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Raggruppamento Operativo Speciale

Military units and formations established in 1990Non-military counterterrorist organizationsUnits and formations of the Carabinieri

The Raggruppamento Operativo Speciale (ROS), or Special Operations Group, is part of the Italian Carabinieri.

Excerpt from the Wikipedia article Raggruppamento Operativo Speciale (License: CC BY-SA 3.0, Authors).

Raggruppamento Operativo Speciale
Via di Ponte Salario, Rome Parioli

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N 41.9347 ° E 12.5084 °
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Via di Ponte Salario

Via di Ponte Salario
00199 Rome, Parioli
Lazio, Italy
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Ponte Salario
Ponte Salario

The Ponte Salario, also called Ponte Salaro during the Middle Ages, is a road bridge in Rome, Italy, whose origins date back to the Roman period. In antiquity, it lay outside the city limits, 3 km north of the Porta Collina, at the point where the Via Salaria (modern SS4) crossed the Aniene, a tributary of the Tiber. The visible side arches are assumed to originate from the first stone structure built during the 1st century BC.In the Gothic War (535–554), the main arch was largely destroyed by the Ostrogothic king Totila, but repaired by his East Roman opponent Narses in 565, who recorded the extensive restoration works, including a river diversion, in an extant bridge inscription. At that time, the Ponte Salario was 72 m long and 6.52 m wide, with its semi-circular arch reaching a remarkable clear span of 24.86 m. The large bridge tower was possibly erected in the 8th century, allowing more effective control of the passage. In 1798, the Ponte Salario, which had been hitherto well-preserved due to repeated repairs, was battered by Napoleonic troops, who tore down the balustrade, including the ancient inscription. In 1829, the medieval tower was demolished, and in 1849 the bridge was cut on a length of 15 m by French soldiers. In 1867, the bridge once and for all lost its historical character, when papal troops blew up the central arch. The Ponte Salario was reconstructed in its current form in 1874, with the roadway widened in 1930.Apart from the Ponte Salario, there were other fortified bridges across the Aniene, such as the extant Ponte Nomentano, the Ponte Mammolo (both of Roman origin) and the medieval Ponte di San Francesco in Subiaco.

Santa Costanza
Santa Costanza

Santa Costanza is a 4th-century church in Rome, Italy, on the Via Nomentana, which runs north-east out of the city. It is a round building with well preserved original layout and mosaics. It has been built adjacent to a horseshoe-shaped church, now in ruins, which has been identified as the initial 4th-century cemeterial basilica of Saint Agnes. (Note that the much later Church of St Agnes, still standing nearby, is distinct from the older ruined one.) Santa Costanza and the old Saint Agnes were both constructed over the earlier catacombs in which Saint Agnes is believed to be buried. According to the traditional view, Santa Costanza was built around the reign of Constantine I as a mausoleum for his daughter Constantina, later also known as Constantia or Costanza, who died in AD 354. However, more recent excavations have called this date (and therefore the original purpose of the building) into question. Ultimately, Constantina's sarcophagus was housed here, but it may have been moved from an earlier location.The mausoleum is of circular form with an ambulatory surrounding a central dome. The fabric of Santa Costanza survives in essentially its original form. Despite the loss of the coloured stone veneers of the walls, some damage to the mosaics and incorrect restoration, the building stands in excellent condition as a prime example of Early Christian art and architecture. The vaults of the apses and ambulatory display well preserved examples of Late Roman mosaics. A key component which is missing from the decorative scheme is the mosaic of the central dome. In the sixteenth century, watercolours were made of this central dome so the pictorial scheme can be hypothetically reconstructed. The large porphyry sarcophagus of either Constantina or her sister Helena has survived intact, and is now in the Vatican Museum – an object of great significance to the study of the art of Late Antiquity.