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Consulate-General of Denmark in Saint Petersburg

1992 establishments in RussiaDenmark–Russia relationsDiplomatic missions in Saint PetersburgDiplomatic missions of DenmarkGovernment agencies established in 1992
Follenweider's private residence
Follenweider's private residence

The Consulate-General of Denmark in Saint Petersburg is the diplomatic mission of Denmark in Saint Petersburg, Russian Federation. It is located at 13 Bolshaya Alleya (Russian: Большая аллея, 13) on Kamenny Island in Saint Petersburg.On 6 October 1903, the land on which the consulate-general is situated was leased for 90 years to the Swiss tailor Edward Follenweider, who was the couturier to the Imperial Russian court and its royal guard. The house was designed in 1904 by the architect Roman Meltzer, who was one of the interior designers of the Winter and Alexander Palaces in Saint Petersburg, and was built in 1906 at a cost of 212,000 roubles.After the October Revolution in 1917, Kamenny Island was renamed Workers' Island (Russian: остров Трудящихся) and the dachas were used by decree of Vladimir Lenin as rest homes, sanitoriums and housing for the homeless. Follenweider's Mansion, also known to locals as the Gingerbread House or Fairytale House, was handed over to the Leningrad Administration of Trade Unions and was transformed into a sanatorium for the treatment of diseases of the gastrointestinal tract.In November 1992 the house was granted to the Royal Danish Government to house their consulate-general in Saint Petersburg.

Excerpt from the Wikipedia article Consulate-General of Denmark in Saint Petersburg (License: CC BY-SA 3.0, Authors, Images).

Consulate-General of Denmark in Saint Petersburg
Большая аллея, Saint Petersburg Ostrova (округ Чкаловское)

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Latitude Longitude
N 59.979055833333 ° E 30.283749 °
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Большая аллея 13
197022 Saint Petersburg, Ostrova (округ Чкаловское)
Saint Petersburg, Russia
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Follenweider's private residence
Follenweider's private residence
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Yelagin Palace
Yelagin Palace

Yelagin Palace (Елагин дворец; also Yelaginsky or Yelaginoostrovsky Dvorets) is a Palladian villa on Yelagin Island in Saint Petersburg, which served as a royal summer palace during the reign of Alexander I. The villa was designed for Alexander's mother, Maria Fyodorovna, by the architect Carlo Rossi. It was constructed in 1822 on the site of an earlier mansion built during the rule of Catherine the Great. The house was destroyed during World War II but was rebuilt and currently houses a museum.The isle to the north of the imperial Russian capital owes its name to its former proprietor, Ivan Yelagin (1725–94), a close ally of Catherine II from her early days as Grand Duchess. The first villa on the site might have been designed by Giacomo Quarenghi. Yelagin was fascinated with the idea of extracting gold from ordinary materials and retreated to the villa for his secretive research in alchemy. Count Cagliostro was summoned by Yelagin to help him in these activities, but fled the island after Yelagin's secretary had slapped him in the face.After the Dowager Empress Maria Feodorovna declared that she was too old to make daily trips to such distant residences as Pavlovsk Palace and Gatchina Palace, her son Alexander I bought the estate from Yelagin's heirs and asked Carlo Rossi to redesign the villa. Its lavish Neoclassical interiors were decorated by Giovanni Battista Scotti, Vasily Demuth-Malinovsky, and Stepan Pimenov.After Maria Feodorovna's death, the palace remained deserted for long periods of time. Nicholas II leased it to his prime ministers such as Sergei Witte, Pyotr Stolypin, and Ivan Goremykin. In June 1908 Stolypin lived in a wing of the Yelagin Palace; in July 1914 also the Council of Ministers under Ivan Goremykin convened there. The Bolsheviks turned the palace compound into "a museum to the old way of life". In the siege of Leningrad it was damaged by a shell and burnt to the ground.The house was rebuilt in the 1950s to serve as a resort for workers. Since 1987 it has housed a collection of objets d'art from the 18th and 19th centuries, notably precious glassware. The entrance is guarded by two lion sculptures, inspired by the Medici lions in Florence.

