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Det Norske Teatret

1912 establishments in NorwayNynorskTheatres in Oslo
DetNorskeTeatret
DetNorskeTeatret

Det Norske Teatret (English: Norwegian Theater) is a theatre in Oslo. The theatre was founded in 1912, after an initiative from Hulda Garborg and Edvard Drabløs. It opened in 1913, touring with two plays, Ervingen by Ivar Aasen and Rationelt Fjøsstell by Hulda Garborg. Its first official performance was Ludvig Holberg's comedy Jeppe på berget, with Haakon VII of Norway and the prime minister of Norway among the spectators. Hulda Garborg was the first board manager, and Rasmus Rasmussen was the first theatre director. The theatre primarily performs plays written in or translated into Nynorsk. The theatre has three stages, and about 12–15 productions per year, plus guest plays. Five of Jon Fosse's plays saw their first productions on Det Norske Teatret: Nokon kjem til å komme (1996), Ein sommars dag (1999), Vakkert (2001), 3ogtosaman (2001) and Rambuku (2006).The theatre was awarded Spellemannprisen in 1979 for the musical play Så lenge skuta kan gå.

Excerpt from the Wikipedia article Det Norske Teatret (License: CC BY-SA 3.0, Authors, Images).

Det Norske Teatret
Kristian IVs gate, Oslo Sentrum

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N 59.915 ° E 10.738611111111 °
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Kristian IVs gate 8
0164 Oslo, Sentrum
Norway
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DetNorskeTeatret
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Carl Johan Theater

The Carl Johan Theater (Norwegian: Carl Johan Teatret) was a theater in Oslo, Norway. It was initially located in the Christiania Tivoli amusement park in Oslo from 1893 to 1895, where it was led by Olaf Mørch Hansson. It staged performance of works such as Henrik Ibsen's Ghosts, Gabriel Finne's Før afskeden (Before the Farewell), and Gunnar Heiberg's Balkonen (The Balcony). Kalle Løchen was among the first actors it engaged.In 1914 it became a silent film theater, one of three theaters in Oslo's Karl Johan neighborhood. It was located in the rear of the property at Karl Johans gate 39 and showed silent films until it was closed on June 1, 1931. It opened newly renovated in red, gold, and black as a theater stage on October 6, 1931, first led by Anton Heiberg, Thorleif Reiss, and Leif Enger. After renovation in the summer of 1933, Per Aabel and Thorleif Reiss took over as directors and led it through a period of staging comedies until 1938, when Aabel appeared in a guest performance at the Central Theater and then moved on to the National Theater. Nanna Stenersen made her debut at the theater in 1933, Ragnhild Michelsen performed there from 1935 to 1940 as well as Teddy Nordgren, and in 1936 Wenche Foss appeared at the theater and had her breakthrough in 1937 as the "champagne girl" (Norwegian: Champagnepiken), until she married in 1939 and announced her transfer to the Central Theater. Thora Neels-Hansson made her debut at the theater in 1938 and left in 1940. During the summers, the theater was rented out for summer revues. After Thorleif Reiss moved on to the Norwegian Broadcasting Corporation in 1939, the theater briefly closed. The theater reopened on September 3, 1939 with Eigil Beck and AS Comedia as the new owner, new management, and a production of Anita Loos's The Whole Town's Talking with Hauk Aabel. Actors during this period included Frank Robert (1939, debut – 1941), Stig Egede-Nissen (1940–1942), Arne Bang-Hansen (1941–1945), Axel Thue (1942), Alice Mürer Siem (1942, debut), Espen Skjønberg, and Jack Fjeldstad (1942–1944). The music for the performances was often written by Carsten Carlsen, the husband of Lalla Carlsen, who played at the theater from 1940 to 1943. During the Second World War, the theater was led by Ellen Isefiær, who initially wanted to manage a stage with a more literary orientation and moved away from farces. In May 1944, the theater donated a day's salary and income to the suffering in Bergen.A cabaret with the Danish actress and singer Lulu Ziegler was the highlight of the opening of newly renovated premises (often referred to as Paletten 'The Palette') on September 14, 1945, with Fridtjof Mjøen as the artistic director. Calle Moseby was also involved in the theater's management after the war, but the city's theaters frequently moved during this time, and the Carl Johan Theater was part of the Studio Theater from 1946 to 1950. Leo Lenz's comedy Trio (Norwegian title: To og to er tre 'Two and Two Are Three') was its first production, with music by Kristian Hauger and Leif Enger. After the Studio Theater closed in 1950, the Carl Johan Theater was an annex theater for the Oslo New Theater until 1952. After a renovation costing NOK 200,000, the theater reopened on September 25, 1952 with a screening of Jens Bjerre's 1951 documentary film Himalaya – Verdens tag (The Himalayas: The Roof of the World). It was now operated by the company Oslo Kinematografer headed by Kristoffer Aamot, who used the theater for showing films. Norway's first screening of a 3D film (with polaroid filters) took place here on January 18, 1953, with cartoons by Norman McLaren, British landscape films, and some ballet. The theater ceased operating in April 1982, when it was decided that the building would be demolished.As a standalone theater it was closed in 1946.

