building was of brick with cast-iron piers. Crook describes the result as "Burges's favourite 13th-century French, pared to the bone." The building has subsequently been demolished. Sites also include the former Trident Studios and the 1970s science fiction bookshop Dark They Were, and Golden-Eyed. In the 1980s, a basement in St Anne's Court was home to Shades Records, a store specialising in extreme forms of Heavy Metal such as "Death Metal" and "Thrash Metal". As the only such store in the country, it played a particularly important role in the growth of those music genres in the UK.

The Partisan Coffee House was a radical venue of the New Left, at 7 Carlisle Street in the Soho district of London. It was established by historian Raphael Samuel in 1958 in the aftermath of the Suez Crisis and the Soviet invasion of Hungary. It closed in 1962, victim of a "business model" that was hospitable to the penniless intellectuals who patronised it, but wholly unrealistic. The building is now utilised as office space.

Private Eye is a British fortnightly satirical and current affairs news magazine, founded in 1961. It is published in London and has been edited by Ian Hislop since 1986. The publication is widely recognised for its prominent criticism and lampooning of public figures. It is also known for its in-depth investigative journalism into under-reported scandals and cover-ups.Private Eye is Britain's best-selling current affairs magazine, and such is its long-term popularity and impact that many of its recurring in-jokes have entered popular culture in the United Kingdom. The magazine bucks the trend of declining circulation for print media, having recorded its highest ever circulation in the second half of 2016. It is privately owned and highly profitable.With a "deeply conservative resistance to change", it has resisted moves to online content or glossy format: it has always been printed on cheap paper and resembles, in format and content, a comic as much as a serious magazine. Both its satire and investigative journalism have led to numerous libel suits. It is well known for the use of pseudonyms by its contributors, many of whom have been prominent in public life – this even extends to a fictional proprietor, Lord Gnome.

Dark They Were and Golden Eyed was a science fiction bookshop and comic book retailer in London during the 1970s; the largest of its kind in Europe. Specialising in science fiction, occultism, and Atlantis, the central London shop also played a key role in bringing American underground comics to the United Kingdom. It also sold American editions of mainstream science fiction books that were not easily obtained anywhere else. The shop was named after a short story by Ray Bradbury.

Candy Bar was a lesbian bar that was based in Carlisle Street in Soho, London. It was started in 1996 by Kim Lucas who decorated the interior pink and provided lap and pole dancing. Men were allowed into the bar if accompanied by a woman.In 2011, the bar was sold by Lucas to Gary Henshaw, owner of the Ku chain of London gay bars. New management brought in by Henshaw toned down the bright pink decoration. The bar was featured in a Channel 5 six-part fly-on-the-wall documentary series named Candy Bar Girls.The bar closed in January 2014 following an increase in rents.

Wardour Street () is a street in Soho, City of Westminster, London. It is a one-way street that runs north from Leicester Square, through Chinatown, across Shaftesbury Avenue to Oxford Street. Throughout the 20th century the street became a centre for the British film industry and the popular music scene.

The American Broadcasting Station in Europe (ABSIE) was a radio broadcasting station set up by the U.S. Office of War Information (OWI) in collaboration with the British BBC to counter Nazi propaganda. It started broadcasting on 30 April 1944, two months before D Day with the words "This is the American Broadcasting Station in Europe... In this historic year, 1944, the allied radio will bring you tremendous news...". The radio station informed the people of occupied Europe about their intended liberation and gave hints about the D Day and the Russian invasion from the north. The radio station was located in a converted film building under the Gaumont-British offices in London's Wardour Street and continued broadcasting till 4 July 1945. It used to broadcast in the 9520, 9550, 9625 and 9640 kHz range and identified itself every 15 mins to its listeners. Along with broadcasts intended for European listeners, it also aired musical and other programs mixed with what were hoped to be demoralizing messages for the German Forces. Bing Crosby and Dinah Shore were among the leading performers in ABSIE programs.

The Soho Theatre is a theatre and registered charity in the Soho district of the City of Westminster, in London, England. It produces and presents new works of theatre, together with comedy and cabaret, across three performance spaces. The theatre has established itself as a vital launchpad for new artists and offers commissions, attachments and residencies for both emerging and established writers. It has launched the careers of numerous screenwriters and comedians in theatre, film, TV and radio. The theatre's programme is a mix of comedy, cabaret and theatre, with a particular focus on new writing and alternative comedy.

The Marquee Club was a music venue first located at 165 Oxford Street in London, when it opened in 1958 with a range of jazz and skiffle acts. Its most famous period was from 1964 to 1988 at 90 Wardour Street in Soho, and it finally closed when at 105 Charing Cross Road in 1996, although the name has been revived unsuccessfully three times in the 21st century. It was a small and relatively cheap club, located in the heart of the music industry in London's West End, and used to launch the careers of generations of rock acts. It was a key venue for early performances by bands who were to achieve worldwide fame in the 1960s and remained a venue for young bands in the following decades. It was the location of the first-ever live performance by the Rolling Stones on 12 July 1962.

