Seventh Avenue station (IND lines)

53rd Street is a midtown cross street in the New York City borough of Manhattan, that runs adjacent to buildings such as the Citigroup building. It is 1.83 miles (2.94 km) long. The street runs westbound from Sutton Place across most of the island's width, ending at DeWitt Clinton Park at Eleventh Avenue. The Lexington Avenue – 53rd Street/ 51st Street station complex, one of the busiest in the New York City Subway system, is accessible from this street, and is served by 4, ​6, and <6> E and ​M trains. The Seventh Avenue station, serviced by the (B, ​D​, and E trains), is a similarly busy transfer station. The 53rd Street Tunnel carries the IND Queens Boulevard Line (E and ​M trains) of the New York City Subway under the East River between Manhattan and Queens.

Lindy's was two different deli and restaurant chains in Manhattan, New York City. The first chain, founded by Leo "Lindy" Lindemann, operated from 1921 to 1969. In 1979, the Riese Organization determined that the Lindy's trademark had been abandoned, and opened new restaurants, the last of which closed in February 2018.

The Stage Deli, located on Seventh Avenue just two blocks from Carnegie Hall, was a well-known New York City delicatessen, patronized by numerous celebrities. It was first opened in 1937 by Russian immigrant Max Asnas. The deli was known for Broadway-themed dishes including the "Mamma Mia!" sandwich. It had other menu items named for the celebrities who have dined there, including Sarah Ferguson, Adam Sandler, Dolly Parton, Martin Short, and Ron Blomberg.In addition to serving regular meals, Stage Deli held special events including the Matzoh Bowl to determine the best matzoh ball soup.The Stage Deli had a longstanding rivalry with the nearby Carnegie Deli. At one point, the rivals quarreled over which had the best pastrami, with the Stage Deli pointing out that the Carnegie Deli's pastrami was made with water from New Jersey, and the Carnegie Deli responding that the Stage Deli's pastrami, while made with New York water, was bought from a vendor instead of home-made. Thus, New Yorkers could get the same pastrami from any deli supplied by the same vendor.A 1950 comedy album, The corned-beef Confucius, featuring Asnas "with some of Broadway's greatest comedians", was recorded at the deli.Yankees' teammates Mickey Mantle, Hank Bauer and Johnny Hopp shared an apartment above the deli in the early 1950s, and its baseball ties reach out of town to Pete Rose, who once complained of not having a sandwich in his honor.The Stage Deli closed on November 29, 2012. The owners cited a downturn in business, coupled with rising rent as the reasons for the closing. The Stage Deli previously found in the Forum Shops of Caesars Palace in Las Vegas, Nevada closed in June 2008.

The Sheraton New York Times Square Hotel is a 152.7 m (501 ft), 51-story hotel located near Times Square in Midtown Manhattan, New York City. It faces 7th Avenue, 52nd Street, and 53rd Street. It is one of the world's 100 tallest hotels, and one of the tallest hotels in New York City.

810 Seventh Avenue is a Class-A office skyscraper located a few blocks north of Times Square on Seventh Avenue between 52nd and 53rd streets within Midtown Manhattan in New York City, United States. It is owned by SL Green Realty Corp. after its acquisition of Reckson Associates Realty Corp., completed in January 2007. The back of the building is situated on Broadway, diagonally across Broadway and 53rd from CBS's Ed Sullivan Theater, home of The Late Show with Stephen Colbert. The building has a large number of tenants, including: AT&T Wireless, Convene Conference Centers, Aegis Capital Corp., CompassRock Real Estate (40th Floor), Constellation Energy, EMI Entertainment, Scripps Networks - Ion Media Networks, Hearst Communications, IAC/InterActiveCorp, Insight Communications, The Raine Group, Metromedia Company, Murex, Oppenheimer & Co., TheMarkets.com (6th Floor), Pixafy

Traphagen School of Fashion was an art and design school in operation from 1923 to 1991, and was located at 1680 Broadway in New York City. The school was founded and directed by Ethel Traphagen Leigh (1883–1963) with a focus on the foundational concepts of the American design movement. This was one of the earliest fashion schools and played a role in the development of American fashion by educating over 28,000 students in 68 years of operation.