Oslo
Oslo

Oslo ( OZ-loh, US also OSS-loh, Norwegian: [ˈʊ̂ʂlʊ ] (listen) or [ˈʊ̂slʊ, ˈʊ̀ʂlʊ]; Southern Sami: Oslove) is the capital and most populous city of Norway. It constitutes both a county and a municipality. The municipality of Oslo had a population of 702,543 in 2022, while the city's greater urban area had a population of 1,019,513 in 2019, and the metropolitan area had an estimated population of 1,546,706 in 2021.During the Viking Age the area was part of Viken. Oslo was founded as a city at the end of the Viking Age in 1040 under the name Ánslo, and established as a kaupstad or trading place in 1048 by Harald Hardrada. The city was elevated to a bishopric in 1070 and a capital under Haakon V of Norway around 1300. Personal unions with Denmark from 1397 to 1523 and again from 1536 to 1814 reduced its influence. After being destroyed by a fire in 1624, during the reign of King Christian IV, a new city was built closer to Akershus Fortress and named Christiania in honour of the king. It became a municipality (formannskapsdistrikt) on 1 January 1838. The city functioned as the capital of Norway during the 1814–1905 union between Sweden and Norway. From 1877, the city's name was spelled Kristiania in government usage, a spelling that was adopted by the municipal authorities in 1897. In 1925, the city, after incorporating the village retaining its former name, was renamed Oslo. In 1948 Oslo merged with Aker, a municipality which surrounded the capital and which was 27 times larger, thus creating the modern, much larger Oslo municipality. Oslo is the economic and governmental centre of Norway. The city is also a hub of Norwegian trade, banking, industry and shipping. It is an important centre for maritime industries and maritime trade in Europe. The city is home to many companies within the maritime sector, some of which are among the world's largest shipping companies, shipbrokers and maritime insurance brokers. Oslo is a pilot city of the Council of Europe and the European Commission intercultural cities programme. Oslo is considered a global city and was ranked "Beta World City" in studies carried out by the Globalization and World Cities Study Group and Network in 2008. It was ranked number one in terms of quality of life among European large cities in the European Cities of the Future 2012 report by fDi magazine. A survey conducted by ECA International in 2011 placed Oslo as the second most expensive city in the world for living expenses after Tokyo. In 2013 Oslo tied with the Australian city of Melbourne as the fourth most expensive city in the world, according to the Economist Intelligence Unit (EIU)'s Worldwide Cost of Living study. Oslo was ranked as the 24th most liveable city in the world by Monocle magazine.Oslo's population was increasing at record rates during the early 2000s, making it the fastest growing major city in Europe at the time. This growth stems for the most part from international immigration and related high birth rates, but also from intra-national migration. By 2010 the immigrant population in the city was growing somewhat faster than the Norwegian population, and in the city proper this had become more than 25% of the total population if the children of immigrant parents are included.