The Royalty Theatre was a small London theatre situated at 73 Dean Street, Soho. Established by the actress Frances Maria Kelly in 1840, it opened as Miss Kelly's Theatre and Dramatic School and finally closed to the public in 1938. The architect was Samuel Beazley. The theatre's opening was ill-fated, and it was little used for a decade. It changed its name twice and was used by an opera company, amateur drama companies and for French pieces. In 1861, it was renamed the New Royalty Theatre, and the next year it was leased by Mrs Charles Selby, who enlarged it from 200 seats to about 650. The theatre continued to change hands frequently. In the 1860s, it featured F. C. Burnand's burlesque of Black-Eyed Susan, which ran for nearly 500 nights, and a burlesque by W. S. Gilbert, The Merry Zingara. The theatre was managed by Henrietta Hodson during the early 1870s, who also produced mostly burlesques and comedies, including Gilbert's The Realm of Joy and Ought We to Visit Her? On 25 March 1875 the Royalty, under the direction of Selina Dolaro, enjoyed an historic success with Trial by Jury. In 1877, Kate Santley took control of the theatre, running it for nearly 30 years. She had the theatre rebuilt and it reopened in 1883. In this period, it featured opera-bouffes adapted from the French. M. L. Mayer and plays in French. It was increasingly hard for the theatre to compete with larger new London theatres. In 1891, the theatre started a policy of modern drama, presenting plays by Ibsen and George Bernard Shaw. When the theatre finally had a great success, with Charley's Aunt in 1892, its popularity led to its transference after only a month to a larger theatre. In 1895–96 the theatre underwent another renovation. Arthur Bourchier's The Chili Widow ran for over 300 nights. In the new century, Mrs Patrick Campbell played at the theatre. After another renovation in 1906, Sarah Bernhardt led her own company in a season. In 1912, Milestones, by Arnold Bennett and Edward Knoblauch had over 600 performances. The Man Who Stayed at Home played for 584 performances. The Co-Optimists played at the theatre after the war as did Noël Coward's The Vortex. In 1932, While Parents Sleep was a hit. The theatre closed in 1938 and was demolished in 1953.

PizzaExpress Jazz Club is a jazz club in London, England. Based in Dean Street in Soho, it is situated in the basement of a PizzaExpress restaurant, and was opened by company founder Peter Boizot in 1969. It has played host to Norah Jones, Amy Winehouse, Jamie Cullum and Walter Smith IIIAlthough the current building was built in 1878, the site was previously occupied by the Dispensary for Diseases of the Ear. Founded in 1816 by a Naval surgeon, John Harrison Curtis (1778–1860), the Dispensary for Diseases of the Ear – the first ear hospital in the UK if not in Europe. – opened at 20 Carlisle Street under the patronage of the Prince Regent (later George IV). Shortly after this it moved to 10 Dean Street in Soho. By 1845 it was known as the Royal Ear Hospital. When larger premises were needed, it moved to 66 Firth Street in 1876, then in 1904 to 42–43 Dean Street in purpose-built premises. Mr Curtis divided opinion at the time, being known as a "great aurist" and a "quack" in equal measure, as illustrated by the story of his "treatment" of Robert Peel. The club was founded as the PizzaExpress Jazz Room, and early on featured UK pianists like Brian Lemon and Lennie Felix. In May 1975, the venue presented their first American jazz star, the saxophonist Bud Freeman, and other early visitors included Buddy Tate, Bob Wilber, Al Grey, Benny Carter, Ruby Braff, and Snub Mosley, who recorded an album Live At Pizza Express at the club in 1978. From 1980, the club had its own house band made up of top UK mainstream players including Digby Fairweather, Danny Moss and Tommy Whittle, known as the PizzaExpress All Stars.Over the years the club has gone on to feature many prominent jazz musicians. Yank Lawson, Al Haig, John Dankworth, Red Norvo, Tal Farlow, Trummy Young, Jay McShann, Al Cohn, Kenny Baker, Dick Morrissey, Jimmy McPartland, and others appeared during the 1980s. When Peter Boizot sold the PizzaExpress company in 1993, the jazz club survived the transition, and over the next two decades presented the first UK performances of Diana Krall, Norah Jones, Kurt Elling, Brad Mehldau and e.s.t. Jamie Cullum performed at the venue with representatives from Universal and Sony sat on either side of the stage waiting to sign him.Over the years, the PizzaExpress music policy expanded beyond Dean Street, with high-profile artists appearing at PizzaExpress Maidstone and Pizza on the Park especially. The Dean Street venue has been associated with numerous festivals including the PizzaExpress Jazz Festival (1979–1981), the London Latin Jazz Festival (2012–present) the Soho Jazz Festival (1986–2002), the Steinway Festival (2009–present), the Revoice Festival (2010–2014) and the London Catalan Festival (2018–present).

Warner Bros. De Lane Lea Studios is a recording studio, based in Dean Street, Soho, London. Although the studios have mainly been used for dubbing feature films and television programmes, major artists such as the Animals, the Beatles, Soft Machine, Queen, the Rolling Stones, Bee Gees, the Who, the Jimi Hendrix Experience, Pink Floyd, Wishbone Ash, Renaissance, Electric Light Orchestra, Slade and Deep Purple recorded songs there, particularly at the studio's former premises at 129 Kingsway, Holborn, London, and at Engineers Way, Wembley, where Queen recorded demos in 1971.Major William De Lane Lea, a French intelligence attaché for the British government, founded De Lane Lea Studios in 1947 to dub English films into French. The studios were adapted according to the demands of the market, and expanded significantly on various sites in the 1960s and 1970s. Music recording increased dramatically, and the growth of commercial radio and TV also led to new work in advertising. De Lane Lea was succeeded on his death in 1964 by his son Jacques, who was also a film producer, director and writer. He left the company in 1978.De Lane Lea now specialises in sound post-production for cinema and television. It includes six individual studios, including Studio 1, the biggest in-town dubbing theatre with one of Europe's most powerful AMS Neve DFC mixing consoles, built on what was previously a TV studio and before that an orchestral recording studio. Recently the studios have been used for films by directors such as Nick Park, Tim Burton, Mike Newell, Guillermo del Toro and Chris Weitz.Warner Bros. purchased the studios in November 2012.