Maison de l'Art Nouveau

The Protestant Redemption Church (French: église évangélique de la Rédemption), also named the Redemption Temple (Temple de la Rédemption) or simply La Rédemption, is a Lutheran parish in the 9th arrondissement of Paris, France. It is affiliated with the United Protestant Church of France.

Le Peletier (French pronunciation: ​[lə pɛltje]) is a station on Line 7 of the Paris Métro. Located in the 9th arrondissement, it was opened in 1910. It is named in reference to Rue le Peletier, which was named after Louis Peletier, who was the last but one Prévôt des marchands de Paris (provost of the merchants of Paris) between 1784 and 1789. This feudal position was abolished in the French Revolution. The Opéra National de Paris was located in the Salle Peletier, on Rue le Peletier, between 1821 and 1873, when it was destroyed by fire. It was the first theatre to use gas lighting to illuminate the stage. The station is located a short walk from Notre-Dame-de-Lorette station on Line 12, but no free transfer is permitted.

The Salle Le Peletier or Lepeletier (sometimes referred to as the Salle de la rue Le Peletier or the Opéra Le Peletier) was the home of the Paris Opera from 1821 until the building was destroyed by fire in 1873. The theatre was designed and constructed by the architect François Debret on the site of the garden of the Hôtel de Choiseul on the rue Lepeletier. Due to the many changes in government and management during the theatre's existence, it had a number of different official names, the most important of which were: Théâtre de l'Académie Royale de Musique (1821–1848), Opéra-Théâtre de la Nation (1848–1850), Théâtre de l'Académie Nationale de Musique (1850–1852), Théâtre de l'Académie Impériale de Musique (1852–1854), Théâtre Impérial de l'Opéra (1854–1870), and Théâtre National de l'Opéra (1870–1873).

The Hôtel Thellusson was a luxurious hôtel particulier located in Paris, France, built in 1778 by Claude-Nicolas Ledoux for Marie-Jeanne Girardot de Vermenoux (1736–1781), the widow of Georges-Tobie de Thellusson, a Genevan banker.The house was situated at 30 rue de Provence, in an English garden between the rue de Provence and the rue de la Victoire. It opened on the rue de Provence with a large gate in the shape of a triumphal arch, in the "Medici style", at the end of the rue Laffitte, which at the time was called the rue d'Artois. The house was visible from the street at the end of a its drive. There was also a circular central courtyard, with a rock in the centre and a colonnade around the outside. After her death in 1781, Mme Thelusson's eldest son, John Isaac de Thellusson Sorcy (1764–1828) completed the house. As they were Swiss nationals, the Thellusson family kept ownership of the hotel during the Revolution, but they returned to it only in 1797. After the Thermidorian Reaction, there was a "victims' ball" in the hotel, for people who had had a close relative guillotined during the Revolution. John Isaac sold the hotel in 1802 to the Prince Joachim Murat, who exchanged it in 1807 with Napoleon Bonaparte for the Hôtel de l'Élysée, which was renamed the Élysée Palace, as well as one million francs. Napoleon offered the house to Tsar Alexander Ist as the Russian Embassy in France. The tsar stayed there in 1818, and Carlo Andrea Pozzo di Borgo, adviser of the tsar, organized prestigious balls and receptions in the hotel. The house was destroyed in 1826 when the rue Laffitte was extended to the rue de la Victoire.

Hôtel Drouot is a large auction house in Paris, known for fine art, antiques, and antiquities. It consists of 16 halls hosting 70 independent auction firms, which operate under the umbrella grouping of Drouot. The firm's main location, called Drouot-Richelieu, is situated on the Rue Drouot in the 9th arrondissement of Paris, on a site once occupied by the Paris Opera's Salle Le Peletier. The nearest Métro station is Richelieu - Drouot. Other locations are Drouot-Montaigne, Drouot-Montmartre, and Drouot-Véhicules.Details of forthcoming auctions are published in the weekly Gazette de l'Hôtel Drouot, sold at newsstands and by subscription.In 2008 Hôtel Drouot was ranked fifth by sales amongst Paris auction houses, after Sotheby's, Christie's, Artcurial, and Ader-Picard-Tajan.

Rue Laffitte is a street in the 9th arrondissement of Paris, located near the Metro stations Richelieu - Drouot and Notre-Dame-de-Lorette. This street was created in 1771 between the Boulevard des Italiens and the Rue de Provence. Its original name was Rue d'Artois, in honour of the Comte d'Artois, brother of the king Louis XVI, later king of France with the name of Charles X. But in 1792, during the French Revolution, the prince had emigrated outside France and the street was renamed Rue Cerutti. Giuseppe Cerutti was an Italian writer living in a mansion in the street at the junction with the Boulevard des Italiens. He was a former Jesuit, became Republican and was elected to the French National Assembly. He wrote the eulogy of Mirabeau. He died the same year (1791) and the street was renamed in his honour.Louis Napoleon, the future Napoleon III, was born at number 15 on 20 April 1808.After the Bourbon Restoration, the street's name was changed back to Rue d'Artois. In 1826, the street was lengthened to the street of Rue Notre-Dame-de-Lorette, in the field of Hôtel Thellusson, which was destroyed. The French financier and politician Jacques Laffitte (1767–1844) had his mansion at number 27. On 30 July 1830, with Adolphe Thiers and La Fayette, he took part in the Revolution of 1830: they offered the crown to the future king Louis-Philippe of France, because King Charles X had allowed soldiers to shoot civilians and because they feared that a republic would lead to disorder and foreign wars. In December 1830, Laffitte was President of the French Council of Ministers and the street was renamed after him. Laffitte shares with Victor Hugo the honour of having lived in a street bearing his name. Dowager queen Kishwar Sultana of erstwhile princely state of Oudh, in Northern India, stayed at Hotel Papy in 1858 on this street after she returned from London, when Queen Victoria refused her plea to restore her son Wajid Ali Shah to the throne of Oudh. Oudh had been annexed earlier by British East India Company. In fact she died at the hotel and is buried at Pere LaChaise cemetery in Paris.At the beginning of the street at the junction with the Boulevard des Italiens or the Boulevard Haussmann, there is an interesting view of the Sacré-Coeur de Montmartre, which seems to be on top of the church of Notre-Dame de Lorette. In fact, it is much more distant.

