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Standard Oil Building (Baltimore, Maryland)

Baltimore City LandmarksBaltimore Registered Historic Place stubsBeaux-Arts architecture in MarylandCommercial buildings on the National Register of Historic Places in BaltimoreDowntown Baltimore
Office buildings completed in 1922Residential skyscrapers in Baltimore
Baltimore Standard Oil Bldg
Baltimore Standard Oil Bldg

Standard Oil Building, also known as the Stanbalt Building, is a historic office building located at Baltimore, Maryland, United States. It is a 15-story Beaux Arts skyscraper designed by Clyde N. Friz (1867-1942), one of Baltimore's best-known Beaux Arts designers, and built in 1922. The steel-frame "U"-shaped office building is clad in limestone. It was built by the Standard Oil Company at a time when that business was once one of the nation's principal corporations, the dominant supplier of gasoline and fuels.Standard Oil Building was listed on the National Register of Historic Places in 2000. In its later years as an office building, the building primarily housed offices for the City of Baltimore. Following an extensive, $25 million renovation, the building reopened as residential apartments in 2002 by the Southern Management Corporation.

Excerpt from the Wikipedia article Standard Oil Building (Baltimore, Maryland) (License: CC BY-SA 3.0, Authors, Images).

Standard Oil Building (Baltimore, Maryland)
East Franklin Street, Baltimore

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N 39.295277777778 ° E -76.613611111111 °
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East Franklin Street 434
21202 Baltimore
Maryland, United States
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Baltimore Standard Oil Bldg
Baltimore Standard Oil Bldg
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C. Grimaldis Gallery
C. Grimaldis Gallery

The C. Grimaldis Gallery is a contemporary and modern art gallery established in 1977 by Constantine Grimaldis. It is the longest continually operating gallery in Baltimore, Maryland. The gallery specializes in post-WWII American and European art with an emphasis on contemporary sculpture. In addition to representing approximately 40 nationally and internationally established artists, the gallery is responsible for the estates of Grace Hartigan and Eugene Leake. The gallery has been responsible for hundreds of important solo and group exhibitions that have launched and sustained the careers of many artists from the United States and abroad. "Grimaldis began in 1977 by exhibiting mostly artists with a regional reputation, but gradually added major New York names to the roster and made his gallery one always worth following." Noteworthy artists to have exhibited at C. Grimaldis Gallery include John Baldessari, Sir Anthony Caro, Elaine de Kooning, Willem de Kooning, Grace Hartigan, Hans Hoffman, Beverly McIver, Alice Neel, Robert Rauschenberg, Richard Serra, Joel Shapiro, John Van Alstine and John Waters.The gallery produces scholarly catalogues and public programing in support of select exhibitions. Public programming consists of artists talks and expert lectures on current exhibitions which are free and open to the public in the gallery space. In addition to gallery exhibitions and events, C. Grimaldis Gallery participates in an average of six national and international art fairs annually. For over 14 years C. Grimaldis Gallery has participated in various art fairs including Art Miami, Palm Beach 3, Art Chicago, Art Athina and the Houston Fine Art Fair.

Walters Art Museum
Walters Art Museum

Walters Art Museum is a public art museum located in the Mount Vernon section of Baltimore, Maryland. Founded and opened in 1934, it holds collections from the mid-19th century that were amassed substantially by major American art and sculpture collectors, including William Thompson Walters and his son Henry Walters. William Walters began collecting when he moved to Paris as a nominal Confederate loyalist at the outbreak of the American Civil War in 1861, and Henry Walters refined the collection and made arrangements for the construction what ultimately was Walters Art Museum. After allowing the Baltimore public to occasionally view his father's and his growing added collections at his West Mount Vernon Place mansion during the late 1800s, Henry Walters arranged for an elaborate stone palazzo-styled structure to be built for this purpose in 1905–1909, located a block south of the Walters mansion on West Monument Street/Mount Vernon Place, on the northwest corner of North Charles Street at West Centre Street. The mansion and gallery were also just south and west of the landmark Washington Monument in the Mount Vernon-Belvedere neighborhood, just north of the downtown business district and northeast of Cathedral Hill. Upon his 1931 death, Henry Walters bequeathed the entire collection of then more than 22,000 works, the original Charles Street Gallery building, and his adjacent townhouse/mansion just across the alley to the north on West Mount Vernon Place to the City of Baltimore, "for the benefit of the public." The collection includes masterworks of ancient Egypt, Greek sculpture and Roman sarcophagi, medieval ivories, illuminated manuscripts, Renaissance bronzes, Old Master European and 19th-century paintings, Chinese ceramics and bronzes, Art Deco jewelry, and ancient Near East, Mesopotamian, or ancient Middle East items. Dorothy Miner became its first Keeper of Manuscripts in 1934 and held the post until her death in 1973. In 2000, "The Walters Art Gallery" changed its long-time name to "The Walters Art Museum" to reflect its image as a large public institution and eliminate confusion among some of the increasing out-of-state visitors. The following year, "The Walters" (as it is often known locally) reopened its original main building after a dramatic three-year physical renovation and replacement of internal utilities and infrastructure. The Archimedes Palimpsest was on loan to the Walters Art Museum from a private collector for conservation and spectral imaging studies. Starting on October 1, 2006, the museum was enabled to make admission free to all, year-round, as a result of substantial grants given by Baltimore City and the surrounding suburban Baltimore County arts agencies and authorities. In 2012, "The Walters" released nearly 20,000 of its own images of its collections on a Creative Commons license, and collaborated in their upload to the world-wide web and the Internet on Wikimedia Commons. This was one of the largest and most comprehensive such releases made by any museum.