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Cambridge Circus, London

Road junctions in LondonStreets in the City of WestminsterStreets in the London Borough of CamdenUse British English from June 2015
Cambridge Circus London
Cambridge Circus London

Cambridge Circus is the partly pedestrianised intersection where Shaftesbury Avenue crosses Charing Cross Road on the eastern edge of Soho, central London. Side-streets Earlham, West, Romilly and Moor streets also converge at this point. It is halfway between Tottenham Court Road station, Oxford Street (at St Giles Circus) and the centre of Leicester Square, which is southwest of Charing Cross Road via Cranborne Street. The Circus is fronted by listed Georgian and Victorian buildings. Of these, the Palace Theatre has the widest façade; three bars and three fast food outlets, unusually, occupy the ground floors of the others.

Excerpt from the Wikipedia article Cambridge Circus, London (License: CC BY-SA 3.0, Authors, Images).

Cambridge Circus, London
Charing Cross Road, London Bloomsbury (London Borough of Camden)

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N 51.513295 ° E -0.129164 °
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Cambridge Circus

Charing Cross Road
WC2H 8AA London, Bloomsbury (London Borough of Camden)
England, United Kingdom
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Cambridge Circus London
Cambridge Circus London
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Palace Theatre, London
Palace Theatre, London

The Palace Theatre is a West End theatre in the City of Westminster in London. Its red-brick facade dominates the west side of Cambridge Circus behind a small plaza near the intersection of Shaftesbury Avenue and Charing Cross Road. The Palace Theatre seats 1,400. Richard D'Oyly Carte, producer of the Gilbert and Sullivan operas, commissioned the theatre in the late 1880s. It was designed by Thomas Edward Collcutt and intended to be a home of English grand opera. The theatre opened as the Royal English Opera House in January 1891 with a lavish production of Arthur Sullivan's opera Ivanhoe. Although this ran for 160 performances, followed briefly by André Messager's La Basoche, Carte had no other works ready to fill the theatre. He leased it to Sarah Bernhardt for a season and sold the opera house within a year at a loss. It was then converted into a grand music hall and renamed the Palace Theatre of Varieties, managed successfully first by Sir Augustus Harris and then by Charles Morton. In 1897, the theatre began to screen films as part of its programme of entertainment. In 1904, Alfred Butt became manager and continued to combine variety entertainment, including dancing girls, with films. Herman Finck was musical director at the theatre from 1900 until 1920. In 1925, the musical comedy No, No, Nanette opened at the Palace Theatre, followed by other musicals, for which the theatre became known. The Marx Brothers appeared at the theatre in 1931, performing selections from their Broadway shows. The Sound of Music ran for 2,385 performances at the theatre, opening in 1961. Jesus Christ Superstar ran from 1972 to 1980, and Les Misérables played at the theatre for nineteen years, beginning in 1985. In 1983, Andrew Lloyd Webber purchased the theatre and by 1991 had refurbished it. Monty Python's Spamalot played there from 2006 until January 2009, and Priscilla Queen of the Desert opened in March 2009 and closed in December 2011. Between February 2012 and June 2013, the Palace hosted a production of Singin' in the Rain. From June 2016, the play Harry Potter and the Cursed Child ran at the theatre until performances were suspended in March 2020 owing to the COVID-19 pandemic. The play returned to the stage on 14 October 2021, after a 19-month break.

Bunjies

Bunjies Coffee House & Folk Cellar was a cafe situated at 27 Litchfield Street (just off Charing Cross Road), London WC2. Opened in 1953 or 1954, it was one of the original folk cafés of the 1950s and 1960s. Below the café, in a 400-year-old wine cellar, was an influential music venue which changed little until its closure (and conversion of the premises into a restaurant) in 1999. Allegedly named after the first owner's pet hamster, the venue featured, early in their careers, Tom Paxton, John Renbourn, Bert Jansch, Bob Dylan and Paul Simon. Al Stewart secured a residency at the Folk Cellar in 1965, at the age of 19, which was a significant factor in his later success.During the 1960s the venue was run by two brothers, Leo and Theo Johnson and, at this time, a range of artists more associated with mainstream pop music than folk happily performed to tiny audiences in the confines of the cellar; Phil Collins, Sandie Shaw, Cat Stevens, Art Garfunkel, Rod Stewart, Long John Baldry, Amory Kane, and David Bowie being amongst them.In the early sixties, the Coffee House was owned by Lou Hart, and Wednesday night in the cellar was run by Bob Wilson, an art student at St Martins, and Leonore Drewry. Bob finally returned to Staffordshire and Leonore became the resident folksinger at the Ambiance Restaurant in Bayswater. The club was left in the hands of Bert Jansch, newly down from Edinburgh, and Charles Pearce, an art student at the Central School. During this time, a new generation of singers and musicians would come in and play: Ramblin' Jack Elliott, Derroll Adams, Diz Disley and many more including composer John Palmer who played there as a young songwriter in the late 1970s.Bunjies was also a haunt of many writers, comedians and artists. Regulars have included Jarvis Cocker of Pulp.Other London folk cafés of the 1950s and 1960s included Les Cousins and The Troubadour.