The Laboratoire français de gemmologie (gemological laboratory of France) is the oldest gemological laboratory in the world, having been founded in 1929 by a customs official. It was run by the Paris Chamber of Commerce from 1933 to 2011, when it was attached to the Union Française de la Bijouterie, Joaillerie, Orfèvrerie, des Pierres et des Perles (BJOP). It operates completely independently as a source of expertise in gemology for clients' information and security, and has a partnership with the University of Nantes. Its director since 2011 has been Olivier Segura.

The Golf-Drouot was a nightclub located in the 9th arrondissement of Paris. It began its life in 1955 as a tea room with a miniature golf course, hence its name. It wasn't until 1961 that the Golf-Drouot became a nightclub. With increased popularity the club hosted notable artists such as Free, David Bowie and The Who. The club closed in 1981.

The Church of Notre-Dame-de-Lorette is a neoclassical church in the 9th arrondissement of Paris.

Richelieu–Drouot (French pronunciation: ​[ʁiʃ(ə)ljø dʁu.o]) is a station of the Paris Métro on Line 8 and Line 9. It was opened on 30 June 1928 with the extension of line 8 from Opéra and line 9 from Chaussée d'Antin. It is named after the Boulevard de Richelieu and Rue Drouot. Richelieu (1585–1642) was Secretary of State to Louis XIII. Antoine Drouot (1774–1847) was Aide-de-camp to Napoleon I in 1813 and accompanied him to Elba and during his brief comeback known as the Hundred Days.

The Théâtre Robert-Houdin, initially advertised as the Théâtre des Soirées Fantastiques de Robert-Houdin, was a Paris theatre dedicated primarily to the performance of stage illusions. Founded by the famous magician Jean-Eugène Robert-Houdin in 1845 at No. 164 Galerie Valois as part of the Palais-Royal, it moved in 1852 to a permanent home at No. 8, Boulevard des Italiens. The theatre's later directors, before its demolition in 1924, included Robert-Houdin's protégé Hamilton and the illusionist and film innovator Georges Méliès. When he first founded the theatre, Robert-Houdin was known primarily for his guest appearances as a magician and his clever mechanical inventions. Eager to solidify his work as a stage performer, he leased assembly rooms in the Palais-Royal and had them converted into a small but elegant proscenium theatre auditorium. In setting his stage, Robert-Houdin deliberately set himself apart from conventional stage-magic traditions; he eschewed the usual emphasis on dazzling visual confusion, replacing it with a simple drawing-room look with light furniture in the Style Louis XV. After a rocky start, his theatre gained critical respect, and boomed in popularity with the introduction of Robert-Houdin's mind-reading illusion "Second Sight". In early 1852, Robert-Houdin transferred the theatre's directorship to his former pupil Hamilton (born Pierre Etienne Chocat), who continued its success. At the end of that year, when the lease on the Palais-Royal location ran out, Hamilton moved his operation to a boulevard theatre venue on the Boulevard des Italiens. In its new permanent location, the theatre continued to run for the next few decades, under directors including Cleverman (born François Lahire), Pierre Edouard Brunnet, and Émile Voisin. A drastic refreshing of the theatre's repertoire in the mid-1870s gave it a major financial boost, with the added box-office takings allowing it to start hosting guest artists. However, the boom did not last long, and the theatre was physically run-down and in a serious financial slump by the mid-1880s. In 1888, Georges Méliès took over the lease on the venue. He retained its existing staff but began a thorough revamping, aiming to restore both the theatre's architecture and its repertoire to their former quality. His first major innovation was to conclude each evening's entertainment with a spectacularly staged, lavishly advertised illusion, telling a miniature story complete with original scenery and costumed characters. Méliès's restorations and innovations were a marked success. In 1896, when moving pictures were an emerging novelty, he added film projection to the theatre's repertoire, and even began making his own films to show there and sell elsewhere. Over the next fifteen years, filmmaking became a major part of his career, on top of and overlapping with his work at the theatre. A 1901 fire destroyed most of the venue, but the theatre was rebuilt the same year and continued to present performances with success. At the onset of the First World War, the theatre was closed; Méliès, now severely in debt from a series of filmmaking-related troubles, was unable to keep it going, and sublet it as a full-time cinema. He shut down the venue in 1923, when he sold all his property in an attempt to pay his debts. Paris city planners demolished the theatre the following year to allow for an extension of the Boulevard Haussmann.

The Passage Jouffroy is a covered passages of Paris, France, located in the 9th arrondissement. It runs between the Boulevard Montmartre to the south and the Rue de la Grange-Batelière to the north.