A7 was a club in New York City that between 1981 and 1984, was one of the main locations of the New York hardcore scene. The tiny space was located on the southeast corner of East 7th Street and Avenue A in Manhattan's East Village. The venue hosted fast punk bands such as The Stimulators or The Violators, and slowly a hardcore scene of initially about 100 persons formed around the club which spawned bands like The Abused, Agnostic Front, Antidote, Cause for Alarm, Cro-Mags, Heart Attack, Kraut, The Mob or Urban Waste who played the A7 regularly, some of them weekly. Although the venue were putting on performances from lesser known New York punk rock and hardcore bands like False Prophets, it became the scene's unofficial headquarters of the scene after Bobby Steele began performing at the venue due to him being banned from CBGB and Max's Kansas City. It also played host to a fertile jazz and reggae scene during the 1980s.The success of the club led to the owner opening 2+2 club on the intersection of East Houston Street and 2nd Avenue in the summer 1982. This venue was larger and would host performance by bigger performances.

The Palladium Ballroom was a New York City night club. The US mambo craze that started in 1948 began at the Palladium Ballroom. On March 15, 1946 it opened at the northeast corner of Broadway and 53rd Street.

Cheetah was a nightclub located at 1686 Broadway near 53rd Street in Manhattan, New York City. The club opened on May 28, 1966, and closed in the 1970s. The financial backing was provided by Borden Stevenson, son of politician Adlai Stevenson, and Olivier Coquelin. Robert Hilsky and Russell Hilsky were associated with the club.According to Steven Watson's Factory Made: Warhol and the Sixties, it "was the granddaddy of the big commercial disco". The most elaborate discotheque was Cheetah, on Broadway and 53rd Street, where everybody, according to Life, looked like "a kook in a Kubla Khanteen." The three thousand colored lightbulbs dimmed and flicked and popped into an infinity of light patterns, reflecting off shiny aluminum sheets. Cheetah held two thousand people and offered not only dancing but a library, a movie room, and color television. "The Cheetah provides the most curious use of the intermedia," wrote Jonas Mekas. "Whereas the Dom shows are restricted (or became restricted) to the In-circle, Cheetah was designed for the masses. An attempt was made to go over the persona, over the ego to reach the impersonal, abstract, universal. The musical Hair was performed at Cheetah before becoming a major production on Broadway. A live album by The Esquires, Mike St Shaw and the Prophets, and The Thunder Frog Ensemble was recorded there in 1966 and released by Audio Fidelity Records as Where It's At — Cheetah (1966, AFSD 6168).A later incarnation of the Cheetah opened at 310 W 52nd near 8th Ave (formerly the Palm Gardens). Cheetah became a popular Latin-American dance club that helped popularize Salsa to mainstream America and is widely cited as the birthplace of salsa music, or at least of the popular use of the term "salsa" to denote pan-Latin music brewing in New York City. On Thursday, August 26, 1971, the Fania All-Stars headlined the club and drew an overflowing and excited crowd that was later captured on film as Our Latin Thing. The Fania All-Stars brought together the leading lights in Latin music styles (descarga, mambo, boogaloo, merengue, folkloric) and presented a single concert drawing from these diverse influences. Although the term "salsa" had been used in Latin music dating back to at least Pupi Legarreta's 1962 LP Salsa Nova, this modern combination of styles being presented at the Cheetah Club began to become popularly known under the umbrella term "salsa".

On June 10, 2019, an Agusta A109E Power crashed onto the Axa Equitable Center on Seventh Avenue in Manhattan, New York City, which sparked a fire on the top of the building. The helicopter involved in the accident, N200BK, was destroyed. The only occupant, the pilot, Tim McCormack, died in the crash. The aircraft was owned by Italian American businessman Daniele Bodini at the time of the crash.The flight originated from the East 34th Street Heliport (FAA LID: 6N5) at approximately 1:32 PM EDT bound for Linden, New Jersey. At around 1:43 PM EDT on June 10, 2019, the helicopter, an Agusta A109E Power, registration N200BK, crashed on the roof of the Axa Equitable Center, sparking a fire on the top of the building. The first emergency call was made at 1:43 PM. The FDNY has considered the accident as a "hard landing." The fire on the top of the highrise was extinguished quickly. The preliminary NTSB report states that day instrument meteorological conditions prevailed (nearby station reporting 500 ft (150 m) overcast ceiling and 1.25 mi (2.0 km) visibility) for the Part 91 corporate flight, that basic visual flight rules weather minimums for helicopters are 0.5 mi (0.8 km) visibility, and remain clear of clouds, that the pilot radioed that he "did not know where he was", and that tracking data showed that the helicopter "flew erratically" and "changed course and altitude several times". A witness-recorded video of part of the flight is available.After the accident, New York City Mayor Bill de Blasio briefed the press, confirming a lack of further victims or apparent terroristic motive. The National Transportation Safety Board sent agents to investigate the accident. The accident prompted Mayor de Blasio to call for a ban on non-emergency helicopters flying over Manhattan. Former City Parks Commissioner Adrian Benepe countered that the mayor had the authority to eliminate ninety percent of helicopter traffic by himself by eliminating the more than 200 daily tourist and charter flights from city-owned heliports.

Axa Equitable Center (originally the Equitable Tower or Equitable Center West) is an office skyscraper at 787 Seventh Avenue, between 51st and 52nd Streets, in the Midtown Manhattan neighborhood of New York City. Completed in 1986 and designed by Edward Larrabee Barnes, the building measures 752 feet (229 m) tall with 54 stories. Equitable Center West was developed by the Equitable Life Assurance Society (later renamed Equitable Holdings, part of Axa) adjacent to Equitable's existing skyscraper at 1285 Avenue of the Americas. The facade is clad in granite, applied in a two-tone pattern of white horizontal and red vertical bands. The building has three setbacks, as well as a penthouse at the top with arched windows. Equitable acquired an extensive collection of artwork to display in the building's public spaces. There is a public galleria from 51st to 52nd Street, which forms part of 6½ Avenue, as well as an arched entrance atrium from Seventh Avenue. The complex also includes an underground concourse, several restaurants, and a corporate auditorium. The building was proposed in the early 1980s and, after the site was acquired, Equitable's board approved the plans for the tower in 1983. When the tower opened, the company's corporate offices occupied about a third of the space, and the ground story had commercial concerns such as the Le Bernardin restaurant and a branch of the Whitney Museum. Equitable only used the tower as its headquarters until the late 1990s, and the California Public Employees’ Retirement System (CalPERS) acquired Axa Equitable Center in 2016.

The Ed Sullivan Theater (originally Hammerstein's Theatre; later the Manhattan Theatre, Billy Rose's Music Hall, CBS Radio Playhouse No. 3, and CBS Studio 50) is a theater at 1697–1699 Broadway, between 53rd and 54th Streets, in the Theater District of Midtown Manhattan in New York City. Built from 1926 to 1927 as a Broadway theater, the Sullivan was developed by Arthur Hammerstein in memory of his father, Oscar Hammerstein I. The two-level theater was designed by Herbert J. Krapp with over 1,500 seats, though the modern Ed Sullivan Theater seats many fewer people. The neo-Gothic interior is a New York City landmark, and the building is on the National Register of Historic Places. The Ed Sullivan Theater was built in conjunction with a 13-story Gothic-style office building facing Broadway. An entrance vestibule and two lobbies lead from the main entrance on Broadway to the auditorium on 53rd Street. The auditorium was purposely designed to resemble a cathedral, unlike other structures that were designed as Broadway theaters. It has a domed ceiling with ribs, as well as walls with stained glass. Though the seating arrangement and stage have been heavily modified from their original design, many of the design elements in the lobbies and auditorium are intact. Hammerstein operated the theater from 1927 to 1931, when he lost it to foreclosure. For the next five years, the theater was leased to multiple operators as both a theater and a music hall. The theater became a venue for CBS radio broadcasts in 1936, and it was converted to TV broadcasting in 1950. Under the Studio 50 name, the theater housed The Ed Sullivan Show from 1953 to 1971, as well as other shows such as The Garry Moore Show and The Jackie Gleason Show. Studio 50 was renamed after Ed Sullivan in 1967, and Reeves Entertainment used the Sullivan in the 1980s as a broadcast facility. The Sullivan has staged CBS's The Late Show franchise since 1993, first under David Letterman, then under Stephen Colbert since 2015.