Florence Cathedral

The Equestrian Monument of Niccolò da Tolentino (1456) is a fresco painting by the early-Italian Renaissance master Andrea del Castagno, in Florence Cathedral, Italy. On the left internal wall of the church, it is next to the earlier fresco Equestrian Statue of John Hawkwood by Paolo Uccello (1436).

The Palazzo Naldini, or Naldini Del Riccio', or also Niccolini al Duomo, is a Florence palace located on the corner of Piazza del Duomo 28 rosso and Via dei Servi 2–4. In one of the workshops on the ground floor of the palace worked, among others, Donatello, as recalled by a plaque and a bust towards Piazza Duomo.

San Benedetto is a small, Roman Catholic former parish church, then oratory, located in a piazza of the same name just off the piazza of the Duomo of Florence, region of Tuscany, Italy.

The historic centre of Florence is part of quartiere 1 of the Italian city of Florence. This quarter was named a World Heritage Site by UNESCO in 1982.Built on the site of an Etruscan settlement, Florence, the symbol of the Renaissance, rose to economic and cultural pre-eminence under the Medici in the 15th and 16th centuries. Its 600 years of extraordinary artistic activity can be seen above all in the 13th-century cathedral (Santa Maria del Fiore), the Church of Santa Croce, the Uffizi and the Pitti Palace, the work of great masters such as Giotto, Filippo Brunelleschi, Sandro Botticelli and Michelangelo.

Santa Reparata is the former cathedral of Florence, Italy. Its name refers to Saint Reparata, an early virgin martyr who is the co-patron saint of Florence. Florence Cathedral was constructed over it.

The Funerary Monument (or Equestrian Monument) to Sir John Hawkwood is a fresco by Paolo Uccello, commemorating English condottiero John Hawkwood, commissioned in 1436 for Florence Cathedral. The fresco is an important example of art commemorating a soldier-for-hire who fought in the Italian peninsula and is a seminal work in the development of perspective. The politics of the commissioning and recommissioning of the fresco have been analyzed and debated by historians. The fresco is often cited as a form of "Florentine propaganda" for its appropriation of a foreign soldier of fortune as a Florentine hero and for its implied promise to other condottieri of the potential rewards of serving Florence. The fresco has also been interpreted as a product of internal political competition between the Albizzi and Medici factions in Renaissance Florence, due to the latter's modification of the work's symbolism and iconography during its recommissioning. The fresco is the oldest extant and authenticated work of Uccello, from a relatively well-known aspect of his career compared to the periods before and after its creation. The fresco has been restored (once in 1524 by Lorenzo di Credi, who added the frame) and is now detached from the wall; it has been repositioned twice in modern times. It is now on the north wall of the nave, beside a similar depiction of fellow condottiero Niccolò da Tolentino (d.1435) by Andrea del Castagno.

The Museo dell'Opera del Duomo (Museum of the Works of the Cathedral) in Florence, Italy is a museum containing many of the original works of art created for the Cattedrale di Santa Maria del Fiore, the cathedral (Duomo) of Florence. As of August 2013, the director of the museum is Fr. Timothy Verdon, an American.The museum is located just east of the Duomo, near its apse. It opened in 1891, and now houses what has been called "one of the world's most important collections of sculpture."

Piazza del Duomo (English: "Cathedral Square") is located in the heart of the historic center of Florence (Tuscany, Italy). It is one of the most visited places in Europe and the world and in Florence, the most visited area of the city. The square contains Florence Cathedral with the Cupola del Brunelleschi, the Giotto's Campanile, the Florence Baptistery, the Loggia del Bigallo, the Opera del Duomo Museum, and the Arcivescovile and Canonici's palace. The west zone of this square is called Piazza San Giovanni.

San Michele Visdomini is a Roman Catholic church in the centre of Florence, central Italy. The original church of San Michele was demolished in 1368 to make space for the tribunes of the new Cathedral of Florence. Soon it was rebuilt in its present location to a design by Giovanni di Lapo Ghini, with later facade (1577-1590) by Bartolomeo Ammannati. A chapel for Francesco Pucci houses a Holy Family and Saints by Jacopo Pontormo. The name Visdomini derives from the simplification of a title of an administrator in an episcopal office (a "vice domino").

The Palazzo Pucci is a palace located at Via dei Pucci #4 in central Florence in the region of Tuscany, Italy. The façade of the palace spans from Via dei Servi to Via Ricasoli.

The Loggia del Bigallo is a late Gothic building in Florence, region of Tuscany, Italy. It stands at the corner of Piazza San Giovanni and via Calzaioli; tradition holds the site near the Baptistry of Florence was donated by a benefactor.

Giotto's Campanile (, also US: , Italian: [kampaˈniːle]) is a free-standing campanile that is part of the complex of buildings that make up Florence Cathedral on the Piazza del Duomo in Florence, Italy. Standing adjacent to the Basilica of Santa Maria del Fiore and the Baptistry of St. John, the tower is one of the showpieces of Florentine Gothic architecture with its design by Giotto, its rich sculptural decorations and its polychrome marble encrustations. The slender structure is square in plan with 14.45 metre (47.41 ft) sides. It is 84.7 metres (277.9 ft) tall and has polygonal buttresses at each corner. The tower is divided horizontally into five stages.