Saint Petersburg Institute of History

The Saint Petersburg Institute of History (Russian: Санкт-Петербургский Институт истории) is a research institute of the Russian Academy of Sciences in the field of Russian and foreign history. It is part of the Department of Historical and Philological Sciences of the Russian Academy of Sciences. The organization is located in the estate of N. P. Likhachyov in Saint Petersburg, where he lived from 1902 to 1936, so the institute is also known as the "Likhachyov Mansion". As a research center, the institute continues the traditions of the St. Petersburg historical school, established by K. Bestuzhev-Ryumin, S. Platonov, A. Lappo-Danilevsky, A. Presnyakov and others. Since 1936, the organization operated as the Leningrad branch of the Institute of History, Academy of Sciences of the Soviet Union. After the proclamation of independence of the Russian Federation, the organization began to exist as a branch of the Russian Academy of Sciences, and since 2000 has had its current name. At different times, such historians as B. Grekov, S. Zhebelev, V. Struve, Y. Tarle, I. Shaskol'skii, S. Kovalev, A. Lublinskaya, I. Petrushevsky, M. Sergeyenko worked at the institute. At present, the institute's staff conducts research in the following areas: classical studies, Byzantine studies, medieval history of Italian cities, American studies, history of the socio-political movements in Russia in the 19th century, history of feudalism in Russia, history of St. Petersburg, history of the Russian Revolution, history of the Siege of Leningrad. The Institute has an archive that stores documents of the Archaeographic Commission, as well as documents from the collection of N. P. Likhachyov and other private collectors. In total, the archive contains over 188 thousand storage units. The documents concern the history of Russia (13th — 20th centuries) and Europe (7th — 20th centuries). Among the documents are: acts of Italian and German cities, papal bulls, documents of European monarchs; monastery funds (archives of Solovetsky, Alexander-Svirsky, Siya, Valday, Tikhvin and other monasteries of North-West Russia); family funds (archives of Vorontsov, Demidov, Tatishchev, Stroganov, Shuvalov and others Russian noble families).

Red Banner Textile Factory
Red Banner Textile Factory

The Red Banner Textile Factory (Russian: Трикотажная фабрика «Красное Знамя»; Trikotazhnaya fabrika "Krasnoye Znamya") in Leningrad (now St Petersburg), Pionerskaya ulitsa (Pioneers street), 53 was designed by Erich Mendelsohn and later partly redesigned by S. O. Ovsyannikov, E. A. Tretyakov, and Hyppolit Pretreaus (the senior architect of the project). Built in 1926–1937. Mendelsohn was the first foreign architect in 1925 to be asked to design in the USSR, on the basis of his dynamic, futuristic Expressionist architecture. A model was made of a large factory, similar though more functionalist in appearance to his earlier Luckenwalde hat factory. Mendelsohn made several trips to the USSR during its construction. He was inspired by the country's Constructivist architecture, and wrote a study entitled Russland-Europa-Amerika. However, the primitive construction techniques of the time were insufficient to realise the structure in full, and liberties were taken with Mendelsohn's design. Mendelsohn participated only in the first stage of the project in 1925–1926. He drew an initial (later modified) plan of the factory and designed the power station of the factory, officially recognized as an object of Russian historical and cultural heritage (built in 1926). The other buildings were completed by S. O. Ovsyannikov, E. A. Tretyakov, and Hyppolit Pretreaus in 1926—1928 and 1934—1937. Now the entire complex of buildings of this factory is included in the List of newly revealed objects of historical and cultural heritage, issued by the government of Saint-Petersburg in 2001 (with additions of 2006). Mendelsohn disowned the building after its completion in 1926, although he would frequently make use of the model as an example of his approach to industrial architecture. The factory is still partly in use as storage space. After many years of abandonment and decay, by 2017 the chimney seen in the picture above had been removed, and plants are growing on the roof. With a change of ownership, by early 2018 the exterior had been restored. In mid 2019 the unrestored interior was open for tours.