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San Tommaso in Parione

1582 establishments in Italy16th-century Roman Catholic church buildings in ItalyChurches of Rome (rione Parione)National churches in RomeRoman Catholic churches completed in 1582
Eglise San Tommaso in Parione
Eglise San Tommaso in Parione

San Tommaso in Parione is one of the two national churches of Eritrea in Rome. It is dedicated to St Thomas the Apostle. The church is normally open to the public every Sunday .

Excerpt from the Wikipedia article San Tommaso in Parione (License: CC BY-SA 3.0, Authors, Images).

San Tommaso in Parione
Via di Parione, Rome Municipio Roma I

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N 41.898546 ° E 12.470624 °
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Chiesa di San Tommaso in Parione

Via di Parione
00186 Rome, Municipio Roma I
Lazio, Italy
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Eglise San Tommaso in Parione
Eglise San Tommaso in Parione
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Oratory of Saint Philip Neri
Oratory of Saint Philip Neri

The Congregation of the Oratory of Saint Philip Neri is a pontifical society of apostolic life of Catholic priests and lay-brothers who live together in a community bound together by no formal vows but only with the bond of charity. They are commonly referred to as Oratorians (also Oratorian Fathers). This "Congregation of the Oratory" should not be confused with the French Oratory, a distinct congregation, the Society of the Oratory of Jesus (Société de l'Oratoire de Jésus), founded by Pierre de Bérulle in 1611 in Paris. Founded in Rome in 1575 by St. Philip Neri, today it has spread around the world, with over 70 Oratories and some 500 priests. The post-nominal initials commonly used to identify members of the society are "C.O." (Congregatio Oratorii). The abbreviation "Cong. Orat." is also used. Unlike a religious institute (the members of which take vows and are answerable to a central authority) or a monastery (the monks of which are likewise bound by vows in a community that may itself be autonomous and answerable directly to the Pope), the Oratorians are made up of members who commit themselves to membership in a particular, independent, self-governing local community (an Oratory, usually named for the place in which it is located: e.g., Birmingham Oratory, Oxford Oratory, Brooklyn Oratory) without actually taking vows, an unusual and innovative arrangement created by St. Philip. Normally an oratory must have a minimum of four members, two being ordained, in order to be founded. If a group of men seeks to establish an oratory, they may apply to do so, going through the proper diocesan channels; during the process of formation a member (or members) of a well-established oratory resides in the community to facilitate every aspect of the proposed foundation.

Monument to Pietro Metastasio, Rome
Monument to Pietro Metastasio, Rome

The Monument to Pietro Metastasio is a memorial statue dedicated to the Roman poet and dramatist Pietro Metastasio (1698 – 1782); it is located along the Corso Vittorio Emanuele, at the piazza before the church of Santa Maria in Vallicella (Piazza di Chiesa Nuova), in central Rome, Italy. In 1873, a committee of artists, led by Francesco Podesti, then director of the Academy of St Luke, decided to erect a statue to Metastasio, initially to be completed by the centenary of his death. A contest for a design was promulgated with an award of 25,000 Lira, paid in increments until completion. The contest was won in 1882 by the sculptor Emilio Gallori, but the monument was installed first in Piazza San Silvestro in Capite on 21 April 1886. In the early 20th century, with the widening and embellishment of the Corso Vittorio Emanuele II, the statue was moved to its present location, which was close to the birth-house of Metastasio, located in via dei Cappellari #30. In addition, some of Metastasio's sacred works had been first presented at the adjacent Oratory of Filippo Neri. Metastasio himself was buried in Vienna, where he lived the last four decades of his life. The marble statue rises on a high pedestal. Metastasio stands beside a short column stacked with books. In his right hand he holds a writing quill, and on his right a pamphlet. He looks down towards the piazza. The base is ornamented with the symbols of the melodramatic arts: a mask and a lyre. The rear has a shield with the lupa, symbol of